Showing titles in City Life

For 30-somethings Lindy, Ailbhe and Roe, the move to the new hyper-polished, luxury housing development, Monteray Valley, feels like slow death by Netflix, neighbourhood Whatsapp groups and Saturday nights in. Potential for exciting possibilities seem to be withering faster than you can say 'postnatal dryness' as their lives are consumed by other halves, domestic drudgery and obligations. Compiling a snag list to send to their builder sees the new friends contemplating their own personal snag lists and inspires a business idea that will change the course of all their lives.

Every day, Iona Iverson travels to work by train. Every day, she sees the same people, making assumptions about them, and even giving them nicknames. But they never speak. Obviously. Then one morning, Smart-But-Sexist-Surbiton chokes on a grape right in front of Iona. Sanjay, a nurse, steps up to help and saves his life. This single event starts a chain reaction.

New York is slipping from Cleo’s grasp. Sure, she’s at a different party every other night, but she barely knows anyone. Her student visa is running out, and she doesn’t even have money for cigarettes. But then she meets Frank. Twenty years older, Frank's life is full of all the success and excess that Cleo's lacks. He offers her the chance to be happy, the freedom to paint and the opportunity to apply for a green card. She offers him a life imbued with beauty and art - and, hopefully, a reason to cut back on his drinking. He is everything she needs right now. 

Even through the roar and effervescence of the 1920s, everyone in New York has heard of Benjamin and Helen Rask. He is a legendary Wall Street tycoon; she is the daughter of eccentric aristocrats. Together, they have risen to the very top of a world of seemingly endless wealth—all as a decade of excess and speculation draws to an end. But at what cost have they acquired their immense fortune? This is the mystery at the centre of Bonds, a successful 1938 novel that all of New York seems to have read. But there are other versions of this tale of privilege and deceit.

Two young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists—he a photographer, she a dancer—trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence. 

When Libby Nicholls arrives in London, broken-hearted and with her life in tatters, the first person she meets on the bus is elderly pensioner Frank. He tells her about the time in 1962 he met a girl on the number 88 bus with beautiful red hair just like her own. They made plans for a date, but Frank lost the ticket with her number written on it. For the past sixty years, he's ridden the same bus trying to find her. Libby is inspired by the story and, with the help of an unlikely companion, she makes it her mission to continue Frank's search.

When Sara Foster runs away from home at 16, she leaves behind not only the losses that have shattered her world but the girl she once was, capable of trust and intimacy. Years later, in Los Angeles, she is a sought-after bartender, renowned as much for her brilliant cocktails as for the mystery that clings to her. Across the city, Emilie Dubois is in a holding pattern. In her seventh year and fifth major as an undergraduate, she yearns for the beauty and community her Creole grandparents cultivated but is unable to commit.

To his customers and neighbours on 125th street, Carney is an upstanding salesman of reasonably priced furniture, making a life for himself and his family. He and his wife, Elizabeth, are expecting their second child, and if her parents on Striver's Row don't approve of him or their cramped apartment across from the subway tracks, it's still home. Few people know he descends from a line of uptown hoods and crooks and that his façade of normalcy has more than a few cracks in it. Cracks that are getting bigger and bigger all the time.

Ronke, Simi and Boo are three mixed-race friends living in London. Everyday racism has never held them back, but now in their 30s, they question their future. When Isobel, a lethally glamorous friend from their past, arrives in town, she is determined to fix their futures for them. Cracks in their friendship begin to appear, and it is soon obvious Isobel is not sorting but wrecking. When she is driven to a terrible act, the women are forced to reckon with a crime in their past that may just have repeated itself.

When overachiever Leena Cotton is ordered to take a two-month sabbatical after blowing a big presentation at work, she escapes to her grandmother Eileen's house for some overdue rest. Eileen is newly single and about to turn 80. She'd like a second chance at love, but her tiny Yorkshire village doesn't offer many eligible gentlemen. Once Leena learns of Eileen's romantic predicament, she proposes a solution: a two-month swap. Eileen can live in London and look for love. Meanwhile Leena will look after everything in rural Yorkshire....

In a condemned tower block in Glasgow, residents slowly trickle away until a young man is left alone with only the angels and devils in his mind for company. Stumbling from one surreal situation to the next, he encounters others on the margins of society, finding friendship and camaraderie wherever it is offered, grappling with who he is and what shape his future might take. The Voids is an unsparing story of modern-day Britain, told with brilliant flashes of humour and humanity.

Sayon Hughes, a young Black man from Bristol, dreams of a world far removed from the one in which he was raised. Far removed from the torn slips outside the bookie's, the burnt spoons and the crooked solutions his community embraces; most of all, removed from the Christianity of his uncaring parents and the prejudice of law-makers.

In a city graveyard, a resident unrolls a threadbare Persian carpet between two graves. On a concrete sidewalk, a baby appears quite suddenly, a little after midnight, in a crib of litter. In a snowy valley, a father writes to his five-year-old daughter about the number of people who attended her funeral. And in the Jannat Guest House, two people who've known each other all their lives sleep with their arms wrapped around one another as though they have only just met.

Serena Mills should be at her wedding. But she’s not. Instead, she’s eating an ice cream sundae and drinking an obscenely large glass of wine in a Harvester off the M25. Everyone thinks she’s gone mad. She’s left the man everyone told her she was ‘so lucky’ to find - because Serena wants to find love. Real love. A love she deserves - not one she should just feel grateful for.

Known for its luxury and discrete service, the Hotel Louis XVI in Paris has attracted an international clientele of the rich and famous for many decades. Now, after extensive renovation and under new management, an esteemed group of loyal returning guests is set to descend upon the hotel, joined by a group of new faces who have managed to secure coveted reservations. Anxiously awaiting the guests is the new manager, Olivier Bateau, and his assistant, Yvonne Philippe. Both strive to continue the hotel's tradition for excellence.

Franny meets Hayes in the opposite of a meet-cute - when her dress gets caught in the subway doors on her way home and then rips, leaving her in the fashion equivalent of a hospital gown. Hayes is the stuffy suit whose one redeeming quality is giving Franny his jacket, saving her from showing her assets to half of New York. Franny is eager to forget the whole horribly embarrassing encounter as soon as possible, but neither of them anticipated a fellow commuter live-blogging them as #subwaybaes - turning their awkward run-in into click-bait and a manufactured love story for the ages.

Daddy’s girl Samantha Reynold hadn’t bargained on unexpectedly needing to step into her father’s shoes and take over the family casino business. Pampered and spoiled, Sam knows nothing about the rules of this glamorous but deadly new world. She has a lot to learn and even more to prove. But she won’t let her family down, especially when it looks like they could lose everything to their biggest rivals - the Stoker family.

Nell Stevens’ life is a mess. When her business goes bust and her fiancé with it, Nell’s happy ever after in California falls apart and she moves back to London to start over. But a lot has changed since she’s been gone. All her single friends are now married with children, sky-high rents force her to rent a room in a stranger’s house and in a world of perfect Instagram lives, she feels like a f--k up. 

This is a story of a London you won’t find in any guidebooks. This is a story about what it’s like to exist in the moment, about boys too eager to become men, growing up in the hidden war zones of big cities - and the girls trying to make it their own way. This is a story of reputations made and lost, of violence and vengeance - and never counting the cost. This is a story of concrete towers and blank-eyed windows, of endless nights in police stations and prison cells, of brotherhood and betrayal.

Meet Ivy. She's not just a hot mess, she's a walking disaster. The only man in her life is the pizza delivery driver and she puts more effort into binge-watching Netflix than her dead-end job. But that was the old Ivy. Because last night she switched her phone off, peeled the salami from last night's drunken takeaway off the carpet and made a list. A list that changed everything.