Showing results by narrator "Eleanor Yates" in All Categories

After failing to help evacuee siblings whom she witnesses being separated, May wishes she’d had the confidence to speak up. When Jess suggests a pantomime to boost morale on the station, May is desperate to help - but is held back by her own insecurities. With her low self-esteem also affecting her relationship with Squadron Leader Peter Travis, May is fed up with being her own worst enemy and decides to take charge of her destiny. But the past she ran from, plus a crisis with one of the evacuees, throw May into the midst of a drama that will test all of her newfound confidence. 

Robin and Prudence Merriot have been dissemblers since they were children. And in this age of slippery politics, they need to be. So it is nothing for them to rescue a rich heiress from her abductor. But once committed to their masquerade, they must see it through.

It is 1939, and working-class Evie Bishop has received a scholarship to study mathematics at Oxford when tragedy turns her life upside down. Evie must seek a new future for herself and, inspired to contribute to the war effort, joins the Women’s Auxiliary Air Force as an Ops Room plotter. Posted to a fighter station on the Sussex Coast, Evie befriends two other WAAFs. But the German bombers seem to know more than they should about the base’s operations, and soon Evie, May and Jess are caught up in a world more dangerous than they ever imagined. 

When Jess bumps into Milan unexpectedly, sparks are reignited, and she wonders if she made a mistake finishing with him in Amberton. But matters are complicated when a film company arrives at Bentley Priory to make a morale-boosting film about the RAF. The lead actor is none other than Leonard Steele, a man from Jess’ past who could ruin everything she has worked so hard to build. 

As I hear the words every mother dreads, my pulse races, and I go cold. But even as my world turns upside down, I know the things I’m being told just don’t add up. I have to find out what really happened the night my beautiful boy died. The police tell me it was a tragedy no one could have prevented. But then they reveal the terrible things Tom was keeping from me. The person they describe is nothing like the decent, honest man I raised.

The cattle car is dark, except for the light filtering through the boarded windows. There are too many of us to count, crushed up against each other. The air is stuffy, carrying the scent of our terror—none of us know what awaits us when this train stops. I cling onto Mama’s hand and Nora, my twin sister, clutches Papa’s.

When Chloe turns the key to Small Angels, the church nestled at the edge of Mockbeggar Woods where she is to be married, she is braced for cobwebs and dust. What she doesn't expect are the villagers' concerned faces, her fiancé's remoteness or the nagging voice in her head that whispers to her of fears she didn't even know she had. Something in the woods is beginning to stir, to creep closer to the sleeping houses. Something that should have been banished long ago.

All I ever wanted was to keep my son safe. I married the perfect husband, built the perfect home. I’ve tried to give Finn the life I never had. Everything was going so well. Until now. It’s just small things at first - a punctured tyre, an open gate that I'm sure I locked. But then I see the photograph of two young girls, and a night I’ve tried to forget. I know I have to stop pretending that nothing is happening. I can’t escape the truth. Someone knows my secret. But what do they want from me?

After a devastating car crash, Annie is unable to play her flute and retreats from the music she's always loved. She exists in a world of angry silence – furious with her mum and furious she can't seem to play her beloved flute any more. Then she meets Noah, who shows her the blackbirds' nest hidden in the scrubland near their flats. As their friendship grows, the blackbirds' glorious song reignites Annie's passion for music. But when tragedy strikes again, will her fragile progress be put at risk?

Ruth is 30 years old. She works as a nurse in a care home, and her fiancé has just broken up with her. The only thing she has left of him is their shopping list for the upcoming week. And so she uses that list to tell her story. Starting with six eggs, and working through spaghetti and strawberries, and apples and tea bags, Ruth discovers that her identity has been crafted from the people she serves: her patients, her friends, and, most of all, her partner of 10 years.

Juno’s furious about being sent to stay with her grandfather for the summer. She’ll miss all the fun she and her friends had planned for the holidays. She’ll also miss her mum, but it’s her mum’s fault for leaving anyway. Then Juno discovers a long-forgotten little family in her grandfather’s attic. As she works to carefully craft a new home for them, can she learn to forgive her mum and understand her reasons for going away?