Body Horror

Against all odds, former geneticist Benny White has survived the first Wave of the Game of Souls. But the rewards have come at a cost, and the games are far from over. New enemies have been introduced with eyes set on those calling the Blackstone Keep home. Not only do the contestants have to struggle against the Arketh-Takshi—a group of intergalactic vampiric pirates residing within scattered portals—but also with private outworlder factions whose motivations are anything but clear. Not to mention some threats that originate a little closer to home.

The small town of Castle Rock is tuning in to the news of a young boy who has gone missing from a nearby town. Gordie Lachance and his three friends set off along the railway tracks on a quest, determined to become famous by officially finding the boy's body. But their journey becomes a rite of passage, and as they cross the railway trestle and the tracks begin to hum, the boys encounter an intimation of their own mortality.

Whether for entertainment, under the guise of medicine, or to propel consumerism, heinous acts are perpetrated daily on women’s bodies. In Body Horror: Capitalism, Fear, Misogyny, Jokes, award-winning journalist Anne Elizabeth Moore catalogs the global toll of capitalism on our physical autonomy. Weaving together unflinching research and surprising humor, these essays range from investigative—probing the Cambodian garment industry, the history of menstrual products, or the gender biases of patent law—to uncomfortably intimate.

Full body transplants on sale here: the more you pay, the better the body. But can an expensive upgrade really fulfil the life-changing expectations of demoralised mortician Caroline McAleese? Caroline is desperate to be promoted to the sales team - but she's overweight and over 40, and in a world where attractiveness is prioritised ahead of intelligence, her prospects are slim. Then she hits the jackpot in the Citizens' Lottery, and gets the chance to trade up to the perfect new body: one that's young, lithe and beautiful.

Step into the shadows where the line between flesh and nightmare blurs, where the body becomes both canvas and cage. In this chilling anthology, darkness reigns supreme as twisted minds explore the depths of human agony and transformation. From the grotesque to the surreal, each story delves deeper into the macabre, weaving tales of torment that will leave you breathless and disturbed.

Alien visitors devastate a remote farm in Lovecraft’s first and best venture into science fiction.

In this chilling anthology, ten talented authors plunge into the darkest corners to explore the grotesque and unsettling. From grotesque mutations to psychological terrors, each story unfolds a unique and horrifying journey through the visceral landscapes of the human body. Brace yourself for a collection that will leave you questioning your own existence, as the authors unravel tales that linger beneath the skin. "Body Horror Anthology" is an exploration of the grotesque, where the boundaries between the body and the unknown are blurred, and the unimaginable becomes all too real.

The most terrifying thing that you can possibly imagine is your own body in the hands of a monster. Or worse, in the hands of another human being. In this definitive anthology of body horror selected by a World Horror Grandmaster, you'll find the unthinkable and the shocking: a couture designer preparing for an exquisitely grotesque runway show; a vengeful son seeking the parent who bred him as plasma donor; a celebrity-kink brothel that inflicts plastic surgery on sex workers; and organ-harvesting doctors who dissect a living man without anesthetic.

Thirteen terrifying tales from the master of horror who created the nationally bestselling Necroscope series. The title story, "Fruiting Bodies," in which a small village slowly disappears, won the British Fantasy Award.

When Beatrix Brighton—a New Hampshire professor with expertise in demonology—receives a desperate call from her father about a fungal plague consuming his home, she expects to find another easily explained phenomenon. Instead, she discovers a city in the grip of something inexplicable: toxic spores blanket every surface, buildings sprout through with yellow growths, and the residents are slowly changing, their minds colonized by something that lurks in the bayou's depths.

Max Baker, a 31-year-old accountant, finds himself in a desperate situation after killing a prostitute in his hotel room. ‘I lost control of myself,’ he says. ‘I couldn’t get the thought out of my head!’ Panicking and unable to dispose of the evidence by himself, he calls on his long-time friend John Kasper for help. Kasper is horrified and hesitant to help at first, but he can’t abandon his friend during his time of need. Max’s family and future are at stake. Together, they devise and execute one plan after another, hopelessly trying to hide Max’s crime...

This follow-up volume to the bestselling Ghosts from the Library resurrects forgotten tales of the supernatural by some of the most accomplished mystery authors of all time. Close the windows. Draw the curtains. Just don’t let the lights go out…

Lestat speaks. Vampire-hero, enchanter, seducer of mortals - for centuries he has been a courted prince in the dark and flourishing universe of the living dead. Lestat is alone. And suddenly, all his vampire rationale - everything he has come to believe and feel safe with - is called into question. In his overwhelming need to destroy his doubts and his loneliness, Lestat embarks on the most dangerous enterprise he has undertaken in all the danger-haunted years of his long existence.

Scullery drudge Ann longs to become a lady's maid. Ann can't quite remember how or when she arrived at the grand Ropner Hall, but she loathes spending her days toiling in the dank kitchen. When a chance meeting with Ropner's Lady Charlotte leads to the opportunity to become her personal maid, Ann is convinced she has finally escaped her own version of hell. But has she?

Take a daunting journey into the "dissection theater." This fictional story will give you chills and thrills while presenting you with a plausible moral dilemma.

Electrifying, erotic, terrifying - the fourth novel in the Vampire Chronicles is as rich, as violent, as sensual as the runaway best sellers that precede it. The burden of immortality is weighing upon the vampire Lestat. In a desperate bid to end his everlasting life, he attempts suicide by flying into the sunrise above the Gobi Desert. The attempt fails, but it intensifies his desire to be human again. Just as Lestat resigns himself to the body of a killer, he is approached by the body thief, a creature who covets Lestat's monstrous power and can give him what he wants.

Guy is about to finish writing his breakthrough online article. He overheard the story by chance in a pub and it’s guaranteed to go viral - all he needs to do is persuade the World’s Unluckiest Man to talk to him. His best friend Larry’s quest for killer clickbait material has led him to a recently appeared shanty town in Glasgow, where he finds some kind of urban voodoo cult. Ex-cop Sam has already come face-to-face with the terrifying force behind both these phenomena, but he’s been trying to put it out of his mind.

I am not one of you. At least that’s what you’ll tell yourself. You’ll say I’m a monster. A sicko. A deranged killer. But I am no monster, I am no sicko, and I am not deranged. I am simply a man who happens to enjoy murdering people in the most violent of ways. So don’t bother listening to this if you have a weak stomach, get easily offended, or are simply not interested in the best way to dispose of a dead body. (It’s pigs, by the way. They eat anything.) My name is Gerald Brittle. I am a serial killer. And this is my memoir.

Ever since Margot was born, it's been just her and her mother. No answers to Margot's questions. No history to hold on to. Just the two of them, stuck in their run-down apartment, struggling to get along. But that's not enough for Margot. She wants family. She wants a past. And when she finds a photograph pointing her to a town called Phalene, she leaves. But when Margot gets there, it's not what she bargained for. Margot's mother left for a reason. But was it to hide her past? Or was it to protect Margot from what's still there?

Violet Ambrose is grappling with two major issues: Jay Heaton and her morbid secret ability. While the 16-year-old is confused by her new feelings for her best friend since childhood, she is more disturbed by her "power" to sense dead bodies or at least those that have been murdered. Since she was a little girl, she has felt the echoes the dead leave behind in the world . . . and the imprints that attach to their killers.