Without even noticing, Esther Fairchild has become locked into routine. Living with her adored brother, Christian, she divides her time between illustrating children's books, nightly shifts as a waitress, weekly visits to her father and fortnightly meetings with her married lover. Then one day she encounters a face in the crowd which jolts her out of her mundane existence and makes her question both her life and the past that has helped to shape it.

A Daphne du Maurier-esque chiller set on the mysterious Cornish coast from the author of The Silent Companions and The Corset. Consumption has ravaged Louise Pinecroft’s family, leaving her and her father alone and heartbroken. But Dr Pinecroft has plans for a revolutionary experiment: convinced that sea air will prove to be the cure his wife and children needed, he arranges to house a group of prisoners suffering from the same disease in the cliffs beneath his new Cornish home.

England, 1917. Reeling from the death of her fiancé, Stella Marcham welcomes the opportunity to stay with her pregnant sister, Madeleine, at her imposing country mansion, Greyswick - but she arrives to discover a house of unease and her sister gripped by fear and suspicion. Before long, strange incidents begin to trouble Stella - sobbing in the night, little footsteps on the stairs - and as events escalate, she finds herself drawn to the tragic history of the house.

Upon the cliffs of a remote Scottish island, Lòn Haven, stands a lighthouse. A lighthouse that weathered more than storms. Mysterious and terrible events have happened on this island. It started with a witch hunt. Now, centuries later, islanders are vanishing without explanation. Coincidence? Or curse? Liv Stay flees to the island with her three daughters, in search of a home. She doesn’t believe in witches, or dark omens, or hauntings. But within months, her daughter Luna will be the only one of them left.

Forcibly seduced by George Villiers, duke of Buckingham and the king's favourite, doctor's daughter Hester was cast aside to raise her illegitimate son, Rafe, alone and in secret. She hopes never to see his father again. Melis's visions cause disquiet and talk. She sees what others can't - and what has yet to be. She'd be denounced as a witch if Hester wasn't so carefully protective. Young Hope's beauty marks her out, drawing unwelcome attention to the family. Yet she cannot always resist others' advances. And her sisters cannot always be on their guard.  

Norfolk, 1643. With civil war tearing England apart, reluctant soldier Thomas Treadwater is summoned home by his sister, who accuses a new servant of improper conduct with their widowed father. By the time Thomas returns home, his father is insensible, felled by a stroke, and their new servant is in prison, facing charges of witchcraft. 

A struggling silhouette artist in Victorian Bath seeks out a renowned child spirit medium in order to speak to the dead - and to try to identify their killers - in this beguiling new tale from Laura Purcell.

I would like to make myself the heroine of this story and my character to be noble - an innocent victim led astray. But alas, sir, I would be lying.... Tully Truegood: orphan. Magician's apprentice. Whore. In prison, accused of murder, Tully begins to write her life story. A story that takes her from a young daughter-skivvy in the back streets of 18th-century London to her stepmother Queenie's fairy house - a place where decadent excess is a must....

England, 1925. Louisa Drew lost her husband in the First World War and her six-year-old twin sons in the Spanish Flu epidemic of 1918. Newly remarried to a war-traumatised husband and seven months pregnant, Louisa is asked by her employer to travel to Clewer Hall in Sussex where she is to photograph the contents of the house for auction. She learns Clewer Hall was host to an infamous séance in 1896, and that the lady of the house has asked those who gathered back then to come together once more to re-create the evening. 

When Lily Bell is sold by her father to a Professor of Ghosts to settle a bad debt, she thinks she is about to hit the London stage as an actress. But little does she know that the professor intends her to be his very own ghost, part of an elaborate illusion for a fascinated audience. Obsessed with perfection, the professor covers all bases to ensure his illusion is realistic and when Lily comes across her own obituary in the paper and then her own headstone in the cemetery, she soon realises that she is trapped, her parents think she is dead and soon her fate is to become even darker.

When Esther Thorel, the wife of a Huguenot silk weaver, rescues Sara Kemp from a brothel she thinks she is doing God's will. Sara is not convinced being a maid is better than being a whore, but the chance to escape her grasping madam is too good to refuse. Inside the Thorels' tall house in Spitalfields, where the strange cadence of the looms fills the attic, the two women forge an uneasy relationship. 

A traditional Regency romance, drawing room rather than bedroom. Nell Caldicott awaits the return of her violent sailor husband with trepidation, but for once her fears are not realised. Her husband’s ship, the Brig Minerva, has sunk off the Cornish coast. Nell is free, but her husband has left her with little money and many questions about his past. Gradually, as his secrets are laid bare, she realises she didn’t know her husband at all. Can she uncover the truth? And can she ever learn to trust a man with her heart again?

Dorothea and Ruth. Ruth and Dorothea. Prison visitor and prisoner. Powerful and powerless. Dorothea Truelove is young, wealthy and beautiful. Ruth Butterham is young, poor and awaiting trial for murder. When Dorothea is asked to visit Ruth as part of her charitable works, she could not be more delighted. Her first encounter with a murderer will provide the perfect opportunity to explore Dorothea’s fascination with phrenology and test her theories that the shape of a person’s skull can cast a light on their darkest crimes.  

This is a diverting delight, a window on romance in literature. There are high lovers and low lovers, tragic lovers, comic lovers, and lovers who shouldn’t be doing what they are doing at all and certainly not then and there. There is even Fanny Hill trying not to discover what physical love is about when set upon by an old roué who has paid for the privilege. Though of special interest for lovers and their special lover’s day of St. Valentine, it is an amusing and sometimes surprising collection.

Paris, 1750. In the midst of winter, as birds fall frozen from the sky, a new maid arrives at the home of a celebrated clockmaker and his clever, unworldly daughter. But rumours are stirring that Reinhart's uncanny mechanical creations - bejewelled birds, silver spiders - are more than mere automata. That they might defy the laws of nature, perhaps even at the expense of the living. But Madeleine is hiding a dark past, and a dangerous purpose - to discover the truth of the clockmaker's experiments and record his every move, in exchange for her own chance of freedom.