The importance of community…

Unjustly accused of theft, Silas Marner, his faith in God and man shattered, flees his home and church and sets himself up in a new place where he knows no one and no one knows him. Raveloe is a small rural village with a strong sense of community among the working class, who, as tradition demands, show deference to the local Squire and his feckless sons. Here Silas lives alone, plying his trade as a linen weaver and accumulating a store of gold which he carefully hides and takes out each night to lovingly count. And so his life may have continued, but that one night his hoard of gold is stolen. He is still reeling and depressed from this disaster when, a short time later, a little girl walks through his door one snowy day. Silas discovers the body of the child’s mother nearby, and decides to adopt the girl, whom he calls Hephzibah, or Eppie for short.

Being one of the small minority who didn’t love Middlemarch, I began this one with a lot of hesitation – a book I felt should read rather than one I wanted to. So the pleasure of discovering that I loved it was all the greater for being unexpected. This one has what, for me, Middlemarch lacked – a strong plot. Its brevity is undoubtedly another point in its favour!

It gets off to a bit of a rocky start, as Eliot pontificates for a while about “the poor”, in that supercilious way that suggests they are one homogenous mass, easy to categorise, define and condescend to. “The poor”, apparently, are rather stupid, highly superstitious, easily led, and would fall somewhere not far above beasts of the field in a zoological league table. Whenever one of these 19th century writers talks about “the poor”, I feel I get a better understanding of why people invented guillotines. Happily, however, once she has staked her claim to social and intellectual superiority, she moves on quite quickly, and her depiction of individual members of “the poor” is much more nuanced and insightful than this opening monologue had led me to fear.

I also feared that Eppie might be one of these saccharin, perfect angels that infest Victorian fiction, usually shortly before they die tragically. Happily not! Eppie is wilful, naughty and refreshingly normal, and won past even my pretty strong anti-child defences. Silas’ reaction to her arrival is very well portrayed, as he sees her as a kind of redeeming gift from the God whom he felt had deserted him. Since she’s a very young child on her arrival, Silas, a man with no experience of children, has to reach out for help, forcing him to become part of the village life he had until then shunned. Perhaps he never quite regains his lost trust in man or God to the same level of naivety of his youth, but he learns to love again, and to appreciate neighbourliness and kindness and the value of community.

The other side of the story is darker, and gives it a weight that prevents Silas’ story from being too sweet. The reader knows the identity of the dead woman, although the villagers do not, and we know why she was there that night, in a snow storm. “The poor” may get Eliot’s condescension, but she is stern on the fecklessness of those who live off the labour of others – the Squire class. Squire Cass himself is a man of pride and temper, and his sons have grown up with weak characters and a sense of entitlement that leads them into vice, each of a different kind. Eliot allows the possibility of redemption, but she intends to make her characters work for it.

I particularly enjoyed the occasional intervals where we eavesdrop on the men of the village, gathered of an evening in the local tavern to swap stories and exchange gossip. There’s a lot of humour in these passages, but they also give a great depiction of the social hierarchy of village life, based not so much on wealth as on age and experience, with a sense of earned wisdom being passed down through the generations. Eliot also shows how the women of the village try to ensure that motherless Eppie is given the guidance on womanly matters that Silas can’t provide.

Having been rather rude about Andrew Sachs’ narration of The Power and the Glory recently, I was delighted to find him excellent in this one. Without the distraction of “foreign” accents to contend with, he gives a full range of very good characterisations, each well suited to the social class of the character in question.

In the end, the various strands all come together satisfyingly, managing to be sweet without a surfeit of sugar. An excellent listening experience, and I’m now keen to explore more of Eliot’s work.

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1 person found this helpful

Heart warming story

An atmospheric story of 19th century village life centred on a lonely, miserly weaver and the 2 year old who wanders into his life when her mother dies in the snow.
Superb emotional tale telling involving all the classes in the village.
A classic

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Great Classic

Loved it. A great story beautifully read. Would definitely recommend this audio book. You will not be disappointed.

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Superb

Great story well read engaging thought provoking and timeless a lovely listen in every way

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Excellent narration, good story.

A pleasant listen, I enjoyed the story and it keeps you wanting to know what will happen.
Well written and very well narrated.

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Excellent in every way

This is George Eliot at her best. Sharp and witty insights into human nature pepper it throughout. Andrew Sachs does a brilliant job as narrator. I love this book.

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Excellent Narration by Andrew Sachs.

The performance by Andrew Sachs is wonderful in creating each character and bringing them to life. If their was an Audio book Oscar I'd certainly be nominating him! I had read this book a long time ago and I recommend it as a beginning to the longer works of George Eliot. There is a magical quality to it, rather like a fairy story. And although there are some large coincidences much literature I have read of that time seem to have that aspect as part of the plot. But I think the simplicity in many respects makes this book a delight because it illustrates how elusive love and happiness can be and yet the choices that cause that.

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A classic

Most people will be familiar with the story but Andrew Sachs reading is excellent, he brought the characters to life.

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A FABULOUS TRIP DOWN MEMORY LANE.

Andrew Sachs brings George Eliot's wonderful novel to life with his beautiful narration and the ability to create full-bodied characterisation. I read the book 50 years ago and am so pleased to be able to listen to it free on Audible.

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Achingly Wonderful.

I cannot describe how wonderful this story is - beautifully told by Andrew Sachs.

Most of George Eliot's books are slow burn, building an atmosphere and developing characters before launching story. Silas Marner is, by far, the shortest of her books and dives straight into the action. It is a pacy tale of disappointment, loss and redemption. It really is lovely.

My only regret is that the story is over so soon. I could spend many more hours in the world of Silas Marner.

It is a powerful and heartachingly beautiful story, superbly told. Whatever type of book you normally read, I urge you to try this. I feel sure you will love it.

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