It is 1987, and a small Irish community is preparing for the wedding of two of its young inhabitants. They're barely adults, not so long out of school and still part of the same set of friends they've grown up with. As the friends head home from the beach that last night before the wedding, there is a car accident. Three survive the crash, but three are killed. And the reverberations are felt throughout the small town.

In July 2012 Thomas Harding's fourteen-year-old son Kadian was killed in an accident. Shortly afterwards Thomas began to write. Beginning on the day of Kadian's death, and continuing to the one-year anniversary, Kadian Journal is a record of grief, and of a mind in shock. Interspersed within the journal are fragments of memory: jewel-bright everyday moments that slowly combine to form a biography of a lost son.

Having dropped out of university, Harmony returns to the site of the urban commune where she lived as a child, now divided into flats. She rents a room in the hope of uncovering the source of her nightmares about a redheaded woman who haunts the house and her obsession with lost objects from her childhood. As the London riots explode in the streets, the two hot summers converge, blurred by the drugs and sex and cheap wine, and Harmony begins to discover what really happened at Longhope 20 years ago. Can she grow up at last and build her own future?

Miriam hasn't left her house in three years and cannot raise her voice above a whisper. But today she has had enough and is finally ready to rejoin the outside world. Meanwhile Ralph has made the mistake of opening a closet door only to discover with a shock that his wife, Sadie, doesn't love him and never has. And so he decides to run away.

January is starting again. After years trapped at home as a single parent, she is ready for a new challenge. Her daughter, Isla, is off to school, leaving her mum with time on her hands at last - and long-overdue bills to pay. January takes a job at a local estate agent, and after a rocky start she's soon getting back on her feet. But when an old boyfriend pops up and, at the same time, Isla's dad suddenly reappears - things get very complicated indeed.

In a small Kent town in the 1950s, a bewildered little girl is growing up. Ostracised because of her colour, she tries her best to fit in, but nobody wants anything to do with her. A nanny climbs the steps of a smart London address. She’s convinced that her connection to the family behind the door is more than professional. And on the walls of an English stately home, amongst the family portraits, hangs an eighteenth-century oil painting of a mysterious black woman in a silk gown.

When Diane fails to return from the village shop, police think she must have taken off with a secret lover, but Harper is convinced the online messages are not from her. In the same Hampshire village, plucky seven-year-old Clara has retreated into a make-believe world after an accident. Then she, too, goes missing. As Harper sets out on a desperate quest to find them both, he has no idea what he's up against. Could the threat be closer than he thinks? And is there a hidden message in Clara's fairytales?

If it hadn't been for the child then none of this might have happened. She saw me kissing her father. She saw her father kissing me. The fact that a child got mixed up in it all made us feel that it mattered, that there was no going back.

Winner of the 2017 Miles Franklin Literary Award. He hated the word retirement, but not as much as he hated the word village, as if ageing made you a peasant or a fool. Herein lives the village idiot. Professor Frederick Lothian, retired engineer, world expert on concrete and connoisseur of modernist design, has quarantined himself from life by moving to a retirement village.

If families are like solar systems - bodies that orbit in time around one another, sometimes close and sometimes far away - what is the force that moves them? And what are the consequences when one planet tugs others off course? Lotte is an astronomer who spends her nights peering into deep space rather than looking too closely at herself. Returning to her hometown after years abroad, and reeling from a devastating diagnosis, she finds that much has changed. Lotte’s father has remarried, and she’s estranged from her former best friend, Eve. 

Sue Townsend, creator of the much-loved Adrian Mole series, tells a compassionate and gritty story of love and loss in Ghost Children. Seventeen years ago Angela Carr aborted an unwanted child. The child's father, Christopher Moore, was devastated by the loss and retreated from the world. However, when he makes a horrifying discovery on the heath, he finds that he is compelled to confront Angela about the past. As they start seeing each other again, can they avoid past mistakes? And will their future together be eclipsed by the mistakes of yesterday?

As her glamorous London life comes crashing down around her, Rebecca flees to her childhood home to recover. Born in that same country town, Joe hasn't seen or spoken to her in a decade. Now he's the successful owner of a wine bar, Maison Joe, and is breaking local hearts. As Rebecca and Joe are forced to confront the past, bittersweet memories rush back, along with unanswered questions. Can Rebecca ever forgive and forget?

Spanning four centuries, The Long Gaze Back features 22 new stories by some of the most talented Irish women writers working today. Taken together, the collected works of these writers reveal an enrapturing, unnerving, and piercingly beautiful mosaic of a lively literary landscape. The anthology presents an inclusive and celebratory portrait of the high calibre of contemporary literature in Ireland. These stories run the gamut from heartbreaking to humorous, but each leaves a lasting impression. They chart the passions, obligations, trials and tribulations of a variety of vividly drawn characters with unflinching honesty and relentless compassion. These are stories to savour.

Marion Zetland lives with her domineering older brother, John, in a decaying Georgian townhouse on the edge of a northern seaside resort. A timid spinster in her 50s who still sleeps with teddy bears, Marion does her best to shut out the shocking secret that John keeps in the cellar. Until, suddenly, John has a heart attack, and Marion is forced to go down to the cellar herself and face the gruesome truth that her brother has kept hidden. As questions are asked and secrets unravel, maybe John isn't the only one with a dark side.

This is a singular memoir: an excavation of mother love, a candid account of the agonies and absurdities of the cancer experience and a doggedly optimistic paean to life. When Genevieve Fox finds a lump in her throat, she turns up for the hospital diagnosis in a party frock and fancy hair. I can't have cancer, she thinks. I've done my hair. But there is another reason she can't countenance cancer. Genevieve was orphaned to it at the age of nine.