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Faster than a Cannonball cover art

Faster than a Cannonball

By: Dylan Jones
Narrated by: Jessica Preddy, Kris Dyer, Leighton Pugh, Russell Bentley
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Summary

Decades tend to crest halfway through, and 1995 was the year of the Nineties: peak Britpop (Oasis v Blur), peak YBA (Tracey Emin's tent), peak New Lad (when Nick Hornby published High Fidelity, when James Brown's Loaded detonated the publishing industry, and when pubs were finally allowed to stay open on a Sunday). It was the year of The Bends, the year Danny Boyle started filming Trainspotting, the year Richey Edwards went missing, the year Alex Garland wrote The Beach, the year Blair changed Clause IV after a controversial vote at the Labour Conference.

Not only was the mid-Nineties perhaps the last time that rock stars, music journalists and pop consumers held onto a belief in rock's mystical power, it was a period of huge cultural upheaval - in art, literature, publishing and drugs. And it was a period of almost unparalleled hedonism, a time when many people thought they deserved to live the rock and roll lifestyle, when a generation of narcotic omnivores thought they could all be rock stars just by buying a magazine and a copy of (What's the Story) Morning Glory?

Faster than a Cannonball is a cultural swipe of the decade from loungecore to the rise of New Labour, teasing all the relevant artistic strands through interviews with all the major protagonists and exhaustive re-evaluations of the important records of the year - The Bends by Radiohead, Grand Prix by Teenage Fanclub, Maxinquaye by Tricky, Different Class by Pulp, The Great Escape by Blur, It's Great When You're Straight... Yeah! by Black Grape, Exit Planet Dust by the Chemical Brothers, I Should Coco by Supergrass, Elastica by Elastica, Pure Phase by Spiritualized, ...I Care Because You Do by Aphex Twin and of course (What's the Story) Morning Glory by Oasis, the most iconic album of the decade.

PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.

©2022 Dylan Jones (P)2022 Orion Publishing Group Limited

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  • Overall
    3 out of 5 stars
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    4 out of 5 stars

Too long, laughable accents.

Some nice anecdotes and the links are well written but this is probably better to read than listen to. The accents (which sometimes change a couple of times in a sentence) are hilarious. Alan McGee seems to be from Glasgow, Dundee, Belfast and New Delhi.

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  • Overall
    4 out of 5 stars
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    2 out of 5 stars
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    4 out of 5 stars

Changed my mind

I didn’t like this at first, when I realised it was a series of cobbled quotes. But it does grow on you with some interesting and some amusing anecdotes.

Accents are a bit all over the place but actually this os a story better listened to than read.

So worth a listen overall.

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  • Overall
    1 out of 5 stars
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    1 out of 5 stars
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    3 out of 5 stars

A story to read rather than listen

I gave up on listening to this because of the cringey voice actors reading the quotations. Like terrible impressionists in a comedy sketch.

The story itself does interest, reflecting on a great year. The anecdotes are amusing but sadly, not enough to listen to the end.

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