Clive Bell is perhaps more well-known today for being a Bloomsbury socialite and the husband of Vanessa Bell, sister to Virginia Woolf. Yet Bell was a highly important figure in his own right: an internationally renowned art critic who championed young artists, he defended daring new forms of expression at a time when Britain was closed off to all things foreign. For decades Bell has been a shadowy figure, refracted through the wealth of writing on Bloomsbury, but here Mark Hussey brings Bell to the forefront.

Glamorised, mythologised, and demonised - the women of the 1920s were determined to reinvent the way they lived. Flappers focuses on six women who between them exemplified the range and daring of that generation’s spirit. Diana Cooper, Nancy Cunard, Tallulah Bankhead, Zelda Fitzgerald, Josephine Baker and Tamara de Lempicka were far from typical flappers. Talented, reckless, and wilful, with personalities that transcended their class and background, they rewrote their destinies in remarkable, entertaining and tragic ways.

On 6 February 1918, after campaigning for over 50 years, British women were finally granted the vote. In November 1919, the first woman MP, Lady Nancy Astor, was elected to the House of Commons. History was made. A hundred years on, it is time to reflect on the daring and painful struggle women undertook to break into a political system that excluded them.

A heroine for our times, Etta Lemon campaigned for 50 years against the worldwide slaughter of birds for extravagantly feathered hats. Her legacy is the Royal Society for the Protection of Birds (the RSPB), grown from an all-female pressure group of 1889 with the splendidly simple pledge: Wear No Feathers. Etta’s long battle against ‘murderous millinery’ triumphed with the Plumage Act of 1921 - but her legacy has been eclipsed by the more glamorous campaign for the vote, led by the elegantly plumed Emmeline Pankhurst. 

After the horrors of the First World War, Oxford looked like an Arcadia - a dreamworld - from which pain could be shut out. Soldiers arrived with pictures of the university fully formed in their heads and women finally won the right to earn degrees. Freedom meant reading beneath the spires and punting down the river with champagne picnics. But all was not quite as it seemed. Boys fresh from school settled into lecture rooms alongside men who had returned from the trenches with the beginnings of shellshock. 

Listening to Shaking a Leg is like spending time with the funniest, wisest friend you've ever had - a person whose breadth of interest ranges from food to feminism to science fiction and everything in between. Bursting with ideas, culturally astute and sparklingly witty, this comprehensive volume of Angela Carter's journalism is the most down-to-earth and entertaining companion to latter 20th-century thought you'll ever need.

Henry Miller was one of the most distinctive voices in twentieth-century literature. Better known in Europe than in his native America for most of this career, he achieved international success and celebrity during the 1960s when his banned "Paris" books - beginning with Tropic of Cancer - were published here and judged by the Supreme Court not to be obscene. Until then he had toiled in relative obscurity and poverty.

From the beginning of their lives, the Olivier sisters stood out: surprisingly emancipated, strikingly beautiful, markedly determined and alarmingly 'wild'. Rupert Brooke was said to be in love with all four of them; D. H. Lawrence thought they were frankly 'wrong'; and Virginia Woolf found them curiously difficult to read. The sisters seemed always to be one step ahead of their time. Margery and Daphne studied at Cambridge when education was still thought by some to be damaging to ovaries.

Beginning in the 18th century with the building of St. Petersburg - a 'window on the West' - and culminating with the challenges posed to Russian identity by the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself - its character, spiritual essence and destiny. He skillfully interweaves the great works - by Dostoevsky, Stravinsky, and Chagall - with folk embroidery, peasant songs, religious icons and all the customs of daily life, from food and drink to bathing habits to beliefs about the spirit world. 

English novelist Barbara Pym’s career was defined, in many senses, by rejection. Her first novel Some Tame Gazelle was turned down by every publisher she sent it out in 1935, finally published only 15 years later. Though she picked up a publisher from there and received modest praise, the publishing industry grew restless and her sales spiralled downwards. By her seventh novel, she had been dropped. This brilliant biography, brimming with Pym’s private diaries and intimate letters, offers a first full insight into Barbara Pym’s life and how it informed her writing.

Before Bletchley Park could break the German war machine’s code, its daily military communications had to be monitored and recording by "the Listening Service" - the wartime department whose bases moved with every theatre of war: Cairo, Malta, Gibraltar, Iraq, Cyprus, as well as having listening stations along the eastern coast of Britain to intercept radio traffic in the European theatre. This is the story of the - usually very young - men and women sent out to far-flung outposts to listen in for Bletchley Park, an oral history of exotic locations and ordinary lives turned upside down by a sudden remote posting.

Aunt Munca never told the truth about anything. Calling herself after the mouse in a Beatrix Potter story, she was already a figure of mystery during the childhood of her nephew Ferdinand Mount. Half a century later, a series of startling revelations sets him off on a tortuous quest to find out who this extraordinary millionairess really was. What he discovers is shocking and irretrievably sad, involving multiple deceptions, false identities and abandonments. 

A terrifically engaging and original biography about one of England’s greatest novelists and the glamorous, eccentric, debauched and ultimately tragic family that provided him with the most significant friendships of his life and inspired his masterpiece, Brideshead Revisited.

Pre-war debutantes were members of the most protected, not to say isolated, stratum of 20th-century society: the young (17-20) unmarried daughters of the British upper classes. For most of them, the war changed all that for ever. It meant independence and the shock of the new, and daily exposure to customs and attitudes that must have seemed completely alien to them. For many, the almost military regime of an upper class childhood meant they were well suited for the no-nonsense approach needed in wartime. 

From his impoverished childhood in a working-class English family, to his determination to educate himself at any cost, to the serious ill health that dominated his 20s and 30s, his complicated marriages, and love affair with socialism, the first 40 years of H. G. Wells' extraordinary life would set him on a path to become one of the world's most influential writers. In this remarkable, empathetic biography, Claire Tomalin paints a fascinating portrait of a man like no other.