From fat girl to thin, from red hair to mud brown, from London to Toronto, from Polish count to radical husband - Joan Foster is utterly confused by her life of multiple identities. She decides to escape to an Italian hill town to take stock of her life. But first, she must organise her own death.

Elaine Risley, a painter, returns to Toronto to find herself overwhelmed by her past. Memories of childhood - unbearable betrayals and cruelties - surface relentlessly, forcing her to confront the spectre of Cordelia, once her best friend and tormentor, who has haunted her for 40 years. An exceptional novel from the winner of the 2000 Booker Prize.

Marian is determined to be ordinary. She lays her head gently on the shoulder of her serious fiancé and quietly awaits marriage. But she didn't count on an inner rebellion that would rock her stable routine, and her digestion. Marriage a la mode, Marian discovers, is something she literally can't stomach ... The Edible Woman is a funny, engaging novel about emotional cannibalism, men and women, and desire to be consumed.

Even now, at the age of 82, Iris lives in the shadow cast by her younger sister Laura. Now poor and trying to cope with a failing body, Iris reflects on her far from exemplary life, in particular the events surrounding her sister's tragic death.

A man-made plague has swept the Earth, but a small group survives, along with the green-eyed Crakers - a gentle species bio-engineered to replace humans. Toby, one-time member of the Gods Gardeners and expert in mushrooms and bees, is still in love with street-smart Zeb, who has an interesting past. The Crakers’ reluctant prophet, Snowman-the-Jimmy, is hallucinating; Amanda is in shock from a Painballer attack; and Ivory Bill yearns for the provocative Swift Fox, who is flirting with Zeb.

Sixteen years have passed since Grace was locked up, at the age of 16, for the cold-blooded murders of her employer and his housekeeper/lover. Her alleged accomplice in the crimes, James McDermot, paid the extreme sentence of the law and was hanged on November 21, 1843. But some thought Grace was innocent, and her sentence has been commuted to life imprisonment. After a spell in the Lunatic Asylum she now claims to have no memory of the murders.

Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he's staging a Tempest like no other: not only will it boost his reputation, it will heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And brewing revenge. After 12 years revenge finally arrives in the shape of a theatre course at a nearby prison.

Her men and women still miscommunicate, still remain separate in different rooms, different houses, or even different worlds. With brilliant flashes of fantasy, humour, and unexpected violence, the stories reveal the complexities of human relationships and bring to life characters who touch us deeply, evoking terror and laughter, compassion and recognition – and dramatically demonstrate why Margaret Atwood is one of the most important writers in English today.

More than 15 years after the events of The Handmaid’s Tale, the theocratic regime of the Republic of Gilead maintains its grip on power, but there are signs it is beginning to rot from within. At this crucial moment, the lives of three radically different women converge, with potentially explosive results. Two have grown up as part of the first generation to come of age in the new order. The testimonies of these two young women are joined by a third voice: a woman who wields power through the ruthless accumulation and deployment of secrets.

Life is hard enough for a teenage girl in 1950s suburbia without having a mother who may—or may not—be a witch. A single mother at that. Sure, she fits in with her starched dresses, string of pearls, and floral aprons. Then there are the hushed and mystical consultations with neighborhood women in distress. The unsavory, mysterious plants in the flower beds. The divined warning to steer clear of a boyfriend whose fate is certainly doomed. 

In these nine tales, Margaret Atwood ventures into the shadowland earlier explored by fabulists and concoctors of dark yarns such as Robert Louis Stevenson, Daphne du Maurier and Arthur Conan Doyle - and also by herself, in her award-winning novel Alias Grace. In Stone Mattress, Margaret Atwood is at the top of her darkly humorous and seriously playful game.

From cultural icon Margaret Atwood comes a brilliant collection of essays - funny, erudite, endlessly curious, uncannily prescient - which seek answers to burning questions. In over 50 pieces, Atwood aims her prodigious intellect and impish humour at the world, and reports back to us on what she finds. This roller-coaster period brought the end of history, a financial crash, the rise of Trump and a pandemic. 

The world of this novel moves back in time as the layers are peeled away to reveal the truth about a long-ago family tragedy that impacts the characters' lives for years after. Beginning with a young college student haunted by her own choices and ending with the surprisingly serene image of an aging woman looking back on her turbulent life, the story encompasses a panorama of events set against the changing social backdrop of the middle years of the 20th century.

In each of these tales Margaret Atwood deftly illuminates the single instant that shapes a whole life: in a few brief pages we watch as characters progress from the vulnerabilities of adolescence through the passions of youth into the precarious complexities of middle age. By superimposing the past on the present, Atwood paints interior landscapes shaped by time, regret, and life's lost chances, endowing even the banal with a sense of mystery.

American Maggie Monroe is a journalist for New York's hard-hitting current affairs show Newsline. Independent and fearless, the more cutting-edge the story, the happier she is. But when her next assignment turns out to be an in-depth documentary on the decline of England's ruling classes, she's furious at being sent to cover a bloody tea party.