Flora de Barral, the daughter of a bankrupt businessman and swindler, must find her own way in the world when her father is convicted of financial speculation. Unfortunately, this is no easy thing for a single and vulnerable young woman in turn-of-the-century London. 

Written at various times and under various influences, the four stories contained in Within the Tides are linked by Conrad's treatment of loyalty and betrayal. They range in setting from the Far East via 18th-century Spain to England. The tone shifts from the tragic inevitability of "The Planter of Malata" and the pathos of "Because of the Dollars" to the gothic "The Inn of the Two Witches" and the grim humor of "The Partner." Experimental in form, they represent yet another branch of Conrad's search for moral truth.

Written at the start of the Great War, when his son Borys was at the Western Front, The Shadow-Line is Conrad's supreme effort to open man's eyes to the meaning of war through the stimulus of art. In many ways an autobiographical narrative, this masterpiece of his final period relates the story of a young and inexperienced sea captain whose first command finds him with a ship becalmed in tropical seas and a crew smitten with fever.

Billy Budd, an orphaned, illegitimate child suffused with innocence, openness, and natural charisma, has been impressed into service aboard the HMS Bellipotent. He is adored by the crew, but for unexplained reasons arouses the antagonism of the ship's Master-at-Arms John Claggart, who falsely accuses Billy of conspiracy to mutiny.

Typhoon is the story of a steamship and her crew beset by a tempest and of the captain whose dogged courage is tested to the limit. Captain MacWhirr was an ordinary man. However, when his steamer Nan-Shan blunders into a hurricane, he and his crew must pull together to survive. The steadfast courage of an undemonstrative captain and the imaginative readiness of his young first mate becomes a partnership vital to human survival as they are challenged from without by the elements, and from within by human doubts and fears.

A Signature Performance: Kenneth Branagh plays this like a campfire ghost story, told by a haunted, slightly insane Marlow.

Set in the fictional South American country of Costaguana, Nostromo explores the volatile politics and crippling greed surrounding the San Tomé silver mine. The story of power, love, revolutions, loyalty and reward is told with richly evocative description and brilliantly realised characters. But Nostromo is more than an adventure story; it is also a profoundly dark moral fable. Its language is as compellingly resonant as the sea itself; the characters absorbing and complex.

The story tells of Jim, a young, good-looking, genial, and naive water-clerk on the Patna, a cargo ship plying Asian waters. One night, when the ship collides with an obstacle and begins to sink, acting on impulse, Jim jumps overboard and lands in a lifeboat, which happens to be bearing the unscrupulous captain and his cohorts away from the disaster.

On October 2nd, 1872, in the game room at the Reform Club in London, Mr. Phileas Fogg made a wager that he could go around the world in eighty days. Twenty thousand pounds were to be won, or lost, upon his return. Mr. Fogg assured his five companions he would meet them in the very same room at a quarter before 9p.m. on December 21st and collect his winnings. Fogg's frantic race against time, and the final outcome of this race, makes for a thrilling, unforgettable tale that has a permanent place among the greatest of adventure stories.

Emma, I have scratched out the beginning to my father, for I think I can write more easily to you. This is my last farewell to all, the last you will ever hear or see of an unworthy friend and son. I have failed in life; I am quite broken down and disgraced. I pass under a false name; you will have to tell my father that with all your kindness. It is my own fault. -- with Fanny Van De Grift Stevenson.

A masterful collection of horror fiction by widely acclaimed authors whose contributions to the genre have been lost in the shadow of Poe. Edgar Allan Poe did not invent the tale of terror. There were American, English, and continental writers who preceded Poe and influenced his work. Similarly, there were many who were in turn influenced by Poe's genius and produced their own popular tales of supernatural literature.

H.G. Wells (1866 -1946) - the master of the genre - created his "scientific romances" and set the standard for futuristic literature that also teemed with both social commentary and a prescient view of the world to come. Enjoy these two classics by the "father of science fiction".

1844. In the final days of his life, Captain Basil Hall begins rewriting the journal of his acclaimed voyage to the coasts of the New World. But as Basil sails the HMS Conway into the forgotten corners of his mind, his past resurfaces in the form of a passenger with a dark secret and the tragic death of one of his men.

In 1797, young Billy Budd is impressed into naval service. It is a perilous time for a British Royal Navy still reeling from mutinies and marauding French ships. When Billy is forcibly transferred to HMS Bellipotent, he evokes the wrath of John Claggart, the ship's Master-at-arms. Claggart falsely accuses Billy of conspiracy to mutiny, a charge that will have a profound effect on the fates of both seamen.

In 1831, Charles Darwin set off in HMS Beagle under the command of Captain Robert Fitzroy on a voyage that would change the world. This is the story of a deep friendship between two men and the twin obsessions that tear them apart, leading one to triumph and the other to disaster.