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Sundae's Best cover art

Sundae's Best

By: Riley Hart
Narrated by: Kale Williams, Sean Crisden
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Summary

Grady Dalton is in a rut. He’s 38, without a boyfriend, and has yet to find the place that feels like home. The closest he ever got was his best friend, Nathan. But it’s been seven years since he passed, and life isn’t getting easier. That’s how he ends up in Briar County, hoping to grow roots in the place Nathan had loved.

Deacon Sharpe spends his days serving homemade ice cream at Sundae’s Best and his nights alone, pretending he’s getting by after his wife’s death better than he is. His world is rocked when a man shows up who claims to have been his brother-in-law’s best friend and seems to miss Nathan as much as Deacon misses Patty.

Their losses connect them, but soon, the weight of their loneliness eases with laughter, making ice cream, and Grady reminding Deacon of what it feels like to be held again. Deacon tells himself it’s platonic. How can it be more when he’s forty and has never been with a man, never even been attracted to one? But then, he’d never felt those things about anyone other than Patty either. And when Grady touches him…kisses him…nothing else matters, and the rest of the world melts away.

Together they can deal with family drama, small-town gossip, and Deacon’s newly discovered feelings. But as it often does, life has one more curveball to throw their way….

Sundae’s Best is a small-town, bi/demisexual awakening romance, with characters who like to be held, swoony moments, a dog named Moose, and lots of ice cream. Sundae’s Best can be listened to as a stand-alone.

©2021 Riley Hart (P)2022 Riley Hart

What listeners say about Sundae's Best

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Sugar and sweet ice cream

It’s a beautiful story about finding your way home. Where is home? Or what and who is home.
It’s about family, lost and found.
It’s also about small town gossip, ice cream and goats. Unfortunately not so many goats though.

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Wonderful story

I have have loved alot of Rileys books over the years but her last 3 books, this one included have been some of her best. Once again there isn't anything I didn't love. The characters were wonderful. They had off the charts chemistry. The plot had me drawn in from the very beginning and I devoured this book. This was a beautiful story with low angst, a little side character drama and definitely some steam. It had so many of the tropes that I love: gfy, mutual hurt/confort, 2nd chance romance in terms of moving on after being widowed, found family and friends to lovers and it was a wonderful slow burn. I absolutely loved this and would absolutely recommend it.

I absolutely love listening to Kale Williams voice. I'm not a fan of Sean's voice as it tends to get a bit nails on chalkboard sounding when he does higher voices. For the most part for this performance he kept his voice at a pleasant tone. it only got a bit screeny on some female side characters that had minor parts. I do like how the dual narration emphasized the difference between the characters. Sean doing Deacons voice, the local country raised, NC boy and Kale doing Gradys voice, the more outsider city boy.

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Demi-Sexual Rep!

Sundae’s Best is a palate cleanser - an easy, comfort read in between heavy, gritty or dark stuff. These MCs are grown and their inner monologues reflect their maturity. I love their dignified composure in facing small-town gossip and handling self-serving relatives. The demisexual awakening is explored realistically and their likeability together with their low-angst journey from playful teasing to romantic love is a pleasure.

🎧 2/5 for Kale Williams: Deacon is grounded, has roots, knows his place in the world - Kale voiced him with a deep, resonant, assuredness. Grady is untethered and looking to get rooted so Kale uses slight hesitations and considered pauses to convey this. Though the vocals are incredible with wonderful pacing, Kale did not cue a sense of place or bother changing his accent to correctly portray the characters.

🎧 1/5 for Sean Crisden: I liked the accents but did not care for Sean’s hoarse vocalizations of almost everybody. What was really unforgivable was SC rushed through AND criminally sucked out all the passion from the most pivotal scene in the book. SC’s narration overall was as tone deaf as l expected.

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