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The Tale of Genji, Volume 1 cover art

The Tale of Genji, Volume 1

By: Murasaki Shikibu, Dennis Washburn - translator
Narrated by: Brian Nishii
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Summary

Murasaki Shikibu, born into the middle ranks of the aristocracy during the Heian period (794-1185 CE), wrote The Tale of Genji, widely considered the world's first novel, during the early years of the 11th century. Expansive, compelling, and sophisticated in its representation of ethical concerns and aesthetic ideals, Murasaki's tale came to occupy a central place in Japan's remarkable history of artistic achievement and is now recognized as a masterpiece of world literature.

The Tale of Genji is presented here in a flowing new translation for contemporary listeners, who will discover in its depiction of the culture of the imperial court the rich complexity of human experience that simultaneously resonates with and challenges their own. Washburn embeds annotations for accessibility and clarity and renders the poetry into triplets to create prosodic analogues of the original.

©2015 Dennis Washburn (translation) (P)2019 Blackstone Audio, Inc.

What listeners say about The Tale of Genji, Volume 1

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Beginning of World Literature

A thousand-year-old masterpiece does not need too much introduction. The reason of review is to state 2 things (1) this is the BEST translation (2) Brian Nishii is the BEST voice artist. Please Mr. Nishii, read us more Japanese literature!

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8 people found this helpful

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Riveting

It opens a world where the art of subtle considerations is key to success

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2 people found this helpful

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Birth of prose fiction

What I love about this book is that it is so non linear, the heroes are morally grey and the book is the first case of the anti hero. When I listen to this it makes me think, why did she write this? There are many valuable secrets within this book and Brian nishi is a great narrator, if you enjoy the dream of the red chamber, the Chinese prose fiction master piece of an almost similar length, you will love this :)

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Disappointed

I need to start by stating that my rating is not reflective of the book's value. It is a very highly esteemed piece of literature, possibly the first novel ever written (or what we know of and define today as a novel). It is definitely worth a read, if you are a very resolute admirer of ancient literature and cultures. Having read the reviews, I notice that a lot of people are able to appreciate it.
The narrator is great, I love to hear the Japanese names and the words pronounced in the authentic way.
Although the style has been made modern enough so it is easy to listen to, it requires that the reader completely sets aside modern expectations of relationships and male/female roles.
I am afraid that I could not do this, which was a great disappointment to me as I have read a lot of books that didn't agree with my world view and expected that I could deal with that. I couldn't. I haven’t even finished the book yet, and I am not sure that I ever will.
I came across a very long chapter where some men discuss how incredibly hard it is to find a decent woman. What they describe in stories of their experiences with women is basically an utterly abominable treatment of them with the expectation that they would tolerate everything without ever giving the slightest signal of disagreement or unhappiness. (I loved the story of the woman who bit her lover's finger in anger and his complete helplessness in understanding why this happened.)
I finally lost my patience when, having heard lengthy descriptions of how highly intelligent and well educated and perfectly poetic the ideal woman needs to be, it turned out that actually, there was an awful lot of things wrong in their thinking with women of that kind of sophistication.
Most of their descriptions of women come across as if out of thin air, basically their own fabrications of women they actually knew nothing about and didn't care much either.
Here goes. One man relates this story to his friends of a mistress he used to have, who started to get abused by the man's wife and his wife's family. (They are all married with several mistresses, who always get ditched and replaced by new ones.)
She was very distressed and couldn't seem to stop crying. He tries to console her with some very sophisticated poetry.
However, as that didn't seem to do much for her, he left and decided that if poetry recitals didn't work, surely ignoring her for a few weeks would. Then, after some time, he decides to peek in on her and their child and found that she had moved! With no explanation! Without as much as a forwarding address! Imagine that, the silly cow! If she had only told him how distressed she had been, he would have supported her more! Clearly, her fault!
I got so annoyed at these useless male characters that I started to think maybe this was meant to be a satirical writing. I did not find any reference anywhere to the book being a satire, though, so it probably isn't meant to be one. As much as I can tell, this is all dead serious.
This was when I thought that maybe the book was not for me, but I decided to give it some more reading (listening).
Genji didn't contribute much to these discussions at the time after all. Maybe he would turn out to be a bit brighter. I was also very interested what the women would contribute, surely they would have a say later. The novel was written by a woman after all!
After over 10 hours of listening, I only got to know that Genji is tragically spoilt and hopelessly flawed as a human character and might just be the worst among all of them.
What became more than I could then deal with were the details of his sick affections for a little girl. Though it is mentioned that (so far as I read) he had not slept with her, I could not read on. I really don't see why I should be interested in this very sick person even if he is the most beautiful man that ever lived, as he is constantly described by the writer.
I think I might be returning this one.

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Translation and narration make accessible

This translation and narration makes a story I suspect I would have found rather difficult much more accessible. The translation is lively and flows well. I found I really had to pay attention, but, though in some ways tricky, the story of Genji and the women he had an interestingly varied range of relationships with was worth it. Brian Nishii’s narration was really suitable and atmospheric.

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