Showing results by narrator "Katie Beudert" in All Categories

Paris 1925: When news reporter Abigail Dixon trades the Chicago newsroom for the Paris fashion scene, she finds herself dazzled by the latest looks from Coco Chanel, sipping champagne at the Ritz, and interviewing a famous designer. Stepping into his luxurious atelier on Rue du Faubourg Saint-Honoré, Abigail is ready to swoon over the exquisite gowns. The last thing she expects to find is her estranged stepmother lying dead on the fitting room floor–and Abigail framed as the prime suspect.

In this inspiring and deeply moving story of love, courage and endurance, a young woman on the run from the law sets off on a desperate journey of survival on the treacherous Oregon Trail. Terrified she’s wanted for the murder of her landlord, Grace is certain that, even though she acted in self-defense, no one will believe her. Quickly packing the few belongings she and her little brother Tom possess, they race to join the line of dusty wagons preparing to leave for Oregon.

Missouri, February 1874: The last thing struggling homesteader Ginny needs is a scandal on her hands. But when a badly injured drifter arrives at Snow Farm in desperate need of medical attention, Ginny’s kind nature and good upbringing means she has no choice but to treat his wounds and care for him until he’s back on his feet, no matter the danger he might pose.

How do you solve your own murder before it happens? That’s the question that haunts three women. Convinced that a mysterious urban myth called the rule of three is real, they must find a way to break the curse or be doomed to die like those who came before them. But when you’re not sure if what you think is happening is even the truth, how do you know if you are actually in danger? And if you don’t know, how will you be able to protect yourself? Amy. Ila. Zoe. Death comes in threes.

Penguin presents the audiobook edition of When Light Is Like Water by Molly McCloskey, read by Katie Beudert. 'There are few things on earth smaller than this country.' Alice, a young American on her travels, arrives in the west of Ireland with no plans and no strong attachments - except to her beloved mother, who raised her on her own. She falls in love with an Irishman, marries him, and settles down in a place whose codes she struggles to crack. And then, in the course of a single hot summer, she embarks on an affair that breaks her marriage and sets her life on a new course.

All Zoey’s happiest childhood memories are of her great-aunt Ivy’s rickety cottage on Dune Island, being spoiled with cranberry ice cream, and watching the tides change from the rooftop. Now, heartbroken from a recent breakup, Zoey can see her elderly aunt’s spark is fading and decides to move to the island, so they can care for each other. When she arrives to find her cousin, Mark, sitting at the solid oak kitchen table, she knows why Aunt Ivy hasn’t been herself. Because Mark - next in line to inherit the house - is pushing Ivy to move into a nursing home.

Griffin Tomlin is dead. And Clara Porterfield's sister killed him. Four months after the murder of the town's golden boy, Clara's world has crumbled around her in a million chaotic pieces. Her sister Emily awaits trial for murder. Clara is keeping a terrible secret. And the town is watching the Porterfields very closely. Now Clara's sister wants something from her - the truth about what really happened that night. Because this story didn't die with Griffin Tomlin. There's another story that needs to be told.

Today, all my worst fears came true. I thought I had escaped the dark secrets of my teenage years. But when my son is accused by one of my students of a crime I know only too well, my past comes hurtling into my present. But what can I do? I love my son. I need to believe him no matter what.

Dubbed the 'snowflake generation', these hypersensitive cowards are up in arms about silly things like bathrooms smeared with faeces in the shape of Swastikas, climate change and statues of colonisers being kept in their natural habitats of universities and town squares. They make obstinate requests like wondering if a vegan option might be available, or if you could (please) use their correct pronouns.

On a brisk day in 1970, a daughter arrives at her mother's home to take care of her as she nears the end of her life. 'Home' is the sprawling Italian castle of Roccasinibalda, and Diana's mother is the legendary Caresse Crosby, one half of literature's most scandalous couple in 1920s Paris, widow of Harry Crosby, the American heir, poet and publisher who epitomised the Lost Generation.

Finance bro Logan and tabletop game designer Clare couldn't be more different. They know this because their apartments face each other, and they've noticed. But not, you know, in a creepy way. Still, when they get stuck in the elevator together, sparks fly and they each see an opportunity: Clare needs her co-workers to believe that she is capable of a one-night stand to get them to buy into her new role-play character, and Logan needs a steady girlfriend to prove his maturity to his boss.

Gabe knows it was foolish to save that chicken. On the roof. In the middle of a storm. Yet Gabe also knows that his guardian, Ms. Cleo, loves the chicken more than him. After falling off the roof, Gabe wakes up to find his neighbours staring at him tearfully. To his confusion, none of them seem to hear Gabe speak. It's almost as if they think he's dead. But Gabe's not dead. He feels fine! So why does everyone scream in terror when he shows up to his own funeral?