Arab American

An American officer presents an invaluable handbook for dealing with cultural issues in the Middle East during military operations....

You’re Not a Girl in a Movie is a new collection of powerful poems by Hala Alyan, winner of the Arab American Book Award in Poetry and the Dayton Literary Peace Prize. In these nine extraordinary poems, Alyan wrestles with the intimate themes that have driven her acclaimed body of work to date: the aching loss of homeland, the image and worth of women, and the violence of love. In Beirut, Brooklyn, and roads in the American West, she unravels the effects of decades of war and displacement on love and human worth and identity.

The daughter of a prominent Palestinian father and a sophisticated Lebanese mother, Najla Said grew up in New York City, confused and conflicted about her cultural background and identity. Said knew that her parents identified deeply with their homelands, but growing up in a Manhattan world that was defined largely by class and conformity, she felt unsure about who she was supposed to be, and was often in denial of the differences she sensed between her family and those around her.

Part memoir and part how-not-to guide, The Wrong End of the Table is everything you wanted to know about Arabs but were afraid to ask, with chapters such as “Tattoos and Other National Security Risks,” “You Can’t Blame Everything on Your Period; Sometimes You’re Going to Be a Crazy Bitch: and Other Advice from Mom,” and even an open letter to Trump. This is the story of every American outsider on a path to find themselves in a country of beautiful diversity. 

Aref is excited for his journey to reunite with his father in Ann Arbor, Michigan. Aref makes a friend on an airplane, wonders what Michigan will be like, and starts school in the United States. While he does miss his grandfather, his Sidi, Aref knows that his home in Oman will always be waiting for him. Award-winning author Naomi Shihab Nye’s highly anticipated sequel to The Turtle of Oman explores immigration, family, and what it means to feel at home.

Determined to offer an unfiltered version of events, the Washington Post's Anthony Shadid was neither embedded with soldiers nor briefed by politicians. Because he is fluent in Arabic, Shadid, an Arab-American born and raised in Oklahoma, was able to actually disappear into the divided, dangerous worlds of Iraq. Day by day, as American dreams clashed with Arab notions of justice, he pieced together the human story of ordinary Iraqis weathering the terrible dislocations and tragedies of war.

The year is 1991. When Jasira's mother finds out what has been going on between her boyfriend and her 13-year-old daughter, she has to make a choice—and chooses to send Jasira off to Houston, Texas, to live with her father. A remote disciplinarian prone to explosive rages, Jasira's father is unable to show his daughter the love she craves—and far less able to handle her feelings about her changing body.

Once in a Promised Land is the story of a couple, Jassim and Salwa, who left the deserts of their native Jordan for those of Arizona, each chasing their own dreams of opportunity and freedom. Although the two live far from Ground Zero, they cannot escape the nationwide fallout from 9/11.

Richly detailed and full of hope, this is the story of Cindy Lou Davis from Mocksville, North Carolina, who meets and marries Mohammed Ali, a Muslim from the oil-rich United Arab Emirates. The year is 1982, and 20-year-old Cindy leaves home and family after her wedding with no idea what awaits her in her new life. Living with his family and immersed in a traditional Arab culture with an incomprehensible language while her new husband is away on a military base during the week, her future with Mohammed depends on the strength of her love, faith, and determination to be true to herself.

Alicia Erian's characters are brave, disarming, affectionate, and deeply flawed. They inhabit the not-so-very-wide space between a good intention and a bad outcome. The Brutal Language of Love challenges traditional notions of right and wrong with what has become Erian's signature—an achingly stylish humor and a deep understanding of the brutal truth about human nature. These surprising, provocative, and deeply resonant stories marked the emergence of a major talent.

This is a brilliant and revelatory first novel by a woman who is both an Arab and an American, who speaks with both voices and understands both worlds. Through the narratives of four cousins at the brink of maturity, Laila Halaby immerses her listeners in the lives, friendships, and loves of girls struggling with national, ethnic, and sexual identities. Mawal is the stable one, living steeped in the security of Palestinian traditions in the West Bank.