Showing titles in Canadian

Rhymes of a Rolling Stone is the final installment in Service's trilogy of Yukon verse. Conceived while returning to the Yukon via the daunting Edmonton Trail, and completed in his little cabin in Dawson City, this volume contains 50 new poems of life, love, and hardship in the North.

Membering Austin Clarke reflects on the life and writing of Austin Clarke, whose depictions of Black life in Canada enlarged our understanding of what Canadian literature looks like. Despite being one of Canada's most widely published, and most richly awarded writers, Austin Clarke (1934-2016) is not a household name. This collection addresses Clarke's marginalization in Canadian literature by demonstrating that his writing on Black diasporic life and the immigrant experience is a foundational, if untold, part of the story of CanLit.

Text Messages is the first multi-genre collection by Montreal-based Iraqi hip-hop artist, activist, and professor Yassin “Narcy” Alsalman. Composed entirely on a smartphone during air travel and married to artwork from comrades, Narcy’s writing speaks of the existential crises experienced by diasporic children of war before and during imperialism in the age of the Internet. Narcy’s verses span the space between hip-hop and manifesto, portraying a crumbling, end-stage capitalist society, visions for a new reality, and the myth of multiculturalism in post-9/11 America.

A sorrow has taken root in my heart, and although it hurts every day I know there is a place where we laugh together under an open sky. To that sanctuary, I am travelling. This is that story. Stanley Park is a collection of 35 poems from parables author Sapphira Olson charting the story of two lovers through history as they are separated and then reunited all within the island of Stanley Park in Vancouver. Olson weaves a beautiful and poignant narrative through a progression of emotional poetry taking the listener on a journey of hope driven by love.

Stella's world was one of misery and despair, wandering the streets of Victoria, BC, cold, wet and hungry. She had adapted to street-life, but on most days, she would rather be dead. Living amongst the nameless, faceless and placeless tribe of the homeless, Stella's very existence depended on the generosity of strangers. She never spoke of her past, determined to keep her life-story a secret. Faced with constant hunger, Stella begged and pushed her trolley filled with junk, trying to remain invisible as she moved from alcove to park bench and back again, clinging to anonymity.

Long listed for the 2010 Scotiabank Giller Prize, Lemon is the story of a teenaged girl with the numbers against her: Three mothers, one deadbeat dad, one cancer-riddled protégé, two friends, one tree-hugging stepbrother, and a 60 percent average. The adults in her life are all mired in self-centeredness and the other kids are busy getting high, and she just can't be bothered to fit in.

From the endangered Canadian boreal forest to the environmentally threatened Svalbard archipelago off the coast of Norway, Jenna Butler takes us on a sea voyage that connects continents and traces the impacts of climate change on northern lands. With a conservationist, female gaze, she questions explorer narratives and the mythic draw of the polar North. Blending travelogue and poetic meditation on place, Jenna Butler draws listeners to the beauty and power of threatened landscapes, asking why some stories in recorded history are privileged....

Once an amusing extrovert with a reputation as a prankster, Mr. Rosen is entering his senior years as a stoic, thirty-year converted introvert who hates change, has little to no interest in people and is more than content to have his wife sit in the navigator's seat of his life. Since becoming a practising introvert, there have been almost no changes in his life, and for the few that there were, his wife had walked him through them, including the recent move to a much smaller home in a lower/middle-class neighbourhood.

This is both a single novel and three separate novels in one. In the first, Mauve Desert, 15-year-old Mélanie drives across the Arizona desert in a white Meteor chasing fear and desire, cutting loose from her mother and her mother's lover, Lorna, in their roadside Mauve Motel. In the second book, Maudes Laures reads Mauve Desert, becomes obsessed with it, and embarks on an extraordinary quest for its mysterious author, characters and meaning. The third book - Mauve, the Horizon - is Laures's eventual translation of Mauve Desert.

New Brunswick, 1934: Pearly Everlasting ist fünfzehn und in einem Holzfällercamp mitten im Wald aufgewachsen – zusammen mit dem Bären Bruno, der seit ihrer Geburt ein Teil der Familie ist. Doch dann beschuldigt man Bruno, einen Mann getötet zu haben. Er wird weggebracht, niemand weiß, wohin. Verzweifelt und entschlossen macht Pearly sich zu Fuß auf den Weg durch die tief verschneite kanadische Landschaft, um Bruno zu suchen.

In these exquisitely rendered poems, people fall in and out of love, in and out of religious belief and in and out of accepting the distance between their imagined lives and the lives they live. They look back as much as forward and pick mercilessly at the open wounds of failed relationships. They inhabit geographies that are both their emancipators and captors. And they find joy, or succumb to sorrow, amid life’s inescapable ephemerality and fragility.

In her fifth volume of poetry, Carla Coles once again brings us into her inimitable inner world. This time, along with her odes to the pleasures of coffee and cake and writing, she delves into the darker emotions of betrayal, endings, and coming through the fire with her sense of humour intact and her gift with words honed to a new level of insight.

Truth spoken plainly and powerfully is difficult to dismiss and impossible to ignore. Edited with purpose by A. Gregory Frankson, AfriCANthology: Perspectives of Black Canadian Poets brings together some of Canada's most influential dub, page, and spoken word poetic voices and gives them space to speak freely about their personal journeys in piercing verse and unapologetic prose. Just as individual experiences of Blackness are diverse across Canada, each contributor recounts aspects of navigating their unique personal, professional, and artistic paths in Black skin.

This is a book about women and ageism. There are twenty-nine contributing writers, ranging in age from their forties to their nineties. Through essays, short stories, and poetry, they share their distinct opinions, impressions, and speculations on aging and ageism and their own growth as people. In these thoughtful, fierce, and funny works, the writers show their belief in women and the aging process.

Pain and trauma are what makes us human, arguably unifying us as a species. Finding our way out can be traumatic itself at the best of times, always confusing and so often riddled with false starts and mistakes. Through poetry, this collection will make you cry, laugh, empathize, question, and eventually help you find your way through and out of that dark place. From someone who has experienced the journey, and put in the years of study and work required to build a tool set to make the needed progress toward better mental health—the time is right to share this work with the world.

Life is full of poetry. Diary of a Life takes its listeners on the poetic journey of author Kimella Louise Gosse, leading us through her childhood and adolescence, her adult years of freedom and travel, motherhood and matrimony, and everything she discovered when her marriage ended and she learned to embrace herself and the world around her. With narrative storytelling and thoughtful poetic offerings, she clearly illustrates the ebb and flow of life, from slow-moving stream to rushing white water, and invites her listeners to join her on the ride

This is a collection of stray thoughts and daydreams, poetry and prose, fueled by caffeine and punctuated by the papercuts we get when we try to turn the pages of our life without being careful enough. Speaking up can change the world...but even when it doesn't, what we have to say is still worth saying. Even if the difference is only to one person. Enjoy the efforts within, let them make you smile and laugh, or think carefully about experiences shared. After, consider writing your own. Whether it's intellectual or idiotic, make a brew, pick up a pen, and enjoy what happens next.

Why I Was Late fuses text with performance, bringing a transmasculine wisdom, humor, and experience to bear upon tailgates, spaceships, and wrestling rings. Fierce, tender, convention re-inventing—Petch works hard. And whether it’s as a film union lighting technician, a hospital bed allocator, a Toronto hot dog vendor, or a performer/player of the musical saw, the work is survival. Heroes are found in unexpected places, elevated by both large and small gestures of kindness, accountability and acceptance.

The poems in Hail, the Invisible Watchman are as tidy as a picket-fence—and as suggestive. Behind the charms of iambs lurks a dark exploration of domestic and social alienation. Metered rhyme sets the tone like a chilling piano score as insidiousness creeps into the neighborhood. A spectral narrator surveils social gatherings in the town of Sherbet Lake; community members chime in, each revealing their various troubles and hypocrisies; an eerie reimagining of an Ethel Wilson novel follows a young woman into a taboo friendship with an enigmatic divorcée.

The mystics who coined the phrase "the way of affirmation" understood the apocalyptic nature of the word yes, the way it can lead out of one life and into another. Moving among the languages of Christian conversion, Classical metamorphosis, seasonal transformation, and gender transition, Luke Hathaway tells the story of the love that rewired his being, asking each of us to experience the transfiguration that can follow upon saying yes—with all one’s heart, with all one’s soul, with all one’s mind, with all one’s strength ... and with all one’s body, too.