What is art? Why do we value images of saints, kings, goddesses, battles, landscapes or cities from eras of history utterly remote from ourselves? This history of art shows how painters, sculptors and architects have expressed the belief systems of their age: religious, political and aesthetic. From the ancient civilisations of Egypt, Mesopotamia and Greece, to the revolutionary years of the nineteenth and twentieth centuries, the artist has acted as a mirror to the ideals and conflicts of the human mind.

English literature is a treasure trove of wonderful poetry. From Shakespeare to Milton, Keats to Shelley and Tennyson to Yeats, this accessible history (especially written for Naxos Audiobooks) introduces the listener to countless small masterpieces, including all the old favorites and some lesser-known gems. Whitfield explores this most expressive of art forms and traces the historical development of a rich and diverse canon of poetical works.

Alan Bennett's selection of English verse by his favourite poets: Thomas Hardy, A.E. Housman, W.H. Auden, Louis MacNeice, and Philip Larkin is accompanied by his own enlivening commentary and was recorded before a live audience. In this personal anthology, Alan Bennett has chosen more than seventy poems by six well-loved poets, discussing the writers and their verse in his customary conversational style through anecdote, shrewd appraisal and spare but telling biographical detail.

In the years since he first had the idea of prescribing short, powerful poems for all manner of spiritual ailments, William Sieghart has taken his Poetry Pharmacy around the length and breadth of Britain, into the pages of the Guardian, onto BBC Radio 4 and onto the television, honing his prescriptions all the time. This audiobook presents the most essential poems in his dispensary: those which, again and again, have really shown themselves to work. Whether you are suffering from loneliness, lack of courage, heartbreak, hopelessness or even an excess of ego, there is something here to ease your pain. 

It is the most famous year in English poetry. Out of it came The Ancient Mariner and ‘Kubla Khan’, as well as Coleridge’s unmatched hymns to friendship and fatherhood, Wordsworth’s revolutionary verses in Lyrical Ballads and the greatness of ‘Tintern Abbey’, his paean to the unity of soul and cosmos, love and understanding.

This electrifying new audiobook thrives on revealing, not resolving, the ambiguities of Shakespeare's plays and their changing topicality. It introduces an intellectually, theatrically and ethically exciting writer who engages with intersectionality as much as with Ovid, with economics as much as poetry: who writes in strikingly modern ways about individual agency, privacy, politics, celebrity and sex.  

In this valedictory volume, Yale professor Harold Bloom — who for more than half a century was regarded as America's most daringly original and controversial literary critic — gives us his only book devoted entirely to the art of the novel. With his hallmark percipience, remarkable scholarship, and extraordinary devotion to sublimity, Bloom offers meditations on 48 essential works spanning the Western canon.

Stephen Fry believes that if you can speak and read English, you can write poetry. But it is no fun if you don't know where to start or have been led to believe that anything goes. Stephen, who has long written poems, and indeed has written long poems, for his own private pleasure, invites you to discover the incomparable delights of metre, rhyme and verse forms.

In a nationwide poll conducted by BBC Television's Bookworm to find the nation's favourite poem, Rudyard Kipling's "If" was voted number one. This compilation brings together over 40 poems from the poll, including the top 10, all stirringly read by John Nettles, Siobhàn Redmond, Greg Wise, and Emma Fielding.

The major texts of Western culture are a gateway to wisdom that can widen your views on self and society in enduring ways. And now you can examine its most important works - whether drama, poetry, or narrative - in this series of 64 penetrating lectures that reveal astonishing common ground.

A collection of Larkin's best-known poems, read by the poet. The Sunday Sessions consists of 26 poems, the contents of two tapes recorded by Philip Larkin in Hull in February 1980 - reportedly, each on a Sunday, after lunch with John Weeks, a sound engineer and colleague of the poet. The tapes contain work from Larkin's first major collection, The North Ship as well as poems from his best-known collections, The Whitsun Weddings and High Windows.

Each track of this unique collection contains an extract, which might be a famous poem, quote or scene, matched to the date, performed by leading actors such as Sir Simon Russell Beale, Helen McCrory, and Damian Lewis. Allie Esiri's introductions give her listeners a new window into the work, time and life of the greatest writer in the English language. Shakespeare for Every Day of the Year is perfect for listening or sharing and brings you Shakespeare’s best-known and best-loved classics alongside lesser known extracts read by a range of award-winning Shakespearean actors. 

Chris' wonderful anthology features famous poems, old and new, and a few surprises. Classic verses from William Shakespeare, Lewis Carroll, W. B. Yeats and Christina Rossetti sit alongside poems from Nick Cave, Leonard Cohen, Carol Ann Duffy, Neil Gaiman and Roger McGough to create the ultimate collection brought to life by Sam West's exquisite readings.

Award-winning narrator Mike Vendetti reads "Ode to a Nightingale", a personal poem that describes Keats's journey into a state of negative capability. The tone of the poem rejects the optimistic pursuit of pleasure found within Keats's earlier poems and, instead, explores the themes of nature, transience, and mortality, the latter being particularly relevant to Keats. 

In this Very Short Introduction, Bernard O'Donoghue provides a fascinating look at the many different forms of writing which have been called "poetry" - from the Greeks to the present day. As well as questioning what poetry is, he asks what poetry is for, and considers contemporary debates on its value. Is there a universality to poetry? And does it have a duty of public utility and responsibility?