Showing results by author "T. Kingfisher" in All Categories

After years of seeing her sisters suffer at the hands of an abusive prince, Marra—the shy, convent-raised, third-born daughter—has finally realized that no one is coming to their rescue. No one, except for Marra herself. Seeking help from a powerful gravewitch, Marra is offered the tools to kill a prince—if she can complete three impossible tasks. But, as is the way in tales of princes, witches, and daughters, the impossible is only the beginning. On her quest, Marra is joined by the gravewitch, a reluctant fairy godmother, a strapping former knight, and a chicken possessed by a demon.

Fourteen-year-old Mona isn't like the wizards charged with defending the city. She can't control lightning or speak to water. Her familiar is a sourdough starter, and her magic only works on bread. She has a comfortable life in her aunt's bakery making gingerbread men dance. But Mona's life is turned upside down when she finds a dead body on the bakery floor. An assassin is stalking the streets of Mona's city, preying on magic folk, and it appears that Mona is his next target. And in an embattled city suddenly bereft of wizards, the assassin may be the least of Mona's worries.

Three years later, Stephen is a broken paladin, living only for the chance to be useful before he dies. But all that changes when he encounters a fugitive named Grace in an alley and witnesses an assassination attempt gone wrong. Now the pair must navigate a web of treachery, beset on all sides by spies and poisoners, while a cryptic killer stalks one step behind....

Halla is a housekeeper who has suddenly inherited her great-uncle's estate...and, unfortunately, his relatives. Sarkis is an immortal swordsman trapped in a prison of enchanted steel. When Halla draws the sword that imprisons him, Sarkis finds himself attempting to defend his new wielder against everything from bandits and roving inquisitors to her own in-laws...and the sword itself may prove to be the greatest threat of all.

When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruritania. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them

Bryony and her sisters have come down in the world. Their merchant father died trying to reclaim his fortune and left them to eke out a living in a village far from their home in the city. But when Bryony is caught in a snowstorm and takes refuge in an abandoned manor, she stumbles into a house full of dark enchantments. Is the Beast that lives there her captor or a fellow prisoner? Is the house her enemy or her ally? And why are roses blooming out of season in the courtyard?

Healer Anja knows little of politics but much of poisons. When she is summoned to treat the mysterious illness afflicting the king’s daughter, she finds herself against the clock, desperate to track down the source of the poison killing Princess Snow. But the chance discovery of a strange alternate world inside a magic mirror leads Anja to darker discoveries, including what really happened to Snow’s dead sister, Rose, and why their mother seemingly went mad and cut out her heart.

Cordelia knows her mother is . . . unusual. Their house doesn’t have any doors between rooms—there are no secrets in this house—and her mother doesn't allow Cordelia to have a single friend. Unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him. But more than simple eccentricity sets her mother apart. Other mothers don’t force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren’t sorcerers.

In the sequel to Clockwork Boys, Slate, Brenner, Caliban and Learned Edmund have arrived in Anuket City, the source of the mysterious Clockwork Boys. They even managed to build some trust in each other's skills. That trust is built on quicksand as the risks continue to escalate. But the secrets they're keeping could well destroy them, before the city even gets the chance.

Marguerite Florian is a spy with two problems. A former employer wants her dead, and one of her new bodyguards is a far too good-looking paladin with a martyr complex. Shane is a paladin with three problems. His god is dead, his client is much too attractive for his peace of mind, and a powerful organization is trying to have them both killed.

Oliver was a very minor mage. His familiar reminded him of this several times a day. He only knew three spells, and one of them was to control his allergy to armadillo dander. His attempts to summon elementals resulted in nosebleeds, and there is nothing more embarrassing than having your elemental leave the circle to get you a tissue, pat you comfortingly, and then disappear in a puff of magic.

A paladin, an assassin, a forger, and a scholar ride out of town. It's not the start of a joke, but rather an espionage mission with deadly serious stakes. T. Kingfisher's new novel begins the tale of a murderous band of criminals (and a scholar), thrown together in an attempt to unravel the secret of the Clockwork Boys, mechanical soldiers from a neighboring kingdom that promise ruin to the Dowager's city.

Young Rhea is a miller's daughter of low birth, so she is understandably surprised when a mysterious nobleman, Lord Crevan, shows up on her doorstep and proposes marriage. Since commoners don't turn down lords - no matter how sinister they may seem - Rhea is forced to agree to the engagement. Lord Crevan demands that Rhea visit his remote manor before their wedding.

In this ordinary North Carolina suburb, family secrets are always in bloom. Samantha Montgomery pulls into the driveway of her family home to find a massive black vulture perched on the mailbox, staring at the house. Inside, everything has changed. Gone is the eclectic warmth Sam expects; instead the walls are a sterile white. Now, it's very important to say grace before dinner, and her mother won't hear a word against Sam's long-dead and little-missed grandmother, who was the first to put down roots in this small Southern town.

Cordelia knows her mother is . . . unusual. Their house doesn't have any doors between rooms—there are no secrets in this house—and her mother doesn't allow Cordelia to have a single friend. Unless you count Falada, her mother's beautiful white horse. The only time Cordelia feels truly free is on her daily rides with him. But more than simple eccentricity sets her mother apart. Other mothers don't force their daughters to be silent and motionless for hours, sometimes days, on end. Other mothers aren't sorcerers.

Meet Toadling. On the day of her birth, she was stolen from her family by the fairies, but she grew up safe and loved in the warm waters of faerieland. Once an adult though, the fae ask a favor of Toadling: return to the human world and offer a blessing of protection to a newborn child. Simple, right? If only. Centuries later, a knight approaches a towering wall of brambles, where the thorns are as thick as your arm and as sharp as swords. He's heard there's a curse here that needs breaking, but it's a curse Toadling will do anything to uphold.

He's a paladin of a dead god, tracking a supernatural killer across a continent. She's a nun from a secretive order, on the trail of the raiders who burned her convent and kidnapped her sisters. When their paths cross at the point of a sword, Istvhan and Clara will be pitched headlong into each other's quests, facing off against enemies both living and dead. But Clara has a secret that could jeopardize the growing trust between them, a secret that will lead them to the gladiatorial pits of a corrupt city, and beyond.

Piper is a lich-doctor, a physician who works among the dead, determining causes of death for the city guard's investigations. It's a peaceful, if solitary profession . . . until the day when he's called to the river to examine the latest in a series of mysterious bodies, mangled by some unknown force. Galen is a paladin of a dead god, lost to holiness and no longer entirely sane. He has long since given up on any hope of love. But when the two men and a brave gnole constable are drawn into the maze of the mysterious killer, it's Galen's job to protect Piper from the traps that await.

Rosa Mandolini knows in her heart that her family are the greatest painters of magical illuminations in the city. But the eccentric Studio Mandolini has fallen on hard times and the future is no longer certain. While trying to help her family, Rosa discovers a strange magical box protected by a painted crow. But when she finds a way to open the box, she accidentally releases the Scarling, a vicious monster determined to destroy the Mandolini family at any cost.

Carrot has moved into the Wonder Museum—an eclectic collection of taxidermy, shrunken heads, and Mystery Junk owned by her Uncle Earl. For Carrot, it's not creepy at all: she grew up with it. What's creepy is the corridor behind one of the museum walls. There's just no space for a corridor there—or the concrete bunker, or the strange islands beyond the bunker’s doors, or the unseen things in the willow trees. Carrot has stumbled into a horrifying world, and They are watching her. Strewn among the islands are the remains of Their meals—and Their experiments.