Coming Soon

In this intimate memoir, Luke takes us behind the scenes of his career on the stage and screen. He writes beautifully of the relationship he now has with his family and the respect they all have for one another on their different paths. Luke's story is a powerful tale of resilience, courage, and the pursuit of finding a sense of belonging and identity, but mostly (and hopefully) a story of inspiration.

Kristin and Jenny’s marriage started with an ultimatum: to further their relationship, Kristin must watch Jenny's favorite show, Buffy the Vampire Slayer. With the terms set, they began a journey that has led them through seven seasons of the beloved genre show, a podcast rewatching the series with their newly minted listenership of “Scoobies,” unexpected success, and a divorce. Through it all, their love for Buffy and their commitment to their community held them together against the odds.

It was one of the happiest and strangest marriages there has ever been. Both Vita and Harold were always in love with other people and each gave the other full liberty 'without enquiry or reproach', knowing that their love for each other would be unaffected and even strengthened by the crises which it survived. This account of their love story is now a modern classic.

The long-awaited memoir from one of the most acclaimed radical writers in American literature. Gary Indiana is a true radical whose caustic voice has by turns haunted and influenced the literary and artistic establishments. With I Can Give You Anything but Love, Gary has composed literary and revealing montage of excursions into his life and work—from his early days growing up gay in rural New Hampshire to his escape to Haight-Ashbury in the post-summer-of-love era, the sweltering 1970s in Los Angeles, and ultimately his existence in New York in the 1980s as a bona fide downtown personality.

Comedian Stephen K Amos is one of eight children, whose parents came to London from Nigeria in the 60s. In these three series, co-written with multi-award-winning British playwright Jonathan Harvey, he takes us back in time to the 1980s, as he reminisces about his dysfunctional childhood and formative experiences, and shares the dramas and traumas of his teenage years.

From choirboy to drag act, grandson to mentor, poet to lover, Dean Atta has played many roles in his life. In this formally inventive, candid and courageous book, he explores what he has carried in his body: wins and losses, shame and pride, pain and joy. Dean also investigates how radical self-acceptance and a willingness to abide with discomfort open up the possibility of a life lived beyond definition: a person unlimited.

In this lyrical, coming-of-age memoir, Daisy Hernández chronicles what the women in her Cuban-Colombian family taught her about love, money, and race. Her mother warns her about envidia and men who seduce you with pastries, while one tía bemoans that her niece is turning out to be “una india” instead of an American. Another auntie instructs that when two people are close, they are bound to become like uña y mugre, fingernails and dirt, and that no, Daisy’s father is not godless. He’s simply praying to a candy dish that can be traced back to Africa.

For the first time, in her own words, Nicole tells the story of her journey from childhood in rural Maine to the spotlights of Hollywood, sharing the lessons she’s learned along the way. With clever wit and unflinching honesty, she tackles some of the most insidious messaging absorbed by queer kids and all young women, from the idea that any one thing can (or should) ever really “fix” you, to wondering what’s wrong with you when things don’t always feel better, and reminding us that, sometimes, a happy ending is only the beginning of the story.

Rage is one part memoir, one part cultural critique, one part live grenade. He contrasts his tragic-comedic love life with the ideals he had formed from bingeing (straight, white) Hollywood depictions. And he is quick to side-eye the misogyny and internalized homophobia that some people reveal in statements like “masc for masc” on dating profiles.

Hargrove’s memoir picks up where Bryan Stevenson’s Just Mercy left off, exploring generational trauma and pulling back the curtain on family court and poverty in America. Moving and inspiring, Mama is an ode to motherhood and identity, to never giving up, and to finding strength in family and community.

Pete Crighton came of age in the early/mid 1980s in the shadow of HIV/AIDS. Growing up in Toronto, he was terrified that his friends and schoolmates would find out that he was “different” at a time when being gay felt like a death sentence. His only comfort was music, the songs a balm to his painful adolescence. Struggling to make sense of his sexuality and fear of the disease stifled Crighton as a sexual being. Instead of exploring sex, he began curating a massive music library.

Not the Boy for You is the story of a life deferred but not denied. In this deeply personal literary memoir, Angelo Robinson chronicles his journey to wholeness as a young Black gay man in America. Not the Boy for You is a voyage through imagination and secrecy to create a world free to accept, embrace, and love all of oneself, freed from the face of familial loyalty, societal mandates, gendered constructions, sexual boundaries, and Christian taboos.

Charles M. Blow’s mother was a fiercely driven woman with five sons, brass knuckles in her glove box, and a job plucking poultry at a factory near their segregated Louisiana town, where slavery's legacy felt close. When her philandering husband finally pushed her over the edge, she fired a pistol at his fleeing back, missing every shot, thanks to “love that blurred her vision and bent the barrel.” Charles was the baby of the family, fiercely attached to his “do-right” mother. Until one day that divided his life into Before and After—the day an older cousin took advantage of the young boy.

In Florida, one of the first things you’re taught as a child is that if you’re ever chased by a wild alligator, the only way to save yourself is to run away in zigzags. It’s a lesson on survival that has guided much of Edgar Gomez’s life. Alligator Tears is a fiercely defiant memoir-in-essays charting Gomez’s quest to claw his family out of poverty by any means necessary, and learning to see the archetype of the humble poor person for what it is: a scam that insists we remain quiet and servile while we wait for a prize that will always be out of reach.

TREES IN WINTER is about the healing properties of nature and of walking, especially during the coldest season, when the inclination is for so many of us to stay indoors. It is also about the joy of learning a craft and practising it. Richard also shares the deeply moving, personal journey that led to him becoming an artist, as he reflects on how he connects with the world around him, and finds creativity through his walks in nature.

I Think I Like Girls shares everything that Rosie wishes she had known when she started dating women, offering answers to the questions that cross everyone's mind. From the first moment of coming out to finding community and navigating relationships, Rosie will offer her own stories and bring in those of other women, with warmth, humour and a happy helping of chaotic dates.

With resilience, strength, and gut-punching clarity, Marich takes listeners through a tumultuous coming-of-age marked by addiction, escapism, spiritual manipulation, misogyny, and abuse. She shares with unflinching detail the complicity of her mother’s silence and the lengths her father went to assert dominance and control over her body, her desires, her identity—and even her eternal soul—”for her own good” and with a side of televangelistic hellfire.