This is an essay from the Favorite Essays collection.

What is the Da Vinci code and what is all the fuss about? Despite being a work of fiction, the bestselling novel The Da Vinci Code has a plot based on a number of concepts and ideas that the author claims to be true. This book explores the locations, historical facts and theories, and the sources of inspiration behind the novel in order to reveal the true key to the Da Vinci code.

The Renaissance spawned the use of the label "Renaissance man" to describe a person who is extremely talented in multiple fields, and no discussion of the Renaissance is complete without the original Renaissance man, Leonardo da Vinci. Indeed, if 100 people are asked to describe Leonardo in one word, they might give 100 answers.

One of the nation’s top art critics shows how six great artists made old age a time of triumph by producing some of the greatest work of their long careers—and, in some cases, changing the course of art history. Though these six artists differed in many respects, they shared one thing: a determination to go on creating, driven not by the bounding energies of youth but by the ticking clock that would inspire them to produce some of their greatest masterpieces.

'How do I love thee? Let me count the ways,' Elizabeth Barrett Browning famously wrote, shortly before defying her family by running away to Italy with Robert Browning. But behind the romance of her extraordinary life stands a thoroughly modern figure, who remains an electrifying study in self-invention. This vividly written biography, the first full study for over thirty years, incorporates recent archival discoveries to reveal the woman herself.

Libraries are much more than mere collections of volumes. The best are magical, fabled places whose fame has become part of the cultural wealth they are designed to preserve. Some still exist today; some are lost, like those of Herculaneum and Alexandria; some have been sold or dispersed; and some never existed, such as those libraries imagined by J. R. R. Tolkien, Umberto Eco and Jorge Luis Borges, among others.

Charlotte Mullins brings art to life through the stories of those who created it and, importantly, reframes who is included in the narrative to create a more diverse and exciting landscape of art. She shows how art can help us see the world differently and understand our place in it, how it helps us express ourselves, fuels our creativity, and contributes to our overall wellbeing and positive mental health.

Join the art critic Ben Eastham on a private tour of an extraordinary, imaginary museum. Stand in front of some of the most incomprehensible art works in the world with an expert guide by your side, full of personal stories, expertise and human understanding. In a stunningly original memoir and art guide we find ourselves among outrageous artworks and we return again and again to the same question: But what does it mean?

Halfway into the 19th century, Spain's Catalonia underwent a sweeping transformation when it was thrust into not one, but two golden eras - the Renaixença and the Industrial Revolution. It was during this explosive period of creativity, thriving prosperity, and invigorated patriotism that a steadfastly nonconforming and fascinatingly eccentric icon was born, one that was about to take Catalonia by storm with his brilliant eye for unorthodox art and his legendary - or as some would say, notoriously - out-of-the-box ideas.

In Miniature takes a big look at small things. It is a celebration of the obsessive, eccentric and meticulous and welcomes us into the world of collectors, modellers and fans. Simon Garfield is a master of finding delight and fascination in unlikely places, and here we discover flea circuses, 1,000 tiny Hitlers, miniature crime scenes, model villages and railways, minuscule food and a dozen more intricately examined pursuits. Each object considered plots the course of a new miniature byway and in unexpected ways lets us see our world in a whole new light.... 

Harry Potter has never even heard of Hogwarts when the letters start dropping on the doormat at number four, Privet Drive. Addressed in green ink on yellowish parchment with a purple seal, they are swiftly confiscated by his grisly aunt and uncle. Then, on Harry's eleventh birthday, a great beetle-eyed giant of a man called Rubeus Hagrid bursts in with some astonishing news: Harry Potter is a wizard, and he has a place at Hogwarts School of Witchcraft and Wizardry. An incredible adventure is about to begin!

BBC Radio 4 Book of the Week. In 1845, a Reading bookseller named John Snare came across the dirt-blackened portrait of a prince at a country house auction. Suspecting that it might be a long-lost Velázquez, he bought the picture and set out to discover its strange history. When Laura Cumming stumbled on a startling trial involving John Snare, it sent her on a search of her own.

What is art? Why do we value images of saints, kings, goddesses, battles, landscapes or cities from eras of history utterly remote from ourselves? This history of art shows how painters, sculptors and architects have expressed the belief systems of their age: religious, political and aesthetic. From the ancient civilisations of Egypt, Mesopotamia and Greece, to the revolutionary years of the nineteenth and twentieth centuries, the artist has acted as a mirror to the ideals and conflicts of the human mind.

Julian Barnes began writing about art with a chapter on Géricault's The Raft of the Medusa in his 1989 novel A History of the World in 10 1/2 Chapters. Since then he has written a series of remarkable essays, chiefly about French artists, for a variety of journals and magazines. Gathering them for this book, he realised that he had unwittingly been retracing the story of how art made its way from Romanticism to Realism and into Modernism. 

The idea of 'civilisation' has always been debated, even fought over. At the heart of those debates lies the big question of how people - from prehistory to the present day - have depicted themselves and others, both human and divine. Distinguished historian Mary Beard explores how art has shaped, and been shaped by, the people who created it. How have we looked at these images? Why have they sometimes been so contentious?