It’s the summer of 1984, and there is a sense of unease on the troubled Sweetmeadows estate. The residents are in shock after the suspicious death of a baby. Journalist Clare Jackson follows the story as police bungle the inquiry and struggle to contain the escalating violence. Haunted by a personal trauma, Clare is shadowed by nine-year-old Amy, a bright but neglected little girl who seems to know more about the incident than she's letting on.

Your family are always there for you...aren't they? For Tara, Vee, Niall, and Damian, the children of the Shine family, their parents have seen them through thick and thin. In fact, Gus and Joan's lifetime of hard work has given their children a very comfortable start in life. But with the Irish economy in crisis - money is thin on the ground and perhaps it's time to for the younger generation to learn a few home truths. As the children are forced to live a life without the Bank of Mum and Dad.

Marianne has worked hard to provide her children with a secure and loving home. But then comes the news that will change everything: Her husband, Dominic, has been found dead. As she and the police delve deeper into the circumstances surrounding Dominic's death, they discover a web of lies that conceals a shady double life. Little does she realise that the worst is yet to come....

Fed up with household chores and an uncaring husband, English mother Chris Martin, 40, gets a job on the small local paper, trading one form of drudgery for another until she happens on the body of a teacher who appears to have hanged himself, but who really died of a heroin overdose. Chris and wisecracking reporter Pete Schiavo, who soon beds her, uncover blackmail, a crooked real estate deal, bribery, police corruption, and a drug connection.

Ten months ago, Samantha Hunt set off for work…and was never seen again. Despite the statistics of cold cases, Dylan Scott wants to believe the young woman's alive - and not just because her father, his client, is desperate to find his missing daughter before he dies of cancer. By all accounts Sam was a lovely girl, devoted to her younger stepsisters, well-liked at her work, in love with her boyfriend. But as usual not everything is as it seems in sleepy Dawson's Clough. Sam's boyfriend has a violent past.

When a paragraph in an evening newspaper reveals a decades-old tragedy, most readers barely give it a glance. But for three strangers, it's impossible to ignore. For one woman it's a reminder of the worst thing that ever happened to her. For another it's the dangerous possibility that her darkest secret is about to be discovered. And for a third, a journalist, it's the first clue in a hunt to uncover the truth. The Child's story will be told.

After her grandmother died, Hadley Freeman travelled to her apartment to try and make sense of a woman she’d never really known. Sala Glass was a European expat in America – defiantly clinging to her French influences, famously reserved, fashionable to the end – yet to Hadley much of her life remained a mystery. Sala’s experience of surviving one of the most tumultuous periods in modern history was never spoken about.

The sentence is the common ground where every writer walks. A poet writes in sentences, but so does the unsung author who came up with Items trapped in doors cause delays. A good sentence can be written (and read) by anyone if we simply give it the gift of our time, and it is as close as most of us will get to making something truly beautiful. Enter acclaimed author Professor Joe Moran. Using minimal technical terms, First You Write a Sentence is his unpedantic but authoritative explanation of how the most ordinary words can be turned into verbal constellations of extraordinary grace. 

Holly is feeling on top of the world - celebrating a new promotion and dying to pop the champagne with her best friend Roz. But is Holly just imagining things, or is Roz - who supported her every step of the way - not as happy for her as she should be? Something about Roz's behaviour doesn't add up. And soon Holly has the sneaking suspicion that there's a target on her back. Has someone been playing dirty in a war Holly didn't know she was fighting? And is Roz more tangled up in this than she'll admit? Only one woman can be left standing - but will the best woman win?

Through world wars and civil strife, the Bangor Express has never missed an issue, but now it is losing money, and Rob Cullen has absolutely no idea that he's the man to save it. It's been a long time since Rob had a real story to get his teeth into...just as well then that he can rely on the Express crew to back him up. They're like a family. A dysfunctional, highly unpopular and poverty-stricken family.

Jojo Harvey is a literary agent whose star is on the rise. In love with both her married boss and her burgeoning career, not much distracts her. Until she finds herself representing two women who used to be best friends. Used to be....

The thoughtful and unique new novel from the phenomenally popular author. Journalist Kitty Logan’s career is being destroyed by scandal - and now she faces losing the woman who guided and taught her everything she knew. At her terminally ill friend’s bedside, Kitty asks - what is the one story she always wanted to write? The answer lies in a file buried in Constance’s office: a list of one hundred names. There is no synopsis, nothing to explain what the story is or who these people are.

Dear Elizabeth, I've been watching you. I hope to see you...soon. Liz Cafferky is on the up. Rescued from her dark past by the owner of a drop-in centre for older men, Liz soon finds herself as the charity's face - and the unwilling darling of the Dublin media. Amidst her claustrophobic fame, Liz barely notices a letter from a new fan. But then one of the centre's clients is brutally murdered, and Elizabeth receives another, more sinister note. Running from her own ghosts, Liz is too scared to go to the police.

Kate is a rapidly rising star of the trauma therapy world - London based, shy, uptight, and with an air of aloofness that masks a deep sense of insecurity. When she has to relocate her "Traumatology for the 21st Century" conference to Horton Hill "Deluxe" Hotel and Conference Centre in the heart of industrial West Yorkshire, she is understandably horrified by the state of the place.

Lola has every reason to be interested in who Paddy de Courcy is marrying - because although she's his girlfriend, she definitely isn't the bride. Heartbroken, she flees the city for a cottage by the sea. But will her retreat prove as idyllic as she hopes? Not if journalist Grace has anything to do with it. Grace knew Paddy a long time ago. But why can't she forget him?