Joni never thought she would try online dating. She's so nervous that she posts fake photos—but when she starts talking to Ant, who's desperate to meet her, she doesn't dare come clean. Instead, Joni finds a way to meet Ant without revealing her true identity. It's perfect, it works and she's happy—until a few months in, Joni discovers she wasn't the only one being deceitful: on Ant's phone are intimate messages between him and two other women.

When young doctor Lauren Matheson meets Joe, an older divorced businessman, at a glittering poolside in California, it’s a chance encounter that seems life-changing. Back home in London, their feelings only strengthen. But Lauren soon discovers that building a happy future with Joe is going to be an uphill struggle... She’s determined to be a good stepmother to his children, four-year-old Toby and complicated teen Grace. But under the watchful eye of Meredith, Joe’s intimidating ex-wife, Lauren can’t seem to do a thing right.

A week at a beautiful chateau in the south of France—it should be a straightforward final job for Dora. She’s a smart, stunning and discreet escort and Daniel has paid for her services before. This time, all she has to do is to convince the assembled guests that she is his girlfriend. Dora is used to playing roles and being whatever men want her to be. It’s all about putting on a front. It will be a last, luxurious look at how the other half lives, before Dora turns her back on the escort world and all its dangers. 

Katie has no reason to believe her boyfriend, James, is cheating until someone claiming to be his wife gets in touch. Now she's been cast in the role of mistress. Not one she's happy with. Once Stephanie and Katie know about each other, they must decide what to do. They could both just throw him out or they could join forces to make his life hell first.

The inhabitants of the Inventor's Housing Estate keep themselves to themselves. There are the friendly 'Hellos' when commutes coincide and the odd cheeky eye roll when the wine bottles clank in number seven's wheelie bin, but it's not exactly Ramsay Street. The dilapidated community centre is no longer the beating heart of the estate that Becky remembers from her childhood. So the new pottery class she's helped set up feels like a fresh start. And not just for her.

For film projectionist Nick, love should mirror what he sees on the big screen. And when he falls for Ellie on the eve of the 2008 presidential election, it finally does. For four blissful years, Nick loved Ellie as much as he loved his job splicing film reels together in the local cinema. Life seemed...picture-perfect. But now it's 2012, Ellie has moved out and Nick's trying to figure out where it all went wrong.

Addie and her sister are about to embark on an epic road trip to a friend's wedding in rural Scotland. The playlist is all planned, and the snacks are packed. But, not long after setting off, a car slams into the back of theirs. The driver is none other than Addie's ex, Dylan, who she's avoided since their traumatic break-up two years earlier. Dylan and his best mate are heading to the wedding, too, and they've totalled their car, so Addie has no choice but to offer them a ride. 

A multi-generational novel that follows two women from the same family as each embarks on her own journey through single parenthood in the 1950s and the present day. It explores the varying perception of single parenthood and was inspired by Wallace's family as her grandmother raised her mother alone in the 1950s. 

For Emily Rossi, life may not be perfect, but it's pretty close. She has a great career, a house in the country, a solid marriage to Eric and two wonderful children - tennis superstar Daniel and quiet, sensitive Zara. But when her fourteen-year-old daughter brings home a toxic new best friend, Emily’s seemingly perfect family starts to spiral out of control.

Everyone tells Martha Friel she is clever and beautiful, a brilliant writer who has been loved every day of her adult life by one man, her husband Patrick. So why is everything broken? Why is Martha - on the edge of 40 - friendless, practically jobless and so often sad? And why did Patrick decide to leave? Maybe she is just too sensitive, someone who finds it harder to be alive than most people. Or maybe - as she has long believed - there is something wrong with her. 

When 26-year-old Daisy's life in London comes crashing down around her, the only thing she can think of is getting away - far away. That's how she found herself stumbling off a train in England's picturesque Peak District - 150 miles from home, with no idea why she'd gone there and even less idea how she intended to get home.

When I was a kid and I’d lost something, my dad always said, ‘Go back to the place you last had it’. The problem is that what I’ve lost is...me. Kate loves her family more than anything, but recently she has started to feel invisible. Lying awake at three a.m. as her husband snores, panicking about shopping lists, birthday parties and the school bake sale...She finds herself in the kitchen, gulping water, staring at a postcard of the Eiffel Tower from Shannon, her best friend.  

When Cassie and James find each other on a home swap website, it feels meant to be. City hotshot James needs a bolthole after a relationship goes sour, and Cassie needs to leave the comfort of her little island to research her new book. Soon, James is living in Cassie’s cute but ramshackle beachside cottage, and Cassie’s living in James’ London apartment. It’s the perfect solution. Except James didn’t imagine he’d be sharing his home with 11 chickens and three alpacas. And Cassie is less than impressed when James’ ex-girlfriend turns up at his door.

Millie is a perfectionist. She's happy, she's successful and, with a great support network of friends and family (and a very grumpy cat), she's never lonely. She loves working at a big tech firm and is on track be promoted to her dream role. The last thing she needs is romance messing up her perfectly organised world. Besides, normal people just don't have romantic relationships. Everyone knows that being in a couple is a bit...well, odd. You know, like having a pet snake or referring to yourself in the third person. Why rely on another person for your own happiness?

Ruth Hartland is the director of a trauma unit, a psychotherapist with years of experience, wise and respected by her peers. But professional skill is no guard against private grief. The mother of grown twins, she is haunted by the fact that her beautiful, difficult, fragile son Tom, a boy who never 'fit in', disappeared a year and a half earlier. She cannot give up hope of finding him but feels she is living a kind of half life, waiting for him to return.