British Detective Fiction

When Matt Ballard was starting out his career, three boys were murdered in the same area, the remote and bleak Gibbet Fen. When the main suspect was killed in a hit-and-run, the killings stopped. But Matt was not satisfied that the real murderer had been caught. Over 25 years later, Matt gets a photo in an unmarked envelope. It's of the Gibbet Fen crime scene. And the picture was taken before the murder took place. More photos arrive, relating to the historic murders, as well as intimate pictures of Matt's very secret private life.

Mark Randall lay dead in a field near Lowacre long before Smith had done what he had to do in Belfast. By the time he went back to work, the investigation was well underway. "It's not my case," he says more than once, and he really doesn't need it to be; he has enough to think about as it is. But going around the Norfolk countryside dotting the i's and crossing the t's, speaking to the local farmers and the Brothers of St. Francis from Abbeyfields, Smith begins to suspect that the investigation might be heading in entirely the wrong direction.

When East-End gangster and 'frenemy' to the Last Chance Saloon, Johnny Lucas, is accused of murdering a London gangland rival in his boxing club, he claims his brother was the killer. The only problem though is that his brother, Jackie, is actually Johnny's multiple personality. Pulled in to prove the case, DI Declan Walsh and his team soon realize that Johnny might be as innocent as he claims, as a new player is in town, claiming to be Johnny's brother Jackie in the flesh, a man who shouldn't exist yet can prove he does, is starting to carve out his own empire.

When mourners gather in the village of Lower Gladdock, the grave is found to be already occupied. The victim is soon linked to a tragedy that tore the village apart five years ago and is handed over to the Bexford police to solve. Detective Sergeant Guy Poole is hoping to put his traumatic past behind him and settle into his new station at Bexford. Now history is threatening to raise its head again, and he has a murder case to contend with. Detective Inspector Sam Brock has a new recruit to take under his wing, and he's determined this one isn't going to die.

When a girl’s body is found strangled, raped, and horrifically mutilated by a boat’s propeller, deep in the heart of the Norfolk Broads, newly arrived Detective Inspector John Tanner is asked to assist with the investigation. At first, all the evidence points to a man who had a multi-million-pound reason to kill her. But when an alibi is produced from an unexpected source, and another body appears at the base of a slipway, Tanner finds himself turning to local girl Detective Constable Jenny Evans for help.

Detective Sergeant Chris Waters got the call at 05.29 that July morning. This is it, said DCI Reeve, you'll be first there, it's all yours, you're the crime scene manager. Suddenly, after months of waiting and wondering, Waters finds himself in at the deep end, and alone at the scene of a puzzling murder. As the investigation proceeds, the detectives at Kings Lake Central find themselves visiting familiar places and talking to some familiar faces, while old enmities reappear in the incident room. Before this is over, Chris Waters will need to make a career-changing decision.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

Detective Sara Hirst has moved from London to Norfolk Police's Serious Crimes Unit. She wants to know the truth about her father, who has connections to the area. Her mother won't tell her the real story. A new job. A new place. Same old problems. Sara's first call-out is to a decomposing body discovered in a ditch on a local farm. How does the murder relate to a recent spate of thefts? Who wanted the victim dead? Then the case grows very personal.

When a beautiful, wealthy student is found dead in her room in Oxford's most prestigious college, Detective Inspector Bridget Hart is called to investigate. The murdered girl appeared to have no enemies, yet was killed in a brutal and bloody assault. Haunted and driven by her own personal tragedy, newly promoted DI Bridget Hart has a lot to prove as she leads her first murder case. Her investigation uncovers a tangled web of lies, lust and ambition, and brings her into conflict with powerful interests.

When the body of an old man is found lying in the ruins of St Benet’s Abbey, his throat cut, a knife resting in his open hand, DI John Tanner and DC Jenny Evans are given no choice but to accept a ruling of death by misadventure. But when the body goes missing from its tomb, after a priest is found nailed to a cross, and another impaled on a stake, everything begins to point back to the murder of a teenage girl, thrown from the top of a church tower, some 43 years before.

When new victims of the still-at-large serial killer known as the Red Reaper start to appear in London, DCI Declan Walsh and his team are placed back on the case—but everything isn't what it seems. For a start, the deaths are different, and the calling card is new. It could be a copycat, apart from one thing... They know what Declan did to the real Red Reaper a year earlier. Something only Declan and the closest members of his team keep secret. Is this the real Reaper, back to gain revenge on Declan and his family—or is this a protégé, staking his own claim to the serial killer name?

When Harry Falcon, a wealthy boatyard owner and decorated World War Two veteran, is found drowned in his bath, DI John Tanner and DC Jenny Evans start by questioning his two sons, each with a motive for wanting him dead. But when the elder son is found with his head smashed in under a toppled yacht, and the younger son has been talking to a local property developer, one who’d spent months trying to buy the yard from his father, the investigation soon leads them towards a dark and dangerous secret, one which nobody can quite believe.

Chief Inspector Brian Hooley has a plan, and it won't make him popular. He wants to bring back autistic detective Jonathan Roper. Currently suspended on misconduct charges, his condition, coupled with a relentless work ethic, makes Roper a unique investigator with observational skills that allow him to see what others miss. But he is also a complex man who doesn't get social boundaries, and plenty of his colleagues just don't like him. Hooley doesn't care about that. He knows Roper is the one to make a difference.

A body caught on the end of a mast, another skewered by a rhond hook, and a chain of evidence Tanner simply cannot accept. As a twisting gale howls its way over Barton Broad, DS Jenny Evans joins a handsome old friend to help rescue the crew of an overturned boat. But when they discover a body, snagged on the end of the mast, one murder soon follows another, leaving DI John Tanner facing a race against time, desperate to prove that the most obvious suspect isn’t who everyone seems to think it is.

They call him the gourmet detective; the only thing sharper than his mind is his palate. When chefs need a rare ingredient, an ancient wine, or simply a new idea to gain that extra Michelin-star boost, they come to the detective's cozy London office and plead for his help. For top-notch cooking, he is always happy to lend his taste buds to the cause.

In 1930s London, celebrity psychiatrist Anselm Rees is discovered dead in his locked study. There seems to be no way a killer could have escaped unseen. There are no clues, no witnesses, and no evidence of the murder weapon. Stumped by the confounding scene, the Scotland Yard detective on the case calls on retired stage magician turned part-time sleuth Joseph Spector. Spector has a knack for explaining the inexplicable, but even he finds that there is more to this mystery than meets the eye.

London, 1850: A young Charles Lenox struggles to make a name for himself as a detective...without a single case. Scotland Yard refuses to take him seriously and his friends deride him for attempting a profession at all. But when an anonymous writer sends a letter to the paper claiming to have committed the perfect crime - and promising to kill again - Lenox is convinced that this is his chance to prove himself. The writer's first victim is a young woman whose body is found in a naval trunk, caught up in the rushes of a small islets in the middle of the Thames.

Struggling with his new role as a detective chief inspector, John Tanner is warned of a convicted psychopath’s early release. When a couple is found later that day; the man stabbed to death, the woman with her throat cut, he's forced to assume the convict is responsible. But when the male victim turns out to be heir to a global pharmaceutical company, and his twelve-year-old son is nowhere to be found, he has to start looking closer at the victim’s family, and their sprawling stately ancestral home.

The remains of a 17th-century witch, an MP found hanging above a five-pointed star and three girls with powers beyond anyone's control. As DI Tanner and DS Evans endeavour to make plans for their big day, the chance discovery of Norfolk's last known witch, tried and hanged by Norfolk’s infamous Witchfinder General, sparks a chain of the most horrific events, none of which Tanner seems able to prevent.

SPIDER MOUTHDI FRED FAIRSERVICE has just returned from holiday when he’s confronted with several mysterious deaths; the mutilated dead body of a junkie, the apparent suicide of a housewife, and the murder of a cannibal, kicks off the strangest investigation of his dark and brutal career. But the strangest element of the case is the connection to the deaths of several old men and women who are found with spiders placed in their mouths.