It's December 1963 when Billy Hopkins and his wife, Laura, arrive home after five years in Africa. The world they left behind has changed beyond recognition: now, it's the swinging 60s. But Billy's less concerned about the impact of modern society on his family than about the welfare of his increasingly forgetful father and about the daily (and sometimes exquisitely humorous) challenges he faces as a college lecturer.

Natasha Dawson is a lucky woman. Her career as a fashion photographer has taken off magnificently. After her imminent marriage, she will have a stable future to look forward to and a loving husband in the funny and generous Luke Stevens. Everything is very nearly perfect.

May 1945. In post-war Leith, the Anderson family must come to terms with the reality of peacetime Britain. Johnny's hopes of a life in politics finally come true, but will his vows to remain a dutiful husband and father be kept? Peacetime is not easy for Johnny's Polish brother-in-law Hans, either. Meanwhile, nurse Kitty - Johnny's daughter from his first marriage - gets caught up in a sensational trial when her friend Laura's brother is accused of murder.

It is 1945, and all over England people are looking forward to being at peace again. Except for one woman. For recently married Zelda, peace means the return of her husband, and this is bad news indeed. Zelda has had to marry Charlie Fluck because she was pregnant by him. And the Fluck clan are backed by the unsavoury Holes, at the centre of whose criminal empire sits Ma Hole like a large malevolent toad. Not only is Zelda frightened of her husband - and she has reason to be, having lost her baby due to a bad "fall" when Charlie pushed her down the stairs.

When the residents of a Highland care home discover that the new owners are about to put up the fees substantially they know that dramatic action is called for. But what can a group of senior citizens do against a big organisation? For Dorothy, the situation is serious, if she can't raise the money she'll have to leave her friends, like dear Miss Ross. In protest, the residents barricade themselves into the lounge. However, their rebellion fails! So worldly wise Joan suggests a most unusual way to cover the rise....

Billy's mother is dead. He knows-because he reads about it in magazines-that people die every day in ways that are more random and tragic and stupid than hers, but for nineteen-year-old Billy and his little brother, Oscar, their mother's death in a bungled street robbery is the most random and tragic and stupid thing that could possibly have happened to them.

Four years on from discovering their true heritage, Sally and Luke have overcome their animosity to forge a trusting brother-sister relationship. So when Luke returns home from the Hong Kong police force, he asks Sally for help to prove the innocence of his friend Irish. But Sally already has her hands full. As well as tending her flourishing business empire, she must also pick up the pieces when her family - from her feckless sister Josie to her self-centred daughter Margo - runs into trouble.

It’s the 1950s, and Grundy’s Travelling Fair arrives in town. When night falls, the local town is drawn to the fair. But when the fairgoers head home, the Grundys are left behind. Hours are long and the work backbreaking. But family and friends hold things together.

Grinding poverty and violence are on everyday part of life in Glasgow's slums during the 1920s. But Josie Collins, whose mother's death has left her alone with her abusive father, has a dream that she'll become a reporter for one of the city's newspapers. But then disaster strikes when Josie reaches sixteen. Forced to give up her unwanted baby, she starts a new life under her mother's maiden name.

The shocking true story of a young boy hidden away from his family and the world in a Catholic home for unmarried mothers in 1950s Dublin. Born an 'unfortunate' onto the rough streets of 1950s Dublin, this is the incredible true story of a young boy, a secret child born into a home for unmarried mothers in 1950s Dublin and a mother determined to keep her child, even if it meant hiding him from her own family and the rest of the world.

Mary Doyle arrives in Dublin in 1913, doomed, she fears, to a life of domestic service. Instead, however, she finds herself deeply affected by the social and political turmoil of a fledgling nation struggling for independence. Suddenly, all that was once inevitable is no longer a certainty as she is embroiled in the very heart of the Easter Rising.

It's 1950, and when Laura and Billy Hopkins return to Manchester from their honeymoon, they're in seventh heaven. But the euphoria gradually evaporates and they settle into a penny-pinching existence. When Billy spots an advertisement for education officers in Kenya, it sounds like the answer to a prayer, despite worries about the Mau Mau rebellion and dangerous creatures. After much debate, the Hopkins set off to Nairobi and start on the biggest adventure of their lives.

Billy Hopkins lived happily in a tenement home in Manchester with his large Catholic family. When war came, Billy was evacuated to Blackpool, where he was starved so his rations could feed his landlady's children. On his return to Manchester, cruel blows were dealt to his family, but nothing could destroy Billy's fighting spirit. Nostalgic, sad and funny, Our Kid recalls an upbringing and an environment now vanished.

It's June 1897, and Kate is celebrating her 11th birthday on the day of Queen Victoria's Diamond Jubilee. Kate's joy is short-lived, as tragedy strikes, threatening her family with the loss of all they hold dear. Before long, they are evicted from their home in Ancoats, Manchester, and with no wages coming in and a mother unable to cope, Kate has to grow up fast. Her deepest desire is to keep her brothers and sisters together.

It's 1945 and Billy Hopkins is off to London to train as a teacher. Billy survives two years in the Big City, and returns to take up a teaching job in Manchester on £300 a year! The catch is his first class, Senior Four, who bitterly resent the raising of the school-leaving age and are all set to take it out on their teacher. Luckily, Billy has some tricks of his own up his sleeve. And he's about to fall in love with the beautiful Laura. But is she, as his dad says, "too good for the likes of us"?