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The second instalment of Tolkien's epic tale, adapted from the original BBC Radio 4 full-cast dramatisation. Having fled the Shire in their escape from Sauron's Dark Riders, Frodo and the Fellowship of the Ring have journeyed to Rivendell and beyond

Part One, The Fellowship of the Ring, introduces us to Frodo Baggins. With his uncle Bilbo having mysteriously disappeared, Frodo finds himself in possession of a simple gold ring that has great and evil power. It is the Ruling Ring, taken long ago from the Dark Lord, Sauron, who now seeks to possess it again. Frodo must do everything he can to prevent this, and with the help of Gandalf the wizard and a band of loyal companions he begins a perilous journey across Middle-earth.

The evil Saruman has been defeated by Gandalf, but in Mordor the battle for the Ruling Ring continues. Wounded by the giant spider, Shelob, Frodo has been captured by the dreaded orcs

Patrick Hamilton is renowned for his gritty, slice-of-life tales chronicling the hopes, dreams and obsessions of London's working class in the inter-war years. This collection brings together his key pieces, together with some lesser-known classics and a bonus 2004 documentary exploring his achievements and legacy.

Chosen from birth to usher in a new era, Poppy’s life has never been her own. The life of the Maiden is solitary. Never to be touched. Never to be looked upon. Never to be spoken to. Never to experience pleasure. Waiting for the day of her Ascension, she would rather be with the guards, fighting back the evil that took her family, than preparing to be found worthy by the gods. But the choice has never been hers. The entire kingdom’s future rests on Poppy’s shoulders, something she’s not even quite sure she wants for herself. Because a Maiden has a heart. And a soul. And longing.

Chosen from birth to usher in a new era, Poppy’s life has never been her own. The life of the Maiden is solitary. Never to be touched. Never to be looked upon. Never to be spoken to. Never to experience pleasure. Waiting for the day of her Ascension, she would rather be with the guards, fighting back the evil that took her family, than preparing to be found worthy by the gods. But the choice has never been hers.

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

The government is a vast, complex system that citizens pay for, rebel against, rely upon, dismiss, and celebrate. It’s also our shared resource for addressing the biggest problems of society. And it’s made up of people, mostly unrecognized and uncelebrated, doing work that can be deeply consequential and beneficial to everyone. Michael Lewis invited his favourite writers to find someone doing an interesting job for the government and write about them.

Brighton, 1957: a sunny seaside resort with a sinister underbelly. This den of villainy is policed by the touchingly innocent Inspector Steine, who naively believes he wiped out all the hoodlums in the Middle Street Massacre six years earlier. Can long-suffering Sergeant Brunswick and keen Constable Twitten persuade him that a criminal mastermind is at large - and that the station's charlady, Mrs Groynes, might bear investigation?

Robert Louis Stevenson was a novelist, essayist, poet and travel writer, and created some of the most famous and influential characters in modern literature. From Long John Silver and David Balfour to Dr Jekyll and Mr Hyde, his figures swiftly became the shorthand for piracy, monstrous medicine, and the slave trade in America. A master of atmosphere and an enthusiast of foreign travel, Stevenson wrote countless stories which have been enjoyed in film, television and theatre adaptations throughout the years.

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety. But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern. On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid—a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.”

Poppy never dreamed she would find the love she's found with Prince Casteel. She wants to revel in her happiness but first they must free his brother and find hers. It's a dangerous mission and one with far-reaching consequences neither dreamed of. Because Poppy is the Chosen, the Blessed. The true ruler of Atlantia. She carries the blood of the King of Gods within her. By right the crown and the kingdom are hers.

When Merv and Pam got divorced, that should have been the end of their relationship. But here they are, trying to turn a veggie-and-vodka bistro in a cyber café, while Merv is still living in Pam's front garden in a small caravan. Merv's dreams of being a rock star failed a long time ago, so the Cyber Pass is now his only hope.

Described by Len Deighton as ‘a classic writer of espionage fiction’, Ted Allbeury based his many acclaimed spy novels on his own real-life experiences. In World War II, he served as an intelligence officer with Special Operations Executive, and subsequently ran agents across the border between East and West Germany during the Cold War. He began writing in his fifties, and went on to pen over 40 bestselling books, five of which are dramatised here alongside three plays specially written for BBC Radio and two bonus documentaries.

A sweet'n'spicy collection of bonus tales, first shared on Patreon and featuring the guys and gals (and nonbinary aliens) from the superhero x villain MM+ (& FF!) romance series, Villainous Things (along with the MCs of the Villains in Space spin-off series)!

On a hot summer night in Montauk, the bodies of two local bar patrons are discovered in the dunes, torn to shreds, their identities unrecognizable.... In another part of town, a woman's backyard is invaded by four terrifying creatures that defy any kind of description. What's clear is that they're hostile - and they're ravenous....

A series of grisly murders pits lawyer Sean Drummond against a financially-stretched mega-corporation desperate for a contract, and a foreign intelligence organization undaunted by the prospect of killing anyone opposing its aims.

Set entirely on a London bus travelling from Hoxton to Highbury and taking place over just 36 minutes, the events of The 392 unfold through a cast of charismatic characters coming from very different worlds. On the 392 are all the familiar faces you might expect to see on any bus ride through inner-city London in the grip of gentrification; delinquent school kids, the high-flyers, the weird, the wonderful and the homeless. These Londoners share two things: a bus journey and a threat. A threat which is ready to blow apart everything they know.

Between 1947 and 1957, Ealing Studios produced a series of immensely popular, darkly funny film comedies that made the West London borough famous throughout the world. Almost 50 years later, four of these timeless films were recreated for BBC Radio 4, and are now collected together for the first time.

Hey, hey, book lovers, take off those big thick glasses - this is Deadpool speaking! Sorry Marvel, somethin' happened to your copy guy. Anyway, this is my first prose novel, and they got this dude Stefan Petrucha to write it. He's good people. He's written novels and comics. But here's the thing: This book is about dogs. Dogs that turn into big nasty monsters. And then I gotta kill 'em. Thing is, I like killing people - the ones that deserve it, anyway - but I won't kill dogs. So that's what we call a character dilemma.