Showing results by narrator "Amanda Friday" in All Categories

Catia Roday has learned the hard way that love always disappoints, so when she finds herself falling for Josh Rideout—the handsome, charming, seemingly-perfect guy she just met on vacation—only to find out they hail from neighboring towns, she has one question: what's the catch?

This collection includes the remastered Online Stage productions of Little Women, Little Men, Jo's Boys as well as Comic Tragedies by Jo & Meg. Little Women is the story of four sisters growing up against the background of the American Civil War. Alcott wrote the book at the urging of the publisher, Thomas Niles, who was seeking a story about girls that would have popular appeal.

Why does the Twilight saga continue to inspire both passionate fandom and heated critique? In Why We Love (and Hate) Twilight, Sarah Elizabeth Gallagher unpacks the cultural obsession with Bella Swan, Edward Cullen, and the supernatural love story that redefined YA literature and pop culture forever.

In a comprehensive and beautifully crafted first person narrative, David Copperfield recalls key stages, memories, and incidents of his life from infancy to maturity. Scenes, adventures, and characters are summoned to the narrator's remembrance so vividly that they are rendered with the vitality of the present moment.

Lucie Manette, long believing herself to be an orphan, meets with London banker Jarvis Lorry in the Royal George Hotel in Dover and finds out her father, Dr. Alexandre Manette, is alive and has been held for the last 18 years as a political prisoner in the Bastille. The three are reunited in an attic garret in Paris, close to the wine shop run by Ernest Defarge, the doctor's former servant, and his wife, Thérèse.

Madame Pratolungo is a close companion to Lucilla Finch, a young woman who has been blind since birth. Madame Pratolungo records the narrative of Lucilla's trials from falling in love with Oscar Duborg, her wealthy and shy neighbor, to ending up in a romantic entanglement between Oscar and his brother Nugent. When Lucilla temporarily regains her sight thanks to Herr Grosse, mistaken identities and manipulative schemes are there to greet her.

Idina Moorfield is a new kind of magical with a dark and twisty lineage. Any other combat engineer in the 82nd Airborne Division would be proud of how far Idina's come, but the visions and voices in her mind are only getting worse. When it affects her work, Idina gets transferred to a new unit—a unit of misfits with their own problems. But sometimes, what seems like the worst move ever, can turn out to be the beginning of something great. Who says outcasts can't be heroes?

Idina Moorfield isn't the only one on her team with unusual powers. Her buddy, Stop, remembers everything he sees, and Cake is a new kind of man of steel. That's the last two, which means everyone in Idina's unit has a unique talent. Why would the Army want to bring them all together? Her commander, Hines, is still refusing to answer her questions. She's on a need-to-know basis, and right now, she doesn't need to know. But Idina's untapped powers are getting stronger and more aggressive. Not knowing on a battlefield can get someone hurt.

Lieutenant Colonel Richard MacBlair has appeared out of thin air. Idina Moorfield has far more questions than the few answers her Uncle is willing to give her. He wants her to wait and she's tired of waiting. Does she have a choice? Not really when Uncle is also your boss. Why is he trying to ignore their family connection? Has he been helping her from the sidelines all along? Someone is gunning for Idina and has her in its sights. She just doesn't know who or what it is.

Is Idina Moorfield going crazy or has an ancient magic found its source? Her family says she's not a true Moorfield and will never be good enough for the family business. Sometimes what looks like the worst day ever is the beginning of our best adventure. Idina takes that first step into a new life and gets the hell away from them to forge her own future. But her calling is the one thing they are the most against. She joins the military just like Uncle Rick. The other family outcast. What is everyone in the Moorfield family so afraid of?

What does it mean to be "just good people?" That is how the two couples—one British and one American—in this story are described. But what happens when you look deeper, peeling back the layers of politeness and civility? It is a tale of love, of disappointment, of miscommunication, and missed opportunities.

Idina Moorfield is officially a soldier in the army—with a little extra firepower. Her dark and magical little secret. Can she keep the new powers under control? Jump School may be her undoing. It takes focus, determination, and steely courage to face her fears and jump out of a C-130 aircraft from 1,200 feet. That's exactly what brings Idina's abilities forward at inconvenient moments.

Euripides's play follows the fates of the women of Troy after their city has been sacked, their husbands killed, and their remaining families taken away as slaves. It serves as an anti-war narrative as it highlights the suffering of the women left behind. The tragedy also calls attention to how women were treated as commodities in the past by showing how they were divided among the remaining men as spoils of war.

Is Idina Moorfield going crazy or has an ancient magic found its source? Her family says she's not a true Moorfield and will never be good enough for the family business. Sometimes what looks like the worst day ever, is the beginning of our best adventure. Idina takes that first step into a new life and gets the hell away from them to forge her own future.

First published in 1869, Little Women is the story of four sisters growing up against the background of the American Civil War. Alcott wrote the book at the urging of the publisher, Thomas Niles, who was seeking a story about girls that would have popular appeal. Although it was commenced essentially as a children's book, it developed into something of a bildungsroman, which touches on more serious issues such as the difficulties faced by single-parent families, the death of a sibling, and fractured relationships.

Richard MacBlair has all the answers Idina Moorfield needs and is finally willing to share them. Well, most of them. Who knew there was a whole special forces division? Dedicated to people exhibiting magical powers to deal with unique challenges? Things are starting to make a lot more sense to Idina. But a lot more changes may be coming her way. She has to face new challenges. A series of tests to determine if she's good enough for a new special forces group.

A Doll's House, published in 1879, was the earliest of Ibsen's "social dramas", and the first of his works to attract attention outside of Scandinavia. The central theme of the play is a woman's right to individual self-development, and represents, as humourist Stephen Leacock observed of many Ibsen plays, "a profound problem stated but not solved".

The action of this play, which occurs during a conflict on the Balkans, is initiated by the discovery by Raina, the daughter of an military officer, of a man who has taken refuge in her bedroom. Unfortunately, the man belongs to the opposing army. How will she deal with a notional enemy who behaves with such quixotic courtesy?

Spring Awakening (German: Frühlings Erwachen) was the first major play by Frank Wedekind. It was written in the early 1890s but, due to opposition from censorship authorities, was not presented on stage until 1906. The play explores two contentious themes: the development of adolescent sexuality and the repressive nature of the German education system.

This is final installment in Edith Nesbit's classic trilogy of time-traveling adventures by four enterprising children.