Is this the end of the Lilywhite Boys???

Gilded Cage is the first book of KJ Charles that I've read/listened to with an m/f pairing, I'm so used to her m/m books that it kind of took me by surprise that she also wrote m/f- I guess I never really looked past the book/series I was reading at the time, to see her full library of work!
I really liked Susan and Templeton/James. I love second chance romances and theirs was a bit of a heart-tugger, with how things happened to cause their separation. But nothing like a little murder to bring a couple back together! I loved how they were able to work together to clear Templeton's name, and the way they worked through what happened in the past.

I have to admit, I was a bit bothered at the start of the book, with how Jerry was treating Templeton- I felt like the way he was acting was a bit out of character from who the one we met in Any Old Diamonds. It frustrated me and made me sad for Templeton. I'm glad that "flaw" didn't last long though, and their friendship was able to rebound from Jerry's treatment of Templeton.

I always enjoy Cornell Collins's narration, he really is perfect for these characters. This was my first time listening to Victoria Aston and I enjoyed her performance as well. The only issue I had was the way they each performed the other's part- they didn't match up in my head with how they voiced their own characters- he made Susan a bit gruffer and she made James a little too prim and proper. But that's just my take, and I did really enjoy their performances!

***Borrowed through AE.

4 people found this helpful

Decent story undermined by poor performance choice

I'm a big fan of KJ Charles' work, and cannot compliment her storytelling, pacing, and characterization variety enough. She's a jewel of a literary creative who truly stands out in the crowd of historical romance writers. I have read virtually all of her books, and have enjoyed most of the audio performances as well.

Unfortunately, the performance of this book was damned from the start by an odd production choice: the book is split equally, every-other-chapter, between two different readers. This is a "quasi-ensemble cast" technique that can work in very specific circumstances, but which tends to underwhelm when used inappropriately. This book was *NOT* the right occasion for a split narration.

I can understand why the producers of this audiobook wanted to try alternate narrators. Charles did assign every other chapter to begin from the point of view of each character in turn. However, the majority of the story is propelled through dialogue, not reflective prose or omniscient narration. Consequently, despite being anchored in a particular character's perspective, nearly the entire book is essentially a shared, ongoing conversation.

This still could have worked if the narrators had been better matched. Cornell Collins has narrated other Charles titles, and does a wonderful job of moving seamlessly from one social class vernacular to another. His command of masculine and feminine voices is well-rounded, and contributes a great deal to the story. Victoria Aston... does not. I'm sure she is a great performer in different milieu, but in this particular product, her performance was a jaring, inconsistent presence compared to Collins'. She was unable to articulate the different social classes of the characters represented, her choice for Susan's voice was especially out of place, and her representation of male voices was simply not up to the standard I would expect from an Audible-produced product. Since the narrators switch every chapter, the comparison is impossible to avoid, and the issues with Aston's half of the work are even more frustrating than they could have been otherwise. It's truly regrettable that Collins did not perform the entire story.

3 people found this helpful

Perfect

A heroine who can really take care of herself, interesting murder mystery, and great narrators.

3 people found this helpful

Why two narrators?

I simply don't understand the choice to use two narrators for a book like this, half of which is dialog between the two main characters. Collins does a superb James and an ok Sukie. Aston does an ok Sukie and a dreadful James. Her James and his couldn't sound less alike. It's just jarring and weird, and took me completely out of the action. A competent narrator should be able to handle all the characters in a book, and Collins is more than competent. I just don't get it.

1 person found this helpful

Great characters, great narration.

I’ve read mostly MM from KJ Charles, this is my first MF of theirs and I loved it! The characters are interesting and I loved their relationship. Susan and James don’t have the typical MF dynamic - it’s much more unexpected and fun. Cornell Collins is great as usual and Victoria Aston was fantastic as well. Great all around! If you mostly read MM and are not sure about MF I urge you to give it a try!

1 person found this helpful

Bad female performance

The deflection and cadence were all wrong it sounded like she was trying to work on her accents more than telling a story

1 person found this helpful

Narration not great

Male narrator gives a fantastic performance, the female narrator seems like she’s just reading aloud. The production quality of the female narrator also wasn’t as clear as the male narrator which made it hard to enjoy.

1 person found this helpful

Great Mystery Romance

It’s a queer (FMC is bisexual) historical mystery/caper with great dialogue and banter, a lot of humor, and biting social commentary. It’s everything I hope for from KJ Charles. It’s a lot of fun with a densely plotted mystery, some hot intimate scenes, and just a great time. Victoria Aston and Cornell Collins do a great job with the narration, adding another flavor to the mix. I highly recommend “Gilded Cage”.

GOOD Love Scenes.

I love this Author, but I have to say this was one of the weaker stories.

A little too much Angst for Me.

I really liked the FMC. She is No Nonsence, smart and comfortable in her own skin. The mystery wasn't obvious, Therefore interesting.
But at least 75 percent of the book is angst and talking their romantic history., to a point that I found myself self tuning out the and then realizing I missed something and needed to go back.