Coming Soon

A victim of her mother’s Munchausen by proxy and child abuse survivor, Gypsy-Rose Blanchard’s unique and controversial case made headlines across the world. Now, she’s finally free to start living her life on her terms—and to tell her own story as only she can.

Saraya-Jade Bevis, formerly WWE’s Paige, is one of the biggest names in the wrestling world. She is the youngest two-time WWE Divas Champion and was inaugural NXT’s Women Champion. She ranked first in Pro Wrestling Illustrated’s Female 50 and was named Diva of the Year by Rolling Stone in 2014. She was also the subject of the critically and commercially successful 2019 film Fighting with My Family, produced by Dwayne “The Rock” Johnson and starring Florence Pugh. But before ascending to wrestling superstardom, she was just Saraya. Hell in Boots is Saraya’s real, uncensored, story.

I'm That Girl has descriptive copy which is not yet available from the Publisher.

Now with an introduction from Dolly Alderton, author of Everything I Know About Love, revealing how a new generation of women can take inspiration from Nora's sharp wit and wisdom about life.

As the voices of transracial adoptees gain prominence in academic, literary, and creative works, Adopting Privilege emerges as both a timely and vital contribution to the discourse. Through the lens of an adoptee, Dr. Hasberry’s debut memoir explores the triumphs, challenges, and complexities of transracial adoption, the nuances that make it difficult to hold space for oneself, and the experience that comes with adopting outside of race.

She was the first woman to serve in a presidential cabinet, the longest-serving Labor Secretary, and an architect of the New Deal. Yet beyond these celebrated accomplishments there is another dimension to Frances Perkins's story. Without fanfare, and despite powerful opposition, Perkins helped save the lives of countless Jewish refugees fleeing Nazi Germany. Based on extensive research, including thousands of letters housed in the National Archives, Dear Miss Perkins adds new dimension to an already extraordinary life story.

Bookish picks up where Bookworm left off: at the cusp of teenage, when everything – including the way we read – undergoes a not-so-subtle transformation. Here, Mangan vividly recounts her metamorphosis from young bookworm to bookish adult, from the way GCSE curricula can impact our relationship with literature to the growing pains of swapping the pleasures of re-reading for those of book-hoarding.

Faced with the prospect of losing her memory, a writer revisits the moments that changed her - from childhood to motherhood, loss and ill-health. Through shifting pronouns and perspectives, moving across place and time, each piece twists the kaleidoscope of existence to make sense of the present through the past. From the opening battle between her brain and her body, a conversation emerges between her collection of selves: the Daughter, the Sister, the Dancer, the Gardener, the Mother, the Girl-Who-Read-Woolf.

Base Notes chronicles a pre-internet smalltown England of the 1980s and 90s already fading from view. Here memories are triggered by perfumes and their aspirational advertising campaigns, the scenes from Adelle Stripe's adolescence and young adulthood Proustian in their poetic scale and universality, but born out of a droll comedic tradition too.

Who Wants Normal? lifts the lid off a subject that is too often shrouded in awkwardness and silence. It offers support, inspiration and a sense of solidarity to the many, many women with disabilities and long-term health issues – as well as opening the eyes of anyone wanting to better understand the many facets of living with a disability.

When a husband killed his wife he was charged with committing murder, and if found guilty he was hanged. When a wife killed her husband she was charged with petty treason, a crime that was analogous with high treason, and if found guilty she was burned at the stake. Unlike murder, petty treason was indefensible and there could be no plea for manslaughter or self-defence.

Film noir was the dark side of the movies’ happily-ever-after mythology. Sinister and sexy, it forged a new icon: the tough, independent dame. Determined, desirable, dangerous when cornered, she could handle trouble—or deal out some of her own. If you thought these women were something special onscreen, wait until you meet the genuine articles. In Dark City Dames, acclaimed film historian Eddie Muller takes listeners into the world of six women who made a lasting impression in this cinematic terrain.

The morning after Courtney Gustafson moved into an old house in the Poets Square neighbourhood of Tucson, Arizona, she noticed tiny pawprints all over her driveway. They were the first evidence of a colony of feral cats who would, in time, become part of her family, expand her world spectacularly, and help pierce a personal darkness she’d wrestled with for much of her life. Poets Square is a love letter to community in a broken society, told through the cats Courtney meets in dark alleys, neglected homes and her own driveway; cats she cherishes and must sometimes let go.

For some, turning another decade older is a milestone they’d rather not mark. But when Katie Piper turned forty, it was only cause for celebration. With an acid attack causing her to stare death in the face at age twenty-four, Katie’s approach to ageing was changed irrevocably. In a world where women have too often been made to feel irrelevant or invisible for going through the natural ageing process, she now sees each passing day as life’s greatest gift – but you don’t need to go through trauma to give your views on ageing a much-needed overhaul.

In 1987, sixteen-year-old Ione Skye landed the breakout role of Diane Court, the dream girl who inspires John Cusack’s iconic boombox serenade in the hit Cameron Crowe film, Say Anything. While Skye seemed perfectly typecast as an aloof valedictorian, her reality was much messier. Set against a backdrop of Topanga Canyon sunsets, lesbian supermodel cliques, Indian ashrams, rock royalty compounds, and the sets of classic late-century films like River’s Edge, Gas Food Lodging, and Wayne’s World, Say Everything is a vulnerable and cinematic account of a Gen X icon’s evolution to self-acceptance.

For decades, Amy ran. Through the dirt roads of Amarillo, Texas, where she grew up; to the streets of New York, where she built her adult life; through marriage, motherhood, and a thriving career. To outsiders, it all looked, in many ways, perfect. But Amy was running from something – a secret she was keeping not only from her family and friends, but unconsciously from something terrible in her past. When her ten-year-old daughter confronts her on the distance between them, Amy is propelled to confront what she has spent a lifetime trying to escape. So begins Amy’s journey.

The life-affirming memoir of Lindsey Burrow, the working mother of three young children who has inspired the nation through her selfless commitment to husband Rob Burrow (CBE), the rugby league legend she has cared for full time since his Motor neurone disease (MND) diagnosis.

The incomparable Civil War diarist Mary Chesnut wrote that she had the luck “always to stumble in on the real show.” Married to a high-ranking member of the Confederate government, she was ideally placed to watch and to record the South’s headlong plunge to ruin, and she left in her journals an unsurpassed account of the old regime’s death throes, its moment of high drama in world history.

Depressed and suicidal, Helen was admitted to a psychiatric ward and sectioned under the Mental Health Act. At her lowest, she almost succeeded in taking her own life. But somehow, she endured and later, she recovered. love lay down beside me and we wept sprang from these emotionally shattering experiences.

Tyra Banks’s America’s Next Top Model was a cultural phenomenon with over six million weekly viewers at its peak. Over its fifteen-year run, the show captured the glitz of the early aughts as well as its most toxic attitudes—from the glamorous but often questionable photo shoots to the cutting feedback from its highly respected if out-of-touch judges. Watching ANTM now, it feels impossible to imagine a show like this airing today, and as its fans have grown up, they’ve also begun to reckon with the enduring ways that the show has affected their body image and self-esteem.