A Year of Marvellous Ways is the much anticipated and utterly beguiling new novel from Sarah Winman, author of the international best seller When God Was a Rabbit. Cornwall, 1947. Marvellous Ways is a 90-year-old woman who's lived alone on a remote creek for nearly all her life. Recently she's taken to spending her days sitting on a mooring stone by the river with a telescope. She's waiting for something - she's not sure what, but she'll know it when she sees it.

This is a story about a brother and a sister. It's a story about childhood and growing up, friendships and families, triumph and tragedy, and everything in between. More than anything, it's a story about love in all its forms.

Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing. But it's the early 1960s and her all-male team at Hastings Research Institute take a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant Nobel-prize-nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results.

It begins with a painting won in a raffle: 15 sunflowers, hung on the wall by a woman who believes that men and boys are capable of beautiful things. And then there are two boys, Ellis and Michael, who couldn't be closer. And the boys become men, and then they meet Annie, and it changes nothing and everything. Tin Man sees Sarah Winman follow the acclaimed success of When God Was a Rabbit and A Year of Marvellous Ways with a love letter to human kindness and friendship, loss and living.

Two teenagers, a Greek Cypriot and a Turkish Cypriot, meet at a taverna on the island they both call home. The taverna is the only place that Kostas and Defne can meet in secret, hidden beneath the blackened beams from which hang garlands of garlic and chilli peppers, creeping honeysuckle, and in the centre, growing through a cavity in the roof, a fig tree. The fig tree witnesses their hushed, happy meetings; their silent, surreptitious departures. The fig tree is there, too, when war breaks out, when the capital is reduced to ashes and rubble, when the teenagers vanish.

When the kids are grown and Mercy Garrett gradually moves herself out of the family home, everyone determines not to notice. Over at her studio, she wants space and silence. She won't allow any family clutter. Not even their cat, Desmond. Yet it is a clutter of untidy moments that forms the Garretts' family life over the decades, from giving a child a ride to a painstaking Easter lunch, a fateful train journey to an unexpected homecoming. And it all begins in 1959, with a family holiday to a cabin by a lake.

Nisha has crossed oceans to give her child a future. Now she spends her days caring for someone else's daughter while her own waits for her return, half a world away. For Petra, it is only natural to hire a domestic worker to keep her house clean and her family fed. Their lives have nothing in common, except the love they feel for their daughters. Then one day, Nisha vanishes. No one cares about the disappearance of a foreign domestic worker, except Petra and Nisha's secret lover, Yiannis, the only connection to her daughter back in Sri Lanka. 

She can’t recall what started her collection. Maybe it was in a fragment of conversation overheard as she cleaned a sink? Before long (as she dusted a sitting room or defrosted a fridge), she noticed people were telling her their stories. Perhaps they always had done, but now it is different, now the stories are reaching out to her and she gathers them to her. When Janice starts cleaning for Mrs B - a shrewd and tricksy woman in her 90s - she meets someone who wants to hear her story. But Janice is clear: she is the keeper of stories, she doesn’t have a story to tell. 

Cornwall, 1972. Three lighthouse keepers vanish from a remote rock, miles from the shore. The entrance door is locked from the inside. The clocks have stopped. The principal keeper's weather log describes a mighty storm, but the skies have been clear all week. What happened to those three men, out on the tower? The heavy sea whispers their names. Black rocks roll beneath the swell, drowning ghosts. Can their secrets ever be recovered from the waves?

Artist, Hassie Day and her sister, Margot, buy a rambling, run-down Jacobean house in Hope Wenlock on the Welsh Marches. While Margot continues her London life in high finance, Hassie is left alone to work the large, long-neglected garden. She is befriended by eccentric, sharp-tongued Miss Foot, who recommends Murat, an Albanian migrant, out of place in the village, to help Hassie in the garden. As Hassie works in the garden alongside Murat, she begins to ruminate on her past life, her hostile mother, her diffident father and the sibling rivalry that tainted her childhood.

Jean Swinney is a feature writer on a local paper, disappointed in love and - on the brink of 40 - living a limited existence with her truculent mother: a small life from which there is no likelihood of escape. When a young Swiss woman, Gretchen Tilbury, contacts the paper to claim that her daughter is the result of a virgin birth, it is down to Jean to discover whether she is a miracle or a fraud. But the more Jean investigates, the more her life becomes strangely (and not unpleasantly) intertwined with that of the Tilburys.

It is 1950. In a devastating moment of clarity, Margery Benson abandons her dead-end job and advertises for an assistant to accompany her on an expedition. She is going to travel to the other side of the world to search for a beetle that may or may not exist. Enid Pretty, in her unlikely pink travel suit, is not the companion Margery had in mind. And yet together they will be drawn into an adventure that will exceed every expectation. They will risk everything, break all the rules and, at the top of a red mountain, discover their best selves.

Violeta comes into the world on a stormy day in 1920, the first daughter in a family of five boisterous sons. From the start, her life is marked by extraordinary events, for the ripples of the Great War are still being felt, even as the Spanish flu arrives on the shores of her South American homeland almost at the moment of her birth. Through her father's prescience, the family will come through that crisis unscathed, only to face a new one as the Great Depression transforms the genteel city life she has known.

A dark midwinter’s night in an ancient inn on the Thames. The regulars are entertaining themselves by telling stories when the door bursts open on an injured stranger. In his arms is the drowned corpse of a little child. Hours later the dead girl stirs, takes a breath and returns to life. Is it a miracle? Is it magic? Or can it be explained by science? An exquisitely crafted multilayered mystery brimming with folklore, suspense and romance as well as with the urgent scientific curiosity of the Darwinian age, Once Upon a River is as richly atmospheric as Setterfield’s best seller The Thirteenth Tale.

Between her emotionally absent mother and her physically absent father, there is nobody to answer them. Eva is convinced that all is not as it seems. Why are there no baby pictures of her? Why do her parents avoid all questions about her early years? When her parents’ relationship crumbles, Eva begins a journey to find these answers for herself. Her desire to discover where she belongs leads Eva on a journey spanning decades and continents—and, along the way, she meets women who challenge her idea of what a mother should be and who will change her life forever....