Every autumn, John Pentecost returns to the farm where he grew up to help gather the sheep down from the moors for the winter. Very little changes in the Endlands, but this year, his grandfather - the Gaffer - has died and John's new wife, Katherine, is accompanying him for the first time. Each year, the Gaffer would redraw the boundary lines of the village, with pen and paper, but also through the remembrance of tales and timeless communal rituals, which keep the sheep safe from the Devil.

A vitally alive and ever-surprising collection of stories from the Man Booker Prize-shortlisted and Baileys Prize-winning author of How to Be Both and the critically acclaimed Seasonal quartet. Individually lucid and luminous, these tales resonate subtly together. In examining the distances and connections between ourselves and others, expertly inching us closer to the bone, Ali Smith's storytelling has never seemed so necessary, so moving or so joyous. 

Miri thinks she has got her wife back when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home. To have the woman she loves back should mean a return to normal life, but Miri can feel Leah slipping from her grasp. 

Winter, with its unsettling blend of the cosy and the sinister, has long been a popular time for gathering by the bright flame of a candle, or the warm crackling of a fire, and swapping stories of ghosts and strange happenings. Now eight best-selling, award-winning authors, master storytellers of the sinister and the macabre bring this time-honoured tradition to vivid life in a spellbinding collection of new and original haunted tales.

Following the accidental drowning of her sister, 16-year-old Nif and her family move to a small village on the Welsh borders to escape their grief. But rural seclusion doesn't bring any relief. As her family unravels, Nif begins to put together her own form of witchcraft, collecting talismans from the sun-starved land. That is, until she meets Mally, a teen boy who takes a keen interest in her and has his own secret rites to divulge.

Eccentric, infamous and exceedingly wealthy, the romantic novelist Cassandra Tipp has, it seems, vanished. In her large, rambling house sits a pile of paper addressed to her niece and nephew. It is a letter. Cassie has been a murder suspect twice in her life. Her family have long been convinced of her guilt. Could the letter be her confession? Or might it be her last will and testament? It turns out to be not quite what anyone expected....

For 12 years, Aina and Whitney have been in exile on an island for a crime they committed together, tethered to a croft by pills they must take for survival every eight hours. They’ve kept busy - Aina with her garden, her jigsaw, her music, Whitney with his sculptures and maps - but something is not right. Shipwrecks have begun washing up, and their supply drops have stopped. And on the day they’re meant to be collected for parole, the Warden does not come. Instead there’s a sheep. But sheep can’t swim.

Alone in the world, Elspeth Swansome has taken the position of nanny to a family on the remote Scottish island of Skelthsea. Her charge, Mary, is a strange child. Distracted and secretive, she hasn't uttered a word since the sudden death of her twin, William - just days after their former nanny disappeared. With her charge defiantly silent, Elspeth turns to the islanders. But no one will speak of what happened to William.

England, 1989. Over the course of a burning hot summer, two very different men—traumatised Falklands veteran Calvert and affable, chaotic Redbone—set out nightly in a clapped-out camper van to undertake an extraordinary project. Under cover of darkness, the two men traverse the fields of rural England in secret, forming crop circles in elaborate and mysterious patterns. As the summer wears on, and their designs grow ever more ambitious, the two men find that their work has become a cult international sensation.

When best-selling horror author Sam McGarver is invited to spend Halloween night in one of the country's most infamous haunted houses, he reluctantly agrees. At least he won't be alone; joining him are three other masters of the macabre, writers who have helped shape modern horror. But what begins as a simple publicity stunt will become a fight for survival. The entity they have awakened will follow them, torment them, threatening to make them a part of the bloody legacy of Kill Creek.

January 1937. Jack Miller has just about run out of options. His shoes have worn through, he can't afford to heat his rented room in Tooting, and he longs to use his training as an specialist wireless operator instead of working in his dead-end job. When he is given the chance to join an arctic expedition, as communications expert, by a group of elite Oxbridge graduates, he brushes off his apprehensions and convinces himself to join them.

In the first brisk days of autumn, a woman arrives in Scotland having left her job at an all-girls school in London in mysterious circumstances. Moving into a cottage on the remote estate of Hare House, she begins to explore her new home—a patchwork of hills, moorland and forest. But among the tiny roads, dykes and scattered houses, something more sinister lurks: local tales of witchcraft, clay figures and young men sent mad.

This is the story of a murderer. A stolen child. Revenge. This is the story of Ted, who lives with his daughter, Lauren, and his cat, Olivia, in an ordinary house at the end of an ordinary street. All these things are true. And yet some of them are lies. You think you know what's inside the last house on Needless Street. You think you've come across this story before. In the dark forest at the end of Needless Street, something lies buried. But it's not what you think.

In his late 30s, Edward Parnell found himself trapped in the recurring nightmare of a family tragedy. For comfort, he turned to his bookshelves, back to the ghost stories that obsessed him as a boy, and to the writers through the ages who have attempted to confront what comes after death. In Ghostland, Parnell goes in search of the ‘sequestered places’ of the British Isles, our lonely moors, our moss-covered cemeteries, our stark shores and our folkloric woodlands.

Billionaire Saul Abercrombie owns a vast tract of land on the Pembrokeshire coast. By restoring the original forest that covered the area before medieval times, he believes he will rekindle the spirits of ancient folklore. But the re-planting of the forest will revive an altogether darker and more dangerous entity - and young arboreal expert Tom Curtis will find himself engaging in an epic, ancient battle between good and evil. A battle in which there can be only one survivor.