The body found under the hedge was that of a middle-aged woman, biggish and gaunt. The grey eyes were wide and staring, and in them Detective Chief Inspector Wexford thought he saw a sardonic gleam, a glare, even in death, of scorn. But that must have been his imagination, and imagination was almost all he had to go on. The woman was a stranger. Her handbag held little more than three keys on a ring and forty-two pounds in a new wallet.

Chief Inspector Wexford tries to solve a murder with no evidence, not even a body. Anita Margolis had vanished. There was no body, no crime - nothing more than an anonymous letter and the intriguing name of Smith. According to HQ, it wasn't to be a murder enquiry at all. In fact, Inspector Burden has no trouble seeing a pattern in the Margolis case. Anita was wealthy, flighty, and thoroughly immoral.

A lump of concrete dropped deliberately from a little stone bridge over a relatively unfrequented road kills the wrong person. The driver behind is spared. But only for a while... It is impossible for Chief Inspector Wexford not to wonder how terrible it would be to discover that one of his daughters had been murdered.

On the day Lizzie came back from the dead, the police and her family and neighbours had already begun to search for her body. She had been missing for three days. A short while later, another young woman disappears, just as a convicted paedophile is released back into the community.

The first case for DCI Reg Wexford. When Margaret Parsons disappears, it's assumed that she's run off with another man. But then the missing woman's body is found and a startling discovery is made when Mr. Parsons lets the police into his home....

From the writer of the Wexford novels and read by Isla Blair. Once, when Benet was about fourteen, they had been in a train together, alone in the carriage, and Mopsa had tried to stab her with a carving knife. Threatened her with it, rather. Benet had been wondering why her mother had brought such a large handbag with her, a red one that didn’t go with the clothes she was wearing. Mopsa had shouted and laughed and said wild things and then she had put the knife back in her bag.

Jock was supposed to have died in the Paddington train crash. Minty had received a letter from the railway company. But, curiously, the police hadn't been in touch. And Jock had gone off with all her savings. Then Jock's ghost starts reappearing to Minty: at home, at work, even in the cinema. He even touches her. Minty started to carry a knife. If he wasn't made of shadows, would he bleed?

Four members of the Coverdale family - George, Jacqueline, Melinda and Giles - died in the space of fifteen minutes on the 14th February, St Valentine's Day. Eunice Parchman, the housekeeper, shot them down on a Sunday evening while they were watching opera on television. Two weeks later she was arrested for the crime. But the tragedy neither began nor ended there...

In a gloomy cellar, the figure of a beautiful, pale woman makes no move when the man advances on her from the shadows, puts his hands around her neck and strangles her. Arthur Johnson is a mild-mannered, shy man who has never known how to talk to women. His resulting loneliness has twisted his yearning for love and respect into a carefully constructed predilection for violence and control.

Previously uncollected and unpublished: new short stories from a master of psychological suspense. New and uncollected tales of murder, mischief, magic and madness. Ruth Rendell was an acknowledged master of psychological suspense: these are 10 (and a quarter) of her most chillingly compelling short stories, collected here together for the first time.

Two years ago, he had been a promising young novelist. Now he barely survives in a near derelict cottage with only his own obsessive thoughts for company. Two years of loving Drusilla - the rich, unstable girl with everything she needed, and a husband she wanted dead. The affair was over. But the long slide into violence had just begun....

Safe houses and secret message drops, double crosses and defections - it sounds like the stuff of sophisticated espionage, but these agents are only schoolboys engaged in harmless play. Not that John Creevey knows this. To him, the messages he decodes with painstaking care are the communications of dangerous and evil men, and as he comes face to face with the fact of his beloved wife Jennifer's defection, he begins to see a way to get back at the man she left him for.

Eve and Liza, Mother and Daughter, live a quiet life in their remote home; a rustic gatehouse of a country mansion. At first glance their lives appear quite ordinary, except that Liza has almost no knowledge of the outside world, has never played with a child her own age and has witnessed her mother commit murder, on multiple occasions.

The bleak expanse of Vangmoor was a dark, forbidding place. One victim had been found there, blonde, her face disfigured, her head shorn close to the scalp - killed without motive or mercy. Then a second woman went missing on the moor, and a sense of utter dread gripped the fifty local men who searched for her. Someone watched them in that treacherous place. Was he a killer? Or was he merely angry that a killer had usurped him? For he, and only he, was the Master of the Moor.

Innocence is in the eye of the beholder.... A collection of short stories, ranging from crimes of passion and violence in Kingsmarkham to a bizarre murder in Yugoslavia, featuring the world-famous Detective Chief Inspector Wexford. A crime omnibus from the world's greatest living mystery writer, Ruth Rendell.