Listen free for 30 days
-
Lord Jim
- Narrated by: Nigel Graham
- Length: 14 hrs and 14 mins
- Unabridged Audiobook
- Categories: Literature & Fiction, Classics
Add to basket failed.
Add to wishlist failed.
Remove from wishlist failed.
Follow podcast failed
Unfollow podcast failed
Listen with a free trial
Buy Now for £9.99
No valid payment method on file.
We are sorry. We are not allowed to sell this product with the selected payment method
Listeners also enjoyed...
-
Echoes from the Macabre
- By: Daphné du Maurier
- Narrated by: Valentine Dyall
- Length: 6 hrs and 28 mins
- Unabridged
-
Overall
-
Performance
-
Story
Featuring five tales of quiet terror from the classic short story collection. 'Don't Look Now' which was filmed by Nicolas Roeg and starred Julie Christie and Donald Sutherland 'Kiss Me Again Stranger', 'Not After Midnight', 'The Old Man' and 'The Birds', which was famously filmed by Alfred Hitchcock.
-
-
great book but not as advertised
- By ian on 13-03-12
-
Nostromo
- By: Joseph Conrad
- Narrated by: Nigel Anthony
- Length: 18 hrs and 8 mins
- Unabridged
-
Overall
-
Performance
-
Story
Set in the fictional South American country of Costaguana, Nostromo explores the volatile politics and crippling greed surrounding the San Tomé silver mine. The story of power, love, revolutions, loyalty and reward is told with richly evocative description and brilliantly realised characters. But Nostromo is more than an adventure story; it is also a profoundly dark moral fable. Its language is as compellingly resonant as the sea itself; the characters absorbing and complex.
-
-
Very difficult to engage with
- By Oli on 14-02-19
-
Within the Tides
- By: Joseph Conrad
- Narrated by: Geoffrey Howard
- Length: 5 hrs and 43 mins
- Unabridged
-
Overall
-
Performance
-
Story
Written at various times and under various influences, the four stories contained in Within the Tides are linked by Conrad's treatment of loyalty and betrayal. They range in setting from the Far East via 18th-century Spain to England. The tone shifts from the tragic inevitability of "The Planter of Malata" and the pathos of "Because of the Dollars" to the gothic "The Inn of the Two Witches" and the grim humor of "The Partner." Experimental in form, they represent yet another branch of Conrad's search for moral truth.
-
An Outpost of Progress
- By: Joseph Conrad
- Narrated by: Mike Vendetti
- Length: 1 hr
- Unabridged
-
Overall
-
Performance
-
Story
Award-winning narrator Mike Vendetti reads this Joseph Conrad classic tale of two white traders, Carlier and Kayerts, comical and pathetic, who move from polite society to the Congo, where they hope to become wealthy on the "Dark Continent" by spreading commerce and civilization to black Africa. But as was often the case, the longer they are away from civilization, the more the refinements of civilization slip away, along with their sanity.
-
The Tale
- By: Joseph Conrad
- Narrated by: Cathy Dobson
- Length: 44 mins
- Unabridged
-
Overall
-
Performance
-
Story
One of Joseph Conrad's most haunting sea-stories, describing a haunting life or death decision at sea which is made in a moment... and takes a lifetime to doubt it's wisdom.
-
The Rover
- By: Joseph Conrad
- Narrated by: Stefan Rudnicki
- Length: 9 hrs and 6 mins
- Unabridged
-
Overall
-
Performance
-
Story
As the Revolution rages in France, a seafarer named Peyrol, a master-gunner in the French republican navy, pirate, and for nearly 50 years, rover of the outer seas, comes to the end of a lifetime lived on the seas and seeks refuge in a remote farmhouse on the French Riviera. As he attempts to settle into a peaceful existence, Peyrol struggles to redefine himself and returns to the sea for one final voyage.
-
Echoes from the Macabre
- By: Daphné du Maurier
- Narrated by: Valentine Dyall
- Length: 6 hrs and 28 mins
- Unabridged
-
Overall
-
Performance
-
Story
Featuring five tales of quiet terror from the classic short story collection. 'Don't Look Now' which was filmed by Nicolas Roeg and starred Julie Christie and Donald Sutherland 'Kiss Me Again Stranger', 'Not After Midnight', 'The Old Man' and 'The Birds', which was famously filmed by Alfred Hitchcock.
-
-
great book but not as advertised
- By ian on 13-03-12
-
Nostromo
- By: Joseph Conrad
- Narrated by: Nigel Anthony
- Length: 18 hrs and 8 mins
- Unabridged
-
Overall
-
Performance
-
Story
Set in the fictional South American country of Costaguana, Nostromo explores the volatile politics and crippling greed surrounding the San Tomé silver mine. The story of power, love, revolutions, loyalty and reward is told with richly evocative description and brilliantly realised characters. But Nostromo is more than an adventure story; it is also a profoundly dark moral fable. Its language is as compellingly resonant as the sea itself; the characters absorbing and complex.
-
-
Very difficult to engage with
- By Oli on 14-02-19
-
Within the Tides
- By: Joseph Conrad
- Narrated by: Geoffrey Howard
- Length: 5 hrs and 43 mins
- Unabridged
-
Overall
-
Performance
-
Story
Written at various times and under various influences, the four stories contained in Within the Tides are linked by Conrad's treatment of loyalty and betrayal. They range in setting from the Far East via 18th-century Spain to England. The tone shifts from the tragic inevitability of "The Planter of Malata" and the pathos of "Because of the Dollars" to the gothic "The Inn of the Two Witches" and the grim humor of "The Partner." Experimental in form, they represent yet another branch of Conrad's search for moral truth.
-
An Outpost of Progress
- By: Joseph Conrad
- Narrated by: Mike Vendetti
- Length: 1 hr
- Unabridged
-
Overall
-
Performance
-
Story
Award-winning narrator Mike Vendetti reads this Joseph Conrad classic tale of two white traders, Carlier and Kayerts, comical and pathetic, who move from polite society to the Congo, where they hope to become wealthy on the "Dark Continent" by spreading commerce and civilization to black Africa. But as was often the case, the longer they are away from civilization, the more the refinements of civilization slip away, along with their sanity.
-
The Tale
- By: Joseph Conrad
- Narrated by: Cathy Dobson
- Length: 44 mins
- Unabridged
-
Overall
-
Performance
-
Story
One of Joseph Conrad's most haunting sea-stories, describing a haunting life or death decision at sea which is made in a moment... and takes a lifetime to doubt it's wisdom.
-
The Rover
- By: Joseph Conrad
- Narrated by: Stefan Rudnicki
- Length: 9 hrs and 6 mins
- Unabridged
-
Overall
-
Performance
-
Story
As the Revolution rages in France, a seafarer named Peyrol, a master-gunner in the French republican navy, pirate, and for nearly 50 years, rover of the outer seas, comes to the end of a lifetime lived on the seas and seeks refuge in a remote farmhouse on the French Riviera. As he attempts to settle into a peaceful existence, Peyrol struggles to redefine himself and returns to the sea for one final voyage.
-
The River War
- By: Winston Churchill
- Narrated by: Stephen Thorne
- Length: 13 hrs and 57 mins
- Unabridged
-
Overall
-
Performance
-
Story
The northeastern quarter of the continent of Africa is drained and watered by the Nile. Among and about the headstreams and tributaries of this mighty river lie the wide and fertile provinces of the Egyptian Soudan. Situated in the very centre of the land, these remote regions are on every side divided from the seas by 500 miles of mountain, swamp, or desert. The great river is their only means of growth, their only channel of progress.
-
-
History clearly set out and read very well
- By G. Roberts on 29-03-20
-
Victory
- By: Joseph Conrad
- Narrated by: George Guidall
- Length: 13 hrs and 30 mins
- Unabridged
-
Overall
-
Performance
-
Story
From one of the greatest modern writers in world literature comes a magnificent story of love, adventure, and rescue played out against the shimmering South Seas. Alone on a tropical island, a Swedish baron and a beautiful violinist discover the long-lost joys of love. But when two treasure hunters arrive on the beach, the lovers know that evil has invaded their romantic paradise—an evil they are powerless to stop.
-
Typhoon
- By: Joseph Conrad
- Narrated by: Roger Allam
- Length: 3 hrs and 12 mins
- Unabridged
-
Overall
-
Performance
-
Story
Typhoon is the story of a steamship and her crew beset by a tempest and of the captain whose dogged courage is tested to the limit. Captain MacWhirr was an ordinary man. However, when his steamer Nan-Shan blunders into a hurricane, he and his crew must pull together to survive. The steadfast courage of an undemonstrative captain and the imaginative readiness of his young first mate becomes a partnership vital to human survival as they are challenged from without by the elements, and from within by human doubts and fears.
-
-
Well done Roger
- By Clare on 28-03-13
-
The Razor's Edge
- By: W. Somerset Maugham
- Narrated by: Gordon Griffin
- Length: 13 hrs and 37 mins
- Unabridged
-
Overall
-
Performance
-
Story
Larry Darrell is a young American in search of the absolute. The progress of this spiritual odyssey involves him with some of Maugham's most brilliant characters: his fiancée Isabel, whose choice between love and wealth have lifelong repercussions; and Elliot Templeton, her uncle, a classic expatriate American snob. The most ambitious of Maugham's novels, this is also one in which Maugham himself plays a considerable part as he wanders in and out of the story, to observe his characters struggling with their fates.
-
-
One of my desert island books
- By AReader on 04-02-15
-
Julius
- By: Daphne Du Maurier
- Narrated by: Michael Maloney
- Length: 10 hrs and 43 mins
- Unabridged
-
Overall
-
Performance
-
Story
Julius is a bleak and disturbing tale of one man’s unstoppable rise to the top and the shocking events that ensure he gets there. A dark twist on the typical rags-to-riches storyline, Julius follows the life of a young and ambitious French peasant (Julius Lévy) from his squalid life on the banks of the Seine to the vast majesty and wonders of London. With the outbreak of the Franco-Prussian War, Julius is forced to flee for Algeria, where he soon learns the art of deception. Here, the listener is provided a glimpse into the mind of one of the most unlikable characters in literature.
-
-
A lesser known but outstanding book from Daphne du Maurier.
- By Andrew Lyndon-Skeggs on 08-11-18
-
Heart of Darkness: A Signature Performance by Kenneth Branagh
- By: Joseph Conrad
- Narrated by: Kenneth Branagh
- Length: 3 hrs and 49 mins
- Unabridged
-
Overall
-
Performance
-
Story
A Signature Performance: Kenneth Branagh plays this like a campfire ghost story, told by a haunted, slightly insane Marlow.
-
-
Haunting and beautiful
- By S. Goodyear on 13-04-16
-
The Will to Power
- An Attempted Transvaluation of All Values
- By: Friedrich Nietzsche
- Narrated by: Michael Lunts
- Length: 23 hrs and 23 mins
- Unabridged
-
Overall
-
Performance
-
Story
Nietzsche never recovered from his mental breakdown in 1889 and therefore was unable to further any plans he had for the ‘magnum opus’ he had once intended, bringing together in a coherent whole his mature philosophy. It was left to his close friend Heinrich Köselitz and his sister Elizabeth Förster-Nietzsche to go through the remaining notebooks and unpublished writings, choosing sections of particular interest to produce The Will to Power, giving it the subtitle An Attempted Transvaluation of All Values.
-
-
Excelente book to the soul.
- By PAULO CERQUEIRA on 29-12-21
-
All the Pretty Horses
- The Border Trilogy, Book 1
- By: Cormac McCarthy
- Narrated by: Frank Muller
- Length: 10 hrs and 1 min
- Unabridged
-
Overall
-
Performance
-
Story
John Grady Cole is the last bewildered survivor of long generations of Texas ranchers. Finding himself cut off from the only life he has ever wanted, he sets out for Mexico with his friend, Lacey Rawlins. Befriending a third boy on the way, they find a country beyond their imagining: barren and beautiful, rugged yet cruelly civilised.... A place where dreams are paid for in blood.
-
-
Excellently narrated modern masterpiece
- By gareth_jones on 08-02-20
-
Maigret and the Good People of Montparnasse
- Inspector Maigret, 58
- By: Georges Simenon
- Narrated by: Gareth Armstrong
- Length: 3 hrs and 19 mins
- Unabridged
-
Overall
-
Performance
-
Story
A retired manufacturer has been shot dead by his own pistol, last seen alive by his son-in-law. In this seemingly motiveless murder, Inspector Maigret must rely on his famous intuition to discover the truth. This novel has been published in a previous translation as Maigret and the Black Sheep.
-
-
Complete
- By Elizabeth on 29-08-20
-
A Case of Exploding Mangoes
- By: Mohammed Hanif
- Narrated by: Paul Bhattacharjee
- Length: 10 hrs and 16 mins
- Unabridged
-
Overall
-
Performance
-
Story
There is a saying that when lovers fall out, a plane goes down. A Case of Exploding Mangoes is the story of one such plane. Why did a Hercules C130, the world's sturdiest aircraft, carrying Pakistan's military dictator General Zia ul Haq, go down on 17 August, 1988?
Was it because of: mechanical failure; human error; the CIA's impatience; a blind woman's curse; generals not happy with their pension plans; the mango season? Or could it be your narrator, Ali Shigri?
-
-
whatever happened to blind Zenab?
- By Mark on 14-01-15
-
Richard Burton Reads the Poetry of Thomas Hardy
- By: Thomas Hardy
- Narrated by: Richard Burton
- Length: 40 mins
- Abridged
-
Overall
-
Performance
-
Story
Richard Burton, the multi-award winning actor, reads the finest work of Thomas Hardy.
-
-
Applause, plus Names of Poems
- By Simon Jude on 02-01-20
-
Murphy
- By: Samuel Beckett
- Narrated by: Stephen Hogan
- Length: 6 hrs and 51 mins
- Unabridged
-
Overall
-
Performance
-
Story
'The sun shone, having no alternative, on the nothing new.' So opens Murphy, Samuel Beckett's first novel, published in 1938. Its work-shy eponymous hero, adrift in London, realises that desire can never be satisfied and withdraws from life, in search of stupor. Murphy's lovestruck fiancée, Celia, tries with tragic pathos to draw him back, but her attempts are doomed to failure. In Dublin, Murphy's friends and familiars are simulacra of him, fragmented and incomplete. They come to London in search of him.
-
-
Brilliant Stuff
- By Snowdrop on 23-03-19
Summary
Originally intended as a short story, the work grew to a full-length novel as Conrad explored in great depth the perplexing, ambiguous problem of lost honor and guilt, expiation, and heroism.
The story tells of Jim, a young, good-looking, genial, and naive water-clerk on the Patna, a cargo ship plying Asian waters. One night, when the ship collides with an obstacle and begins to sink, acting on impulse, Jim jumps overboard and lands in a lifeboat, which happens to be bearing the unscrupulous captain and his cohorts away from the disaster. The Patna, however, manages to stay afloat. The foundering vessel is towed into port - and since the officers have strategically vanished, Jim is left to stand trial for abandoning the ship and its 800 passengers.
Joseph Conrad (born Józef Teodor Konrad Korzeniowski, 1857 - 1924) was a Polish-born British novelist. He is considered as one of the greatest novelists in the English language.
Please note: This is a vintage recording. The audio quality may not be up to modern day standards.
More from the same
What listeners say about Lord Jim
Average customer ratingsReviews - Please select the tabs below to change the source of reviews.
-
Overall
- William
- 22-04-11
Marlow brought to life
This is an outstanding reading of Lord Jim. The reader gave such an authentic and energetic presence to Marlow that I felt I was one of the listeners sitting around the meal table. Jim and Stein and Brown, and many other minor characters, are also equally authentic and present. The whole thing is so well paced and brilliantly brought to life. I got so much more out of this reading than when I read the book many years ago. The only drawback is the sound of other voices speaking in the background, but ultimately this did not spoil the wonderful experience I have had of listening to this reading over several weeks.
8 people found this helpful
-
Overall
-
Performance
-
Story
- Roly
- 14-05-20
A multilayered story
Conrad is a pretty intense writer and there is graphic detail of the environment and his characters who have depth and humanity. The prose flows and he maintains interest and suspense in a multilayered story, reflecting both his experiences as a sailor and his time in east Asia, telling of a young man entangled by events and his struggle to emerge. It’s coupled with Conrad’s astute observation of human behaviour and socio-political comment mirrored by Marlowe, the narrator who mentors Jim.
120 years on, it feels like a “period” novel, quite formally written, yet carrying both plot and parallel descriptions of place and people very well. It demands some patience for the vignettes, but they add colour to the background canvas.
The narration is measured, consistent, not over ambitious and rates high.
1 person found this helpful
-
Overall
-
Performance
-
Story
- St Colms
- 08-05-19
Darkness revealed
Lord Jim with it’s multiple narrators and story lines must be a difficult read but as read by Nigel Graham in a firm and manly voice it all makes sense. It is an extraordinary novel, one which looks back at the virtues which were embraced by Victorian empire builders and adventurers and forward to the hero’s described by Hemingway and novelists of the 20th century.
-
Overall
-
Performance
-
Story
- steven
- 09-12-18
a real masterpiece of the genre
Although there are times when the story drags and becomes tedious, (probably because it was serialised for a magazine and had to fill 12 issues) the profundity makes up for it. It is Conrad's masterpiece along with Heart of Darkness. The narrator is brilliant and brings the novel to life.
-
Overall
-
Performance
-
Story
- Aquilina Christophorus
- 25-04-17
Monologue spun out into a performance
Would you say that listening to this book was time well-spent? Why or why not?
Always worth a try, but it was starting to take way too long.
How would you have changed the story to make it more enjoyable?
Can't change a story once it's been written. Nonsense question. But I think I'm going to blame the narration for this one.
What three words best describe Nigel Graham’s performance?
Highly engaged narrator
Did Lord Jim inspire you to do anything?
Look for another narrator.
Any additional comments?
I am afraid I have written a similar relatively negative review for Henry James’s Golden Bowl, brimming over with frustration at how I never got very far in the novel, blaming the narrator, and lamenting the trouble I am having with returning my misfortunate picks (I suppose, as a clumsy newcomer, I have maxed out on this deceptively generous option to return a narration you don't like, although I can’t find anywhere a limit to the amount of returns allowed).
This narrator (too) seemed (more than) fine for the book when we first set sail. But somehow - dare I spew such nonsense? - I found him too engaged, too much into his role of Marlowe. Can that be possible, that the narrator is too much the part?! Do I mean to say it turned into a self-indulgent reading? Well, it meant we were coming close to a performance rather than a narration, and then it becomes quite apparent not a lot ever happens, and the going can get really slow. Talk about halcyon days!
Already, it is debatable how credible the form of the book is, with Marlowe’s monologue far too detailed (and with multiple viewpoints) to be really a story told over cigars after dinner. It could work, however, if you don’t pay too much attention to this framing device, but with this narrator that becomes impossible. He acts the text out with great verve and I felt myself stuck on his verandah for days on end…. All good and well for a bunch of old salts, but I felt uncomfortably out of place.
In short, I became very annoyed by the narrator’s tone - but cannot fault it as a choice on how to read the text. I think I just wanted to press on to find my bearings better in the character of Jim and spend less time with Marlowe. I was about to get there, to Jim’s new life, but then I felt bad about how I had not really appreciated the language that had gone before. When not much happens in a novel, it has to boil down to how it’s told.
In all fairness, however highly acclaimed Lord Jim is supposed to be, I think I may have found it hard to enjoy because I really have nihil affinity with sailing or the high seas, or this particular period in colonial history. Especially after reading Victory, there does not seem much more to gain from Lord Jim for me. I don’t know if it’s a boy-girl divide, or the impatience of a lost-generation…. I well see, as a piece of writing, what a deft study of complex psychologies and dubious moralities it might make, but the extremely lengthy preamble to the point in which Jim becomes “Lord” was disappointing. I suppose I’ll have to venture another try one day, but then with a new voice.
I am still hoping that an audio version will launch me into Lord Jim and help me suppress the seasickness I get already from walking through puddles. But if it keeps on taking as much discipline as it has done so far, I am better off with a hard copy book.
I owe it to Conrad and Nigel Graham both, as well as to myself to spend another credit or deal on a different narrator, to see what happens with Steven Crossley or Ric Jerrom. It’s the only way to learn whether this particular novel is just not well suited to an audio rendition at all (unlikely with so many about), or in how far it really is about that magic click you find with the right narrator for you; or whether I have a really long way to go, yet, on the patience with the Classics front.
1 person found this helpful
-
Overall

- In DC
- 09-05-10
Great novel, stunning narration.
I read Lord Jim twenty years ago and recalled its difficulty more than its greatness. This time around the reading experience was transfixing. I am one of those readers, not so rare, who does not mind if things go very slow and get even, uh, 'boring"; for a great book has the privilege of slowing time down, and down, so we can catch all that goes on in life, before a finger snaps and it is over, as in the case in our normal days. The first half of the novel, a nearly inactive unlayering, bit by bit, of Jim's consciousness, is as brilliant as fiction can be. Marlowe's intense attention to Jim's moral pain, or what he guesses to be Jim's moral pain, is a genuine adventure and the work of genius. Oddly enough, when the book moves toward "real" action toward the end, and things get physically hot and exciting (with the entrance of Mr. Brown and others), the force of the book may falter (it does to me). So, here it is, a book as vital as they come, if you take pleasure in the path of thought and the winding turns of human consciousness; and then it is a book that slows down when guns go off and cinema takes over. The stunning reading by the narrator is one in a million. No one could do Conrad better. Nigel Graham, who has recorded only a few books, sounds like a man of the kind of world Conrad knew. No frills, no games, a solid and heavily masculine reading; and a sense that if this man -- Nigel Graham -- stood next to you under an awning during a storm, he would intimidate you and maybe scare you. A genuinely great reading that is miles above other versions I have sampled -- including the good one by John Lee. Lord Jim -- one of the great novels, and, yes, Conrad, did not start learning English until he was in his twenties. That fact makes a great book a miraculous one -- and should make us recognize what lame slackers we are.
15 people found this helpful
-
Overall
-
Performance
-
Story

- James Abraham
- 18-05-13
This is the Best Reading
Nigel Graham's performance could not be improved upon. It's like Jeremy Irons' performance of Lolita, or Juliet Stephenson reading Pride and Prejudice. This is the version to get, unusual in that it's also the cheapest. Too bad Nigel Graham only read one more book worth reading.
5 people found this helpful
-
Overall
-
Performance
-
Story

- Jefferson
- 18-08-12
"He Was One of Us," or the Inscrutable Human Heart
Any additional comments?
In Lord Jim (1899-1900) by Joseph Conrad an experienced, wise, and sympathetic sea captain called Marlow tries to learn, understand, and tell the story of the life of a young ship's officer called Jim (surname discretely hidden). Marlow, as we know from Conrad's The Heart of Darkness (1903), is a compelling story-teller with a bent towards the mysterious and dark quality of human nature and the universe. Jim is a charismatic and complex character, so imaginative, romantic, courageous, and lucky and so naïve, egotistical, unconfident, and doomed. We are told early on that despite (or because) of his youthful dreams of heroic adventure, Jim once did an appalling deed that blighted his promising career and life, so that he has been serving as a humble ship chandler's water clerk on a series of ships, doing a fine job for each one, but repeatedly abandoning his position and moving farther east each time that his past catches up with him, until he is given the opportunity to make a clean start in a fictional Indonesian (?) country called Patusan, a world mostly apart from his original white-European one. Will Jim finally be able to forge a new identity and atone for his past? Will Marlow finally be able to understand the inscrutable core and meaning of Jim's life?
Lord Jim is replete with vivid descriptions, like the moment before Jim's ship meets an accident, "The young moon recurved, and shining low in the west, was like a slender shaving thrown up from a bar of gold, and the Arabian Sea, smooth and cool to the eye like a sheet of ice, extended its perfect level to the perfect circle of a dark horizon," or like the gait of an abject villain, "His slow laborious walk resembled the creeping of a repulsive beetle, the legs alone moving with horrid industry while the body glided evenly." The novel also has many interesting themes about the uncaring if not inimical nature of the universe, the complexity and mystery of the human heart, the danger of being too imaginative and romantic, and the foulness of being too cynical and realistic. And it is also subtly provocative about gender and race.
Nigel Graham does a wonderful job reading Lord Jim. He has an intelligently masculine manner and an appealingly gravelly voice, effectively varies the pace of his reading, and brings the different characters to life in all their cultural, experiential, emotional, and intellectual variety.
Lord Jim is a challenging audiobook, because Marlow tells a story comprised of different things he has heard from different people at different times. And although the first half or so of the novel is a compelling psychological study, I here and there found myself losing track of its discourse. But finally all the pieces cohere and culminate in a devastating and (possibly) transcendent climax. If you like The Heart of Darkness, you'd probably like Lord Jim, but you'd need to be prepared for a longer, more complex, and sadder tale.
5 people found this helpful
-
Overall

- G. Hanson
- 23-01-11
Unbelievably Good
I had been promising myself to read this classic for well over 40 years. The book is incredible, but the narration is fantastic. I dare say that I would not have appreciated this work as much had I read it in the traditional way. Nigel Graham's pacing is wonderful. You have the feeling that your are listening to an incredible play, with distinct actors taking the parts. I cannot recommend this enough!
1 person found this helpful
-
Overall
-
Performance
-
Story

- Jefferson
- 20-05-12
“He Was One of Us,” or the Inscrutable Human Heart
In Lord Jim (1899-1900) by Joseph Conrad an experienced, wise, and sympathetic sea captain called Marlow tries to learn, understand, and tell the story of the life of a young ship’s officer called Jim (surname discretely hidden). Marlow, as we know from Conrad’s The Heart of Darkness (1903), is a compelling story-teller with a bent towards the mysterious and dark quality of human nature and the universe. Jim is a charismatic and complex character, so imaginative, romantic, courageous, and lucky and so naïve, egotistical, unconfident, and doomed. We are told early on that despite (or because) of his youthful dreams of heroic adventure, Jim once did an appalling deed that blighted his promising career and life, so that he has been serving as a humble ship chandler’s water clerk on a series of ships, doing a fine job for each one, but repeatedly abandoning his position and moving farther east each time that his past catches up with him, until he is given the opportunity to make a clean start in a fictional Indonesian (?) country called Patusan, a world mostly apart from his original white-European one. Will Jim finally be able to forge a new identity and atone for his past? Will Marlow finally be able to understand the inscrutable core and meaning of Jim’s life?
Lord Jim is replete with vivid descriptions, like the moment before Jim’s ship meets an accident, “The young moon recurved, and shining low in the west, was like a slender shaving thrown up from a bar of gold, and the Arabian Sea, smooth and cool to the eye like a sheet of ice, extended its perfect level to the perfect circle of a dark horizon,” or like the gait of an abject villain, “His slow laborious walk resembled the creeping of a repulsive beetle, the legs alone moving with horrid industry while the body glided evenly.” The novel also has many interesting themes about the uncaring if not inimical nature of the universe, the complexity and mystery of the human heart, the danger of being too imaginative and romantic, and the foulness of being too cynical and realistic. And it is also subtly provocative about gender and race.
Nigel Graham does a wonderful job reading Lord Jim. He has an intelligently masculine manner and an appealingly gravelly voice, effectively varies the pace of his reading, and brings the different characters to life in all their cultural, experiential, emotional, and intellectual variety.
Lord Jim is a challenging audiobook, because Marlow tells a story comprised of different things he has heard from different people at different times. And although the first half or so of the novel is a compelling psychological study, I here and there found myself losing track of its discourse. But finally all the pieces cohere and culminate in a devastating and (possibly) transcendent climax. If you like The Heart of Darkness, you’d probably like Lord Jim, but you’d need to be prepared for a longer, more complex, and sadder tale.
3 people found this helpful
-
Overall
-
Performance
-
Story

- BobMichael
- 30-03-20
Wondrously Romantic
It's very hard to believe that a man like Jim--just like a later creation such as Lena--could exist...certainly not in this age.
-
Overall
-
Performance
-
Story

- waelse1
- 16-07-15
Great story and excellent reading
Terrific reading of a great novel, one of Conrad's best. Has an emotional impact like that of Secret Agent, though here it's telegraphed long before. You do hear joins between the sections read so not as technically clean as most recordings, but a minor complaint.
-
Overall
-
Performance
-
Story

- W. C.
- 03-06-16
Awful narration
Slurred speech. Awful..... Is this an alien talking?!
Lalalalaallalla lala lala lala lala lala lala Lalalalaallalla