Showing titles in History & Criticism

For seven seasons, Leslie Knope and the Parks and Recreation gang charmed millions of viewers with their quirky antics and unwavering positivity. The sitcom continues to be a fan-favorite for streaming services today, nearly a decade after its finale. Now for the first time, Jim O’Heir, who played the lovable Jerry (or, well, Garry/Larry/Terry/Barry, depending on the episode), invites listeners back to Pawnee for an exclusive look behind the scenes.

The choice is yours, and you'll have to live with the consequences for at least the rest of your life. Will you take the blue pill - skip this audiobook and go on thinking of The Matrix as just a movie? Or will you take the red pill - listen to this book, and find out just how far down the rabbit-hole goes?

The definitive book on the TV show Ted Lasso, written by New York Times journalist and editor Jeremy Egner, celebrating the show’s improbable rise and cultural impact while never losing sight of the heart, friendship, and passion that have made it an enduring favorite for the ages.

Here is a gripping, behind-the-scenes look inside the classic suspense shocker Psycho - and the creative genius who revolutionized filmmaking. First released in 1960, Psycho altered the landscape of horror films forever. But just as compelling as the movie itself is the story behind it. Stephen Rebello brings to life the creation of one of Hollywood’s most iconic films, from the story of Wisconsin murderer Ed Gein, the real-life inspiration for the character of Norman Bates, to Hitchcock’s groundbreaking achievements in cinematography, sound, editing, and promotion.

James Gandolfini: The Real Life of the Man Who Made Tony Soprano is the first biography of the actor, who died in June 2013 at age 51, widely recognized as one of the best - and most defining - actors of his generation. The audiobook, as performed by Gandolfini's Sopranos co-star John Ventimiglia (Artie Bucco), is informed by fresh interviews with Sopranos actors, HBO executives, the star’s acting teachers and coaches, his childhood friends, buddies from his days as a nightclub bouncer, and Hollywood figures including the directors of his posthumously released films.

The untold stories of seven revolutionary teen shows (The Fresh Prince of Bel-Air, My So-Called Life, Dawson’s Creek, Freaks and Geeks, The O.C., Friday Night Lights, and Glee) that shaped the course of modern television and our pop cultural landscape forever.

Supernatural, a three-time People's Choice Award winner and Tumblr's 2015 Most Reblogged "Live Action TV", has made a name for itself by supporting and encouraging its fans to "always keep fighting", and a memorable line from early in the show's run, "Family don't end with blood", became an inspiring mantra for many who found community in the fandom. In 25 powerful chapters written by Supernatural's actors and fans, Family Don't End with Blood: Cast and Fans On How Supernatural Has Changed Lives examines the far reach of the show's impact for more than a decade.

David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today's bloated blockbusters. American filmmakers have created a durable tradition - one that we should not be ashamed to call artistic, and one that survives in both mainstream entertainment and niche-marketed indie cinema. Bordwell traces the continuity of this tradition in a wide array of films made since 1960.

Hopping from the Hamptons to the Manhattan dating world, the dog park to the red carpet, Cardinals superfan and mama's boy Andy Cohen, with Wacha in tow, is the kind of star fans are dying to be friends with. This book gives them that chance. If The Andy Cohen Diaries was deemed "the literary equivalent of a Fresca and tequila" by Jimmy Fallon, Superficial is a double: dishier, juicier, and friskier. In this account of his escapades, Andy tells us not only what goes down but exactly what he thinks.

When it was finally released, Heaven's Gate failed so completely with reviewers and at the box office that it put legendary studio United Artists out of business and marked the end of Hollywood's auteur era. Or so the conventional wisdom goes. Charles Elton delves deeply into the making and aftermath of the movie and presents a surprisingly different view to that of Steven Bach, one of the executives responsible for Heaven's Gate, who wrote a scathing book about the film and solidified the widely held view that Cimino wounded the movie industry beyond repair.

On August 5th, 2003, Ryan Atwood found himself a long way from his home in Chino—he was in The O.C., an exclusive suburb full of beautiful girls, wealthy bullies, corrupt real-estate tycoons, and a new family helmed by his public defender, Sandy Cohen. Ryan soon warms up to his nerdy, indie band-loving new best friend Seth, and quickly falls for Marissa, the stunning girl next door who has secrets of her own. Completing the group is Summer, Seth’s dream girl and Marissa’s loyal—and fearless—best friend.

For all the near-fanatic attention brought each year to the Academy Awards, the organization that dispenses those awards—the Academy of Motion Picture Arts and Sciences—has yet to be understood. To date, no one has ever produced a thorough account of the Academy’s birth and its awkward adolescence, and the few reports on those periods from outside have always had a glancing, cursory quality. Yet the story of the Academy’s creation and development is a critical piece of Hollywood’s history. Now that story is finally being told.

George Miller made his first film, Mad Max, in 1976 after hiring unknown Mel Gibson and editing it in his kitchen. It would become the most profitable film ever made. Miller and Max is the story of two heroes. One, a globally recognised dystopian warrior. The second, the artist who created him. Written with the cooperation of a role call of cast, crew, family and associates, author Luke Buckmaster gets behind the scenes of both the set and the man: revealing the Max in Miller.

For decades, the backbone of film criticism has been the hatchet job - the entertaining trashing of a film by professional reviewers, seen by many as cynical snobs. But with the arrival of the internet, have the critics finally fallen under the axe? With movie posters now just as likely to be adorned by Twitter quotes as fusty reviewer recommendations, has the rise of enthusiastic amateurism sounded the death knell of a profession? Are the democratic opportunities of the internet any more reliable than the old gripes and prejudices of the establishment?

Few filmmakers, if any, make the kind of impact that Martin Scorsese has made on American cinema. The winner of every prestigious film award, including the Oscar, Scorsese is a living legend. Bestselling author and award-winning filmmaker Mary Pat Kelly’s groundbreaking biography reveals how this working-class boy from Manhattan’s Little Italy became one of our most acclaimed, celebrated, and influential filmmakers. Martin Scorsese: A Journey maps Scorsese’s personal and artistic evolution.

Film historian David Thomson, leads us into this very delicate subject. While unpacking classics such as Seven, Strangers on a Train, The Conformist, The Godfather, and The Shining, he offers a disconcerting sense of how the form of movies makes us accomplices in this sinister narrative process. Murder and the Movies admits us into what Thomson calls "a warped triangle": the creator working out a compelling death; the killer doing his and her best; and the entranced spectator trying to cling to life and a proper sense of decency.

March 20, 2019 marked the end of an era - Disney took ownership of the movie empire that was Fox. For almost a century before that historic date, Twentieth Century-Fox was one of the preeminent producers of films, stars, and filmmakers. Its unique identity in the industry and place in movie history is unparalleled - and one of the greatest stories to come out of Hollywood.

In Your Favorite Scary Movie, journalist Ashley Cullins examines the history and making of the Scream films with behind-the-scenes insight from the movies’ cast, creators, and crew (including gleeful descriptions of the backstage, summer-camp-like atmosphere and candid conversations about the more challenging moments), as well as sharp analysis on how the movies’ special blend of gruesome violence and humorous self-awareness completely rewrote the horror playbook.

Among a crop of fresh filmmakers including Steven Spielberg, George Lucas, Martin Scorsese, and Francis Ford Coppola revolutionizing Hollywood in the ’70s, Brian De Palma—a director from Philadelphia with a few social satires under his belt—charted a cinematic path unlike any of his peers. At times he was unfairly dismissed as a Hitchcock copycat; other times he was misunderstood for his peculiar mix of sexuality, humor, music, and violence. But, over the course of ten years, he created a new cinematic language.

Eddie Mannix and Howard Strickling are virtually unknown outside of Hollywood and little-remembered even there, but as General Manager and Head of Publicity for Metro-Goldwyn-Mayer Studios, they lorded over all the stars in Hollywood’s golden age from the 1920s through the 1940s—including legends like Garbo, Dietrich, Gable and Garland. When MGM stars found themselves in trouble, it was Eddie and Howard who took care of them—solved their problems, hid their crimes, and kept their secrets. They were “the Fixers.”