
Breakfast with Lucian
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Narrated by:
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John Standing
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By:
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Geordie Greig
About this listen
For 10 years Geordie Greig was among a very small group of friends who regularly met Lucian Freud for breakfast at Clarke's restaurant on Kensington Church Street. Over tea and the morning papers, Freud would recount stories of his past and discuss art. It was, in effect, Freud's private salon.
In this kaleidoscopic memoir, Greig remembers Freud's stories: of death threats; escaping from Nazi Germany; falling out with his brother Clement; loathing his mother; painting David Hockney; sleeping with horses; escaping the Krays; painting the Queen; his controversial role as a father; and why Velázquez was the greatest painter. It is revelatory about his art, his lovers, his children, his enemies, and his love of gambling.
Freud dared never to do dull, speaking candidly of dancing with Garbo as well as painting Kate Moss naked. Those closest to him, after decades of silence and secrecy, have spoken frankly about what life was like living, loving or sitting for the greatest figurative portraitist of the twentieth century. Partly based on hours of taped conversations with the artist and his circle, and drawing on interviews with those who knew Freud intimately - including many girlfriends, models, dealers and bookmakers - Breakfast with Lucian is an intimate portrait of the artist as a young and old man. It is a uniquely fascinating, personal and authoritative account of one of the greatest British painters of this century and the last, and a profile of a man who makes everyone else's life seem less lived.
©2013 Geordie Greig (P)2013 Random House AudioGoartist to artist
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Insights regarding the development of his painting style, what was entailed in sitting for him, and the range of models and family members painted are fascinating.
An important and valuable set of insights into one of the 20th Century's greatest artists. Would be great to have the artwork in front of one as one heard the background, context, description and critique. Something for Audible to work on?
Indulgent but fascinating
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Stunning
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A fascinating and gripping
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A beautiful and honest story of Lucian Freud
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Tedious name dropping
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At times ghastly, at times utterly dull lists of the usual over-privileged and selfish wealthy circles of mid-century Britain, the actual insights into Freud’s work, working practice, or indeed motivations, are hard to find. But they are there, and worth holding on for. Not least, we are shown a selfish, irresponsible and sadistic individual, with little regard for consent, and less for personal boundaries. That speaks of the motivation behind his focus on painting the figure from life. His relationships, often described by those closest to him in gushing terms, are clearly on the scale of unhealthy to plain abusive. I was more than once reminded of hearing a battered wife say ‘oh but I love him’. And yet these reminiscences are recounted unquestioningly, as through the victims of his spite are able to excuse him his sometimes law breaking flaws. Where that impacts on the average person, whether punching a waiter, or a road accident, the writer recounts how Freud was rescued from consequences by his wealthy cronies as though we might share his delight. It is at times nauseating. The book was perhaps written to only be read by those who are either in those circles, or aspire to be.
One has to ask, without wealthy connections, high society and the attendant sexual freedom and fancy lifestyle, would he really have been painting beyond the 1950’s, and would anyone care.
This book has a limited contribution to make to the history of art, but it certainly puts this artists in a context which colours ones view of his achievements.
More sycophancy then insight
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