Ottoline Morrell
Life on the Grand Scale
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Narrated by:
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Elaine Claxton
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By:
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Miranda Seymour
About this listen
‘A kind of blissography, teeming with bon mots’ Sunday Times
A celebrated modern classic that has revolutionised our understanding of the Bloomsbury group and remains the definitive biography of the group’s gloriously eccentric patron, Lady Ottoline Morrell. Met with widespread acclaim and translated into fifteen languages, this seminal book provoked a rethinking of the traditional Bloomsbury narrative and the rewriting of some major biographies.
For decades, Ottoline Morrell was grossly misunderstood. The artists and writers who benefited from her generous patronage and friendship helped to create the false and vicious image of a nymphomanical aristocrat with cultural aspirations. This landmark literary biography presents Morrell in an entirely new light, rightly setting her centre-stage as the brilliant and courageous lynchpin of the Bloomsbury group. She counted T.S. Eliot, Aldous Huxley, D.H. Lawrence, Lytton Strachey, Siegfried Sassoon, Augustus John, Katherine Mansfield and W.B. Yeats among her closest friends and houseguests. A legendary and agonisingly protracted love-affair with Bertrand Russell never undermined this unlikely couple’s deep and understanding friendship. Ottoline’s loyalty to her own promiscuous husband survived public humiliation and private crises.
Overhauling the long-held conventional view of Morrell as a victim, a creature of her class who was born to be exploited and derided by her wittier friends, Seymour repaints the world of the Bloomsberries and rescues the grand life of Ottoline Morrell from the depths of historical obscurity.
PLEASE NOTE: When you purchase this title, the accompanying PDF will be available in your Audible Library along with the audio.
©2024 Miranda Seymour (P)2024 HarperCollins PublishersWhat listeners say about Ottoline Morrell
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- Honest reader
- 08-11-24
Necessary biographical revision of an important British literary & artistic figure of the 20c
Despite the author’s criticism of another earlier biographers incoherent timelines, that is actually one of the reader’s challengers early in this tome. Figures are mentioned, their comments described etc. Before we are really introduced to them. This leads to a slightly peripatetic journey rather than a chronological one. That said, our guides rights the ship eventually and pulls her threads together convincingly to redress the unfair and untrue noise surrounding her subject. Having a reasonable knowledge of the Bloomsbury set helped me, but it isn’t wholly necessary to enjoy discovering Ottoline. Rather like the adjacent group known as the Bright Young Things, most of the set come out of any examination with little merit as people, even if their Art remains lauded. I am reminded of an old saying ‘no good deed goes unpunished’.
Ottoline deserved to be reframed and this detailed and sensible biography rightly gives her the credit she is due, both as an enabler of artists of all kinds, but perhaps more importantly, as a person, a friend, a mother, a daughter and a wife. She was extraordinary and unique. But it seems to me that we can also say that despite her faults (she was human after all) she was kind, generous, patient and forgiving. Surely that would be an amazing epitaph for anyone.
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