In the aftermath of World War II, America stood alone as the world's premier military power. Yet its martial confidence contrasted vividly with its sense of cultural inferiority. Still looking to a defeated and dispirited Europe for intellectual and artistic guidance, burgeoning transnational elite in New York and Washington embraced not only the war's refugees but many of their ideas as well, and nothing has proven more pernicious than those of the Frankfurt School and its reactionary philosophy of "critical theory".

In the early 17th century, a crippled, graying, almost toothless veteran of Spain's wars against the Ottoman Empire published a novel. It was the story of a poor nobleman, his brain addled from studying too many novels of chivalry, who deludes himself that he is a knight errant and sets off on hilarious adventures. That story, Don Quixote, went on to sell more copies than any other book beside the Bible, making its author, Miguel de Cervantes, the single most-read author in human history.

In The War on the West, international best-selling author Douglas Murray asks: if the history of humankind is a history of slavery, conquest, prejudice, genocide and exploitation, why are only Western nations taking the blame for it? It’s become, he explains, perfectly acceptable to celebrate the contributions of non-Western cultures, but discussing their flaws and crimes is called hate speech. What’s more it has become acceptable to discuss the flaws and crimes of Western culture, but celebrating their contributions is also called hate speech.

These days, English professors prefer to teach anything and everything but classic English literature. They indoctrinate their students in Marxism and radical feminism, show them Michael Moore's Fahrenheit 9/11, and teach them the "post-colonial literature" of South Asia. When they do teach a genuine work of English or American literature, they use it to propagandize against our "oppressive" Western culture.

Jacqueline Rose's new book begins with three remarkable women: revolutionary socialist Rosa Luxemburg; German-Jewish painter Charlotte Salomon, persecuted by family tragedy and Nazism; film icon and consummate performer Marilyn Monroe. Together these women have a shared story to tell, as they blaze a trail across some of the most dramatic events of the last century - revolution, totalitarianism, the American dream.

First published in 1843, it tells the story of Ebenezer Scrooge, a mean and unpleasant man who dislikes people generally and Christmas especially. One Christmas Eve he is visited by the ghost of his former business partner Jacob Marley and the spirits of Christmas Past, Present and Yet to Come and given a glimpse of the many homes and lives which Scrooge has touched in his wretched life to date. After their visits, Scrooge is transformed into a kinder, gentler man. 

Based on a series of lectures by Leonard Peikoff and edited by Marlene Trollope, Discovering Great Plays provides the ability to understand, judge, and savor the values offered by great drama. Listeners will discover plot-theme as the key to a play; see Antigone as a great heroine and Iago as the darkest villain in literature; learn about the Cornelian hero; see how Schiller's "Grand Inquisitor" scene is the most dramatic and philosophic in all of theater; and discover Shaw's brilliance in presenting the genius against society. 

The West feels lost. Brexit, Trump, the coronavirus: we hurtle from one crisis to another, lacking definition, terrified that our best days are behind us. The central argument of this book is that we can only face the future with hope if we have a proper sense of tradition - political, social and religious. We ignore our past at our peril. The problem, argues Tim Stanley, is that the Western tradition is anti-tradition, that we have a habit of discarding old ways and old knowledge, leaving us uncertain how to act or, even, of who we really are.

As America's foremost public intellectual, Norman Mailer was a ubiquitous presence in our national life - on the airwaves and in print - for more than sixty years. With his supple mind and pugnacious persona, he engaged society more than any other writer of his generation. The trademark Mailer swagger is much in evidence in these pages as he holds forth on culture, ideology, politics, sex, gender, and celebrity, among other topics.

Bram Stoker, despite having a name nearly as famous as his legendary undead count, has remained a puzzling enigma. Now, in this psychological and cultural portrait, David J. Skal exhumes the inner world and strange genius of the writer who conjured an undying cultural icon.

King Henry IV survived at least eight plots to dethrone or kill him in the first six years of his reign. However, he had not always been so unpopular. In his youth he had been a great chivalric champion and crusader. In 1399, at the age of 32, he was greeted as the saviour of the realm when he ousted from power the tyrannical King Richard II. But Henry had to contend with men who supported him only as long as they could control him; when they failed, they plotted to kill him. Adversaries also tried to take advantage of his questionable right to the crown. 

From identification cards to how we protect our property, public debate rages over what our basic human rights are and how they are to be protected. In this trenchant and provocative audiobook, Peter Hitchens sets out to show that popular views of these hotly contested issues - from crime and punishment to so-called 'soft drugs' - are based on mistaken beliefs, massaged figures, and cheap slogans. His powerful and counterintuitive conclusions make challenging listening for those on both the Left and the Right.

Quintus Curtius is an attorney, writer, translator, and former marine officer. Expertly blending history, biography, philosophy, and the author's personal experience, this penetrating collection of essays achieves what one reviewer called "a perfect fluency in [a] dialogue with truth." The unifying theme is the nature of masculine identity and how that identity has been manifested. Drawing on examples from history and using sources in their original languages, Quintus Curtius' soaring vision combines lucid explanation with a passionate intensity like few other writers.

Is the Greek alphabet all Greek to you? Is geometry your Achilles heel and does your knowledge of Homer have more to do with The Simpsons than the Sirens? From engineering and architecture to drama and democracy, the world around us is founded on the principles and discoveries of the Ancient World, yet our understanding of it is episodic at best. But it's never too late to learn.

Simon Callow plunges headlong into Wagner's world to discover what it was like to be Wagner and to be around one of music's most influential figures. During a wildly unpredictable 69-year life, Richard Wagner became the hero of his era and the official protagonist of a new unified Germany: his music was its music. The architect of the vast four-day, 15-hour epic, he unleashed through his thousands and thousands of words gods and dwarves, dragons and songbirds, maidens and female warriors on horseback.