Not bad, but...

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This wasn't a bad listen, but slightly disappointing if you are expecting a book as good as Middlesex.

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Eugenides is brilliant, I'll pass on the narrator

I loved The Marriage Plot when I first read it. It's a sophisticated coming-of-age story that required Eugenides to have a scholarly grasp of subjects from Victorian literature to bipolar disorder to the reproduction of yeast cells. This combines with magical characterisation that turns the whole thing into a compelling work of fiction. But I was disappointed when I bought the audiobook and heard the narrator's voice, which for my ear almost has a sneering quality. Looking at the other reviews he really divides the audience, so listen to the excerpt before you buy.

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Epic drama

It's all about the fascinating characters and how they interact. Wonderful writing, brought to life by the peerless David Pittu, audiobook royalty. He has so many voices. A literary ventriloquist, male and female. Go listen to his reading of The Goldfinch, if you want another treat. Only Michael Sheen is in the same league.

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5 Stars for the Novel, 1 Star for the Reading!

I didn't want to mark the novel down for the awful reading by David Pittu, because I really enjoyed the writing. But Pittu's reading is really, really awful. He is fine at the straight narration, but as another reviewer pointed out he CANNOT do women voices--they are all uniformly high pitched, whiny, and camp--it's very very distracting. In fact, I ended up buying the novel just so I could read the book in peace!

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A book that doesn't live up to its promise

I loved the first half of this book.we were thrown into a college life filled with promise and recognisable pretentiousness. but wow what an atmosphere.sparkling dialogue and set up. Great story and characters.really felt like it had the gravitas of an epic novel.but never lived up to it.the ending is so trite and self conscious it was as though it was written by a different author.

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Not quite Middlesex but...

I loved both Middlesex and The Virgin Suicides, and The Marriage Plot doesn't disappoint- however it isn't quite the intricate saga that Middlesex was.
Madelaine is about to graduate from Uni having studied English Lit and Language, in particular the novels of the 19th century which more often than not centre around the courting, love triangles and eventual marriage of their protagonists. She loses herself in a relationship with the 'wrong' guy who she idolises due to his incredible mind but who also unfortunately suffers from severe depression and mental illness. She in turn rejects the advances of the possibly 'right' guy, Mitchell, who indeed also has his problems and so unfolds a story of a modern love triangle. The book looks human psychology, the naivety and meaning of love, the search for spiritual enlightenment (is there such thing as an unselfish act?) and the stages and effects of mental illness.
I loved this book because it reminded me of my state of mind whilst at university and during my first proper relationship. I also loved the insight into each character, not one of them flawless or indeed even very likable but all three vulnerable and very real. It reminded me very much of Jonathan Franzen's Freedom, just really great American Literature which has something to say about society in a very quiet and therefore genuine way.
And because a Audiobook is only as good as it's narrator, I would also have to comment that David Pittu was excellent and made a great book worth listening to.

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7 people found this helpful

Dissatisfying

This was a disappointment after Middlesex and it has nothing of that novel's layers, complexities and humour. I found the first part rather boring and its juvenile characters with their narcissistic obsessions irritating rather than enlightening. It didn't give me any insight into my own (distant) university days - I just hope I wasn't as awful but I probably was just as wrapped up in my own internal monologue. The would-be intellectual discussions were pretentious and I wasn't sure they were meant to be. However, I hung on and by the second part and was more involved with the characters and the exploration through the two men of a kind of madness and a search for spiritual meaning. The conclusion seems to be that only the mad can find spiritual meaning in their experiences and that true spiritual exploration brings you back into the material world. I was left feeling that the female character had been shortchanged by both men with their intellectual pretensions - but maybe they were only reflecting back her own sterile intellectual obsessions with dead eighteen and nineteenth literature from a culture not her own. This is ultimately depressing and although it has left me with something to think about I would not chose to listen to any more by the author. The reader is excellent and without him I don't think I'd have persevered.

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Hooked but no thanks to the narration

For me it was nice to revisit the 80s in a part of the world I lived in for many years and I suspect that has a lot to do with that hook as I found myself instantly transported to familiar streets and places. It was my first experience of this writer and probably (subject to a different narrator) won't be the last. There is a quality to the writing which is absolutely excellent; the author engages all the senses from the stomach turning experiences of Mitchell volunteering with Mother Theresa to the less than fastidious Leonard's ratty apartment. His exploration of some of the themes, particularly mental illness, and its treatment in that time period was thought provoking. I found the way the backstory elements were woven into the narrative to be quite masterful. The plot though, was a little dull, and I did get to the point about 2/3 of the way through where I really couldn't have cared less what happened to most of the characters, particularly Madeleine.Towards the end I found myself wondering whether the author really liked them himself, although I suspect the narration didn't help here because the female characters sounded whiny, pretentious and irritating. I guess it is all a matter of personal taste.

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1 person found this helpful

pretentious moi?

I'm a big fan of this author but struggled through this due to the narrator - whenever he affected a female voice he sounded whiny and camp, and any of the big ideas that might have been being discussed were reduced to some kind of awful pretention - maybe that's the point, they are at first extremely self indulged college students to be fair. But the women came off really badly, sounding bitchy and dim - even the main character - while discussing Barthes and semiotics, like Philosopher Barbies. The men didn't come off much better, sounding creepy and self satisfied. Just shows how much a narrator matters. Having said that, it does get better and I occasionally go back to it and am less repulsed as the characters get older, even though I really don't care about them, they sometimes say something interesting.

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1 person found this helpful

really clever story

what appears at first to be about the one dimensional loves and lusts of the college students soon gets much deeper. you delve in their psyches, learn about their motivations and it's fascinating. I really think it should have been read by a man and woman, rather than a man alone trying to doing a passable impression of females but he does his best and it doesn't spoil the story as a whole.

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