When he unexpectedly comes into a small fortune, he decides to use his newfound wealth to help out those in need. Finn also leads a quiet life, and comes into a little money of his own. Normally, their paths would never have crossed. But Martin’s ideas about who should benefit from his charitable impulses yield some unexpected results, and soon the good intentions of the one become fatally entangled with the mercenary nature of the other.

Four members of the Coverdale family - George, Jacqueline, Melinda and Giles - died in the space of fifteen minutes on the 14th February, St Valentine's Day. Eunice Parchman, the housekeeper, shot them down on a Sunday evening while they were watching opera on television. Two weeks later she was arrested for the crime. But the tragedy neither began nor ended there...

Alan Groombridge had a fantasy. Husband to a woman he didn't like, father of two children he had never wanted,and manager of the second smallest branch of the Anglian-Victoria bank in the country, Alan was doomed to a life of domestic boredom and tedious routine.All that saved him was that one fantasy: stealing enough of the bank's money to allow him just one year of freedom -one year in which to live a different sort of life. But one day there was no more dreaming and no more games.

The bleak expanse of Vangmoor was a dark, forbidding place. One victim had been found there, blonde, her face disfigured, her head shorn close to the scalp - killed without motive or mercy. Then a second woman went missing on the moor, and a sense of utter dread gripped the fifty local men who searched for her. Someone watched them in that treacherous place. Was he a killer? Or was he merely angry that a killer had usurped him? For he, and only he, was the Master of the Moor.

A spectacularly compelling story of blackmail, murders both accidental and opportunistic, and one life’s fateful unravelling from Ruth Rendell, writing at her most acute and mesmerising. When his father dies, Carl Martin inherits a house in an increasingly rich and trendy London neighbourhood. Carl needs cash, however, so he rents the upstairs room and kitchen to the first person he interviews, Dermot McKinnon. That was colossal mistake number one.

The body found under the hedge was that of a middle-aged woman, biggish and gaunt. The grey eyes were wide and staring, and in them Detective Chief Inspector Wexford thought he saw a sardonic gleam, a glare, even in death, of scorn. But that must have been his imagination, and imagination was almost all he had to go on. The woman was a stranger. Her handbag held little more than three keys on a ring and forty-two pounds in a new wallet.

From the writer of the Wexford novels and read by Isla Blair. Once, when Benet was about fourteen, they had been in a train together, alone in the carriage, and Mopsa had tried to stab her with a carving knife. Threatened her with it, rather. Benet had been wondering why her mother had brought such a large handbag with her, a red one that didn’t go with the clothes she was wearing. Mopsa had shouted and laughed and said wild things and then she had put the knife back in her bag.

'Wexford had almost made up his mind that he would never again set eyes on Eric Targo's short, muscular figure. And yet there he was, back in Kingsmarkham, still with that cocky, strutting walk.Years earlier, when Wexford was a young police officer, a woman called Elsie Carroll had been found strangled in her bedroom. Although many still had their suspicions that her husband was guilty, no one was convicted.

Most people would have screamed. Mrs Hathall made no sound. She had seen death many times before, but she had never before seen a death by violence. Heavily, she plodded across the room and descended the stairs to where her son waited. "There’s been an accident", she said. "Your wife’s dead." Chief Inspector Wexford could discover no motive, no reason and no suspect – all he had were his intuitive suspicions. Probably he was reading meaning where there was none; probably Angela Hathall really had picked up a stranger, and that stranger had killed her.

Previously uncollected and unpublished: new short stories from a master of psychological suspense. New and uncollected tales of murder, mischief, magic and madness. Ruth Rendell was an acknowledged master of psychological suspense: these are 10 (and a quarter) of her most chillingly compelling short stories, collected here together for the first time.

Mary Jago had donated her own bone marrow to save the life of someone she didn’t know. And this generous act led directly to the bitter break-up of her affair with Alistair. For him, it was as though her beauty had been plundered. But the man whose life she had saved would change Mary’s life in a way she could never have imagined.

The first case for DCI Reg Wexford. When Margaret Parsons disappears, it's assumed that she's run off with another man. But then the missing woman's body is found and a startling discovery is made when Mr. Parsons lets the police into his home....

In a gloomy cellar, the figure of a beautiful, pale woman makes no move when the man advances on her from the shadows, puts his hands around her neck and strangles her. Arthur Johnson is a mild-mannered, shy man who has never known how to talk to women. His resulting loneliness has twisted his yearning for love and respect into a carefully constructed predilection for violence and control.

All his life, for almost as far back as he could remember, Victor had had a phobia. In prison, inevitably, he reflected on the grotesque way it had begun, about the panics and violent anger. He asked himself, too, why the child of happily married, middle-class parents should have needed to make motiveless and unreasoning attacks on women. Holed up in that house with the girl, he had not meant to pull the trigger. It was panic.

Philip Wardman had more than just the ordinary squeamishness where death was concerned. Yet he could hardly avoid the suspicious disappearance of his sister's friend Rebecca Neave, especially when everyone was ascribing the cause to murder. Philip's feminine ideal is the statue of the Roman goddess Flora in his mother's garden. His marble Flora doesn't fade, doesn't alter, and doesn’t die.