When Sophie, the least interesting of the Talbot sisters, lands her philandering brother-in-law backside-first in a goldfish pond in front of all society, she becomes the target of very public aristocratic scorn. Her only choice is to flee London, vowing to start a new life far from the aristocracy. Unfortunately, the carriage in which she stows away isn't saving her from ruin. It's filled with it.

When Lady Henrietta Sedley declares her 29th year her own, she has plans. Plans to inherit her father's business, to make her own fortune and to live her own life. But first, she has plans to experience a taste of the pleasure she'll forgo as a confirmed spinster. She does not, however, plan to find the most beautiful man she's ever seen tied up in her carriage and threatening to ruin The Year of Hattie before it's even begun. 

When the Duke of Ashbury returns from war scarred, he realises he needs an heir - which means he needs a wife! When Emma Gladstone, a vicar's daughter turned seamstress visits wearing a wedding dress, he decides on the spot that she'll do. His terms are simple: They will be husband and wife by night only. No lights, no kissing. No questions about his battle scars. Last, and most importantly...Once she's pregnant with his heir, they need never share a bed again. But Emma is no pushover. She has secrets and some rules of her own....

Marcus Braddock, Duke of Hampton and former general, is back from war and mourning the death of his beloved sister, Elise. Marcus believes his sister's death wasn't an accident, and he's determined to learn the truth, starting with investigating Danielle, the beautiful daughter of a baron and his sister's best friend. Danielle's keeping deadly secrets of her own. She has dedicated her life to a charity that helps abused women - the same charity Elise was working for when she died. When Danielle's work puts her danger, Marcus comes to her rescue. But Danielle may not need rescuing.

Alaric McLeod, Duke of Strathaven, is known as the Devil Duke for his wicked ways. Tormented by his past, Alaric knows better than to trust a woman, yet finds himself ensnared by a spirited, virtuous virgin - who accuses him of a crime he didn't commit. Is she his worst nightmare...or his salvation?

When Royal Academy painting student Lucy Coover trips over a naked man passed out in an East End alley, she does the decent thing. She covers him up and fetches help. Trouble is, she can't banish his muscular form from her dreams as easily. Compelled to capture every detail, she creates a stunning portrait but is forced to sell it when the rent comes due. What could be worse than surrendering the very picture of your desire? Meeting the man himself.

Shunned by a society that puts attractiveness above all else, Lady Eliza Darby’s wallflower status keeps her from getting the one thing she wants most, namely, to be a mother. But, when her scorned older sister returns home to see all of her sisters wed in happy matches, it may be Eliza’s only chance to secure a husband and have the children she so desires. Jilted in a publicly humiliating display, Dax Kane, the Duke of Ashbourne, has sworn off love forever. But, when the title demands it, he selects the most perfect candidate for the position: Lady Eliza Darby.

A soldier. And he has always been a rogue. What he is not, and never wanted to be, is a peer of the realm, responsible for an ancient heritage and the livelihood of hundreds. But when he is recognized as the long-lost son of the House of Wyndham, his carefree life is over. And if his birth proves to be legitimate, then he will find himself with the one title he never wanted: Duke of Wyndham.

When the Jasper Kincaid, the Earl of Harcourt, offered to marry one of the infamous Shelley triplets, he was doing it for the dowry to refill his depleted coffers, not for anything so silly as love. But when he realizes it is Thomasina Shelley masquerading as his fiancée at their final engagement ball, not his true intended, a desire for her that he has been ignoring sparks. And when it becomes clear her sister has run away with another, an opportunity arises for a marriage with a much deeper connection.

Alice, Lady Charlton, is finally free of her dominating husband, but on the verge of her new life, she is trapped when a blackmailer threatens to publish letters that could ruin her. To protect the secrets of her past Alice must find a lord for his daughter, Lucy, to marry. Alice reluctantly agrees to find the girl a noble husband but when Lucy arrives, she's difficult and uncooperative and has no interest in her father's scheme. A lord, she says, will only look down his nose at her-and she's having none of that! Desperate, Alice enlists the aid of her handsome young nephew.

On the cusp of her first London season, Miss Madeline Gracechurch was shy, pretty, and talented with a drawing pencil but hopelessly awkward with gentlemen. She was certain to be a dismal failure on the London marriage mart. So Maddie did what generations of shy, awkward young ladies have done: She invented a sweetheart.

On the night of the Parkhurst ball, someone had a scandalous tryst in the library. Was it Lord Canby, with the maid, on the divan? Or Miss Fairchild, with a rake, against the wall? Perhaps the butler did it. All Charlotte Highwood knows is this: It wasn't her. But rumors to the contrary are buzzing. Unless she can discover the lovers' true identity, she'll be forced to marry Piers Brandon, Lord Granville - the coldest, most arrogantly handsome gentleman she's ever had the misfortune to embrace.

Bookish, brainy Lady Olympia Hightower should be elated she's marrying the ‘catch' of several London seasons. Her large spendthrift family certainly is! And yet, Olympia finds herself sneaking out the chapel window, in a mad attempt to escape her glorious future as a duchess. Virtue was never a virtue for Hugh Philemon Ancaster, Seventh Duke of Ripley, but even he can see his duty as best man requires him to recapture the fleeing bride, and return her to the bridegroom. But with every one of Olympia’s clever turns, he’s finding it harder to give her up.

Rowley Knight, Duke of Knighton, is too busy being a duke to bother with such nonsense as love. With three heirs, he is in no hurry whatsoever to succumb to the lures of the leg-shackles. He is content managing his siblings and estates, and avoiding society whenever possible. If he can only find someone to manage his young sister, life can go back to its proper order.

Jasper Sutton—London’s most dedicated scoundrel—needs a wife, and he needs one quickly. He needs one yesterday, in fact. His requirements are precise: she must be capable of mothering the wild twin daughters who have unexpectedly appeared in his life, and so must possess the patience of a saint and the understanding of an angel. Better still if she is plain and has no expectation of a true marriage. He is not about to reform his ways.