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Pat Novak, for Hire began in 1946 as a regional radio show produced at KGO in San Francisco and starred Jack Webb in the title role, with scripts by Webb's friend Richard L. Breen. When Webb moved to Los Angeles in 1947, Ben Morris replaced Webb as Novak. In a later network version, Jack Webb resumed the role along with Breen as scriptwriter. Pat Novak, for Hire lasted until 1949, when Jack Webb turned his attention to the series that would make him a star, Dragnet.

Jack Webb (1920 - 1982) was a popular American actor, television producer, director, and screenwriter. He started out in the entertainment industry in comedy, but achieved his first success playing the title character in the radio show Pat Novak, for Hire. His greater success came from his role as Los Angeles Police Department sergeant Joe Friday in the show Dragnet, which he created based on actual LAPD criminal case files and which ran for many years on both radio and television.

Lyon, portrayed by Wilms Herbert, ran the International Detective Bureau, a small private investigations firm in downtown Los Angeles, with often oversized ambitions. Regan handled rough assignments from Lyon, with whom he was not always on good terms. Actor Jack Webb played Regan as tough and tenacious, with a dry sense of humor. The series ended when Webb left the show in December 1948, but was resurrected in October 1949 with a new cast.

Set in Los Angeles, and starring Jack Webb as the stoic Sergeant Joe Friday, Dragnet is perhaps the most famous and influential police procedural drama of all time, having made extensive runs on both radio and television. Webb, also the producer of the show, took the series to new highs, insisting on realism in every facet of the program. The dialogue was clipped and sparse, taking its cue from hard-boiled crime fiction à la Raymond Chandler and Dashiell Hammett.

If you got the idea that Pat Novak was a rather single-minded fellow, you'd be wrong. He appreciated liquor every bit as much as he appreciated women. He could be found most nights popping shots and wisecracks with his saloon-owner pal, Jocko Madigan (Tudor Owen). But, most of all, he appreciated the crisp greenness of a new 50-dollar bill. Operating out of the grim San Francisco waterfront, Novak didn't have much use for anyone and didn't much care who knew it.

Set in Los Angeles and starring Jack Webb as the stoic Sergeant Joe Friday, Dragnet is perhaps the most famous and influential police procedural drama of all time, having made extensive runs on both radio and television. Webb, also the producer of the show, took the series to new highs, insisting on realism in every facet of the program. The dialogue was clipped and sparse, taking its cue from hard-boiled crime fiction à la Raymond Chandler and Dashiell Hammett.

Father Peyton of the Holy Cross Fathers wanted to inspire his country with a radio program. Footing the expense of the show himself, he arranged for some of the biggest names in radio and film to donate their services, and for a network to provide the broadcast time. The series that resulted featured heartwarming stories for audiences nationwide. The commercial breaks were filled only with an earnest, non-sectarian appeal for family prayer, reminding listeners that "The family that prays together stays together."

This Dragnet episode originally aired on September 21, 1952.

This Dragnet episode originally aired on September 14, 1954.

This Dragnet episode originally aired on May 25, 1950.

This episode of Bob Hope's classic NBC radio show originally aired on February 4, 1953.

From start to finish, Dragnet brings you a real-life police drama of unprecedented realism. When the series hit the air in 1949, there was nothing else like it, anywhere. In this collection, Jack Webb and Barton Yarborough star in 20 broadcasts from the earliest months of radio's landmark police procedural.

Father Peyton of the Holy Cross Fathers wanted to inspire his country with a radio program. Footing the expense of the show himself, he arranged for some of the biggest names in radio and film to donate their services, and for a network to provide the broadcast time. The series that resulted featured heartwarming stories for audiences nationwide. The commercial breaks were filled only with an earnest, non-sectarian appeal for family prayer, reminding listeners that "The family that prays together stays together."

Doses of concentrated thrills and pure, raw excitement are delivered directly on the heels of the most explosive musical theme in radio - a crashing rendition of Mussorgsky's "Night On Bald Mountain". Produced and directed by William N. Robson, Norman MacDonnell, and Antony Ellis - and featuring stories by Rudyard Kipling, Ambrose Bierce, and more - Escape is capable of chilling spines as expertly as it accelerates heartbeats.

Enjoy sixteen of the greatest programs from radio’s golden age and the Hollywood celebrities that starred in them.