From cultural icon Margaret Atwood comes a brilliant collection of essays - funny, erudite, endlessly curious, uncannily prescient - which seek answers to burning questions. In over 50 pieces, Atwood aims her prodigious intellect and impish humour at the world, and reports back to us on what she finds. This roller-coaster period brought the end of history, a financial crash, the rise of Trump and a pandemic. 

For as long as anyone can remember, Britt-Marie has been an acquired taste. It's not that she's judgmental or fussy or difficult - she just expects things to be done in a certain way. A cutlery drawer should be arranged in the right order, for example - forks, knives, then spoons. We're not animals, are we? But behind the passive-aggressive, socially awkward, absurdly pedantic busybody is a woman who has more imagination, bigger dreams and a warmer heart than anyone around her realises.

Margaret Atwood’s The Robber Bride is inspired by The Robber Bridegroom, a wonderfully grisly tale from the Brothers Grimm in which an evil groom lures three maidens into his lair and devours them, one by one. But in her version, Atwood brilliantly recasts the monster as Zenia, a villainess of demonic proportions, and sets her loose in the lives of three friends.

Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed. 

A man-made plague has swept the Earth, but a small group survives, along with the green-eyed Crakers - a gentle species bio-engineered to replace humans. Toby, one-time member of the Gods Gardeners and expert in mushrooms and bees, is still in love with street-smart Zeb, who has an interesting past. The Crakers’ reluctant prophet, Snowman-the-Jimmy, is hallucinating; Amanda is in shock from a Painballer attack; and Ivory Bill yearns for the provocative Swift Fox, who is flirting with Zeb.

Sixteen years have passed since Grace was locked up, at the age of 16, for the cold-blooded murders of her employer and his housekeeper/lover. Her alleged accomplice in the crimes, James McDermot, paid the extreme sentence of the law and was hanged on November 21, 1843. But some thought Grace was innocent, and her sentence has been commuted to life imprisonment. After a spell in the Lunatic Asylum she now claims to have no memory of the murders.

Elaine Risley, a painter, returns to Toronto to find herself overwhelmed by her past. Memories of childhood - unbearable betrayals and cruelties - surface relentlessly, forcing her to confront the spectre of Cordelia, once her best friend and tormentor, who has haunted her for 40 years. An exceptional novel from the winner of the 2000 Booker Prize.

From fat girl to thin, from red hair to mud brown, from London to Toronto, from Polish count to radical husband - Joan Foster is utterly confused by her life of multiple identities. She decides to escape to an Italian hill town to take stock of her life. But first, she must organise her own death.

There is no such thing as happily ever after. Everything Charlotte Winston thought she knew has been thrown out the window. From the moment she opens her eyes, the world she remembered ceases to exist, and in its place is a post-apocalyptic realm filled with unimaginable dangers. And one very smoking hot guy who has an uncanny ability to make her blood sing, then boil in a blink of an eye.

Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing. But it's the early 1960s and her all-male team at Hastings Research Institute take a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant Nobel-prize-nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results.

Born under different stars, Protestant Mungo and Catholic James live in a hyper-masculine world. They are caught between two of Glasgow’s housing estates where young working-class men divide themselves along sectarian lines, and fight territorial battles for the sake of reputation. They should be sworn enemies if they’re to be seen as men at all, and yet they become best friends as they find a sanctuary in the doocot that James has built for his prize racing pigeons. As they begin to fall in love, they dream of escaping the grey city.

Molly the maid is all alone in the world. A nobody. She’s used to being invisible in her job at the Regency Grand Hotel, plumping pillows and wiping away the grime, dust and secrets of the guests passing through. She’s just a maid—why should anyone take notice? But Molly is thrown into the spotlight when she discovers an infamous guest, Mr Black, very dead in his bed. This isn’t a mess that can be easily cleaned up. 

The futuristic slum in eastern New Orleans is a violent place where any vice can be satisfied - for a price. As long as the taxes are paid and tourists continue to flock to the city, businesses are allowed to operate as they see fit. But a string of violent murders threatens to upset the delicate balance between pleasure and safety.

The first time somebody tried to kill him was an accident. The second time was deliberate. Now Paul Mulchrone finds himself on the run with nobody to turn to except a nurse who has read one-too-many crime novels and a renegade copper with a penchant for violence. Together they must solve one of the most notorious crimes in Irish history. Or else they’ll be history.  

Following her astonishing quartet of Seasonal novels, Ali Smith again lights a way for us through the nightmarish now, in a vital celebration of companionship in all its forms.