Charlie's career as a filmmaker is on standby, she hasn't had a girlfriend in forever, her best friend is sickeningly successful (and being awkward since that night) and her dad is dying of cancer. So the invitation from Cork Film Festival comes like a sign - a chance to explore the Irish homeland she's never seen. But this isn't just any search for long-lost ancestry: Charlie's father is the sole survivor of a tragic accident that killed every other child on the small island where he grew up, and Charlie's one achievement is the film she made that tells his story. 

Olive is many things. Independent. Adrift. Anxious. Loyal. Kind. Knows her own mind. It’s okay that she’s still figuring it all out, navigating her world without a compass. But life comes with expectations, there are choices to be made, boxes to tick and - sometimes - stereotypes to fulfil. And when her best friends’ lives start to branch away towards marriage and motherhood, leaving the path they’ve always followed together, Olive starts to question her choices - because life according to Olive looks a little bit different.

When Emira is apprehended at a supermarket for ‘kidnapping’ the white child she’s actually babysitting, it sets off an explosive chain of events. Her employer Alix, a feminist blogger with the best of intentions, resolves to make things right. But Emira herself is aimless, broke and wary of Alix’s desire to help. When a surprising connection emerges between the two women, it sends them on a crash course that will upend everything they think they know – about themselves, each other and the messy dynamics of privilege.

Meet Grace Bernard. Daughter, sister, colleague, friend, serial killer. Grace has lost everything. And now she wants revenge.

Everyone tells Martha Friel she is clever and beautiful, a brilliant writer who has been loved every day of her adult life by one man, her husband Patrick. So why is everything broken? Why is Martha - on the edge of 40 - friendless, practically jobless and so often sad? And why did Patrick decide to leave? Maybe she is just too sensitive, someone who finds it harder to be alive than most people. Or maybe - as she has long believed - there is something wrong with her. 

It's Valentine's Day, and Ellie Knight finds herself eating Nutella in the bar stock after a no-show date. But single doesn't have to be the loneliest number, does it? She goes back home to her flatshare and weird flatmates. It's okay there's black mould everywhere, right? With a hangover from hell, she goes to the office job she thought she would have quit by now. Doesn't everyone hate their job? Maybe Ellie isn't following the official life plan, but perfect is overrated.

In Jake, Marisa has found everything she’s ever wanted. Then their new lodger, Kate, arrives. Something about Kate isn’t right. Is it the way she looks at Marisa’s boyfriend? Sits too close on the sofa? Constantly asks about the baby they are trying for? Or is it all just in Marisa’s head? After all, that’s what her Jake keeps telling her, and she trusts him - doesn’t she? But Marisa knows something is wrong. That the woman sleeping in their house will stop at nothing to get what she wants. Marisa just doesn’t know why.

The first novel from the award-winning, best-selling author of Everything I Know About Love. Thirty-two-year-old Nina Dean is a successful food writer with a loyal online following but a life that is falling apart. When she uses dating apps for the first time, she becomes a victim of ghosting and by the most beguiling of men. Her beloved dad is vanishing in slow motion into dementia, and she's starting to think about ageing and the gendered double-standard of the biological clock.

Ruth and Hannah are sisters. They build each other up and tear each other down. Even as polar opposites they make each other laugh more than anyone else in the world. Ruth is forever single, aimless and wild while Hannah is radiant, organised and hard-working. Together, they are a force to be reckoned with. But a summer holiday changes everything, and Ruth finds herself entering a long period of self-imposed exile from the world.

Edie is just trying to survive. She’s messing up in her dead-end admin job in her all-white office, she is sleeping with all the wrong men and she has failed at the only thing that meant anything to her: painting. No one seems to care that she doesn’t really know what she’s doing with her life beyond looking for her next hook-up. And then she meets Eric, a white, middle-aged archivist with a suburban family, including a wife who has sort-of-agreed to an open marriage and an adopted Black daughter who doesn’t have a single person in her life who can show her how to do her hair.

Incisive, wide-ranging and witty, it explores the questions, anxieties and agendas that consume our lives. Pandora Sykes interrogates the stories we’ve been sold and the ones we tell ourselves - from happiness to wellness, womanhood to consumerism - in ways that are both surprising and reassuring.

Addie and her sister are about to embark on an epic road trip to a friend's wedding in rural Scotland. The playlist is all planned, and the snacks are packed. But, not long after setting off, a car slams into the back of theirs. The driver is none other than Addie's ex, Dylan, who she's avoided since their traumatic break-up two years earlier. Dylan and his best mate are heading to the wedding, too, and they've totalled their car, so Addie has no choice but to offer them a ride. 

There is something wrong with Mathilda. She's still reeling from the blow of a gut-punch break up and grieving the death of a loved one. But that's not it. She's cried all her tears, mastered her crow pose and thrown out every last reminder of him. But that's not helping. Concerned that she isn't moving on, Mathilda's friends push her towards a series of increasingly unorthodox remedies. Until the seams of herself begin to come undone. 

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family's history that began before he was born - a history whose epicentre is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class and masculinity. 

Irina obsessively takes explicit photographs of the average-looking men she persuades to model for her, scouted from the streets of Newcastle. Placed on sabbatical from her dead-end bar job, she is offered an exhibition at a fashionable London gallery, promising to revive her career in the art world and offering an escape from her rut of drugs, alcohol and extreme cinema. The news triggers a self-destructive tailspin, centred around Irina's relationship with her obsessive best friend and a shy young man from her local supermarket who has attracted her attention....