1967. While London comes alive with the new youth revolution, the suburban Fischer family seems to belong to an older world of conventional stability: pretty, dutiful homemaker Phyllis is married to Roger, a devoted father with a career in the Foreign Office. Their children are Colette, a bookish teenager, and Hugh, the golden boy. But when the 20-something son of an old friend pays the Fischers a visit one hot summer evening, and kisses Phyllis in the dark garden after dinner, something in her catches fire. 

In these short stories, it's the ordinary things that turn out to be most extraordinary. Two sisters quarrel over an inheritance; a child awake in the night explores her home; a housekeeper caring for an elderly man uncovers secrets from his past. The stories focus in on crucial moments of transition. Small acts have large consequences, and some of them reverberate across decades. The real things that happen to people and the accidents that befall them are every bit as mysterious as their longings and their dreams.

Kate Flynn, 43, has given up her university career to come home and look after her mother in Firenze, their big house by a lake in Cardiff. When Kate meets her old friend David Roberts, she begins to obsess about him: she knows it's because she's bored, but she can't stop. David is married, rational, and dependable: the last type to want an affair. David's marriage isn't as solid as it looks, though, so he takes refuge in Firenze, where he can talk to Kate about music.

'Any story that starts will also end.' As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth as she explores family, friendship, marriage, failure, success and what it all means. Ranging from the personal to the sublime, each essay transforms the particular into the universal, letting us all see our own worlds anew.

When the kids are grown and Mercy Garrett gradually moves herself out of the family home, everyone determines not to notice. Over at her studio, she wants space and silence. She won't allow any family clutter. Not even their cat, Desmond. Yet it is a clutter of untidy moments that forms the Garretts' family life over the decades, from giving a child a ride to a painstaking Easter lunch, a fateful train journey to an unexpected homecoming. And it all begins in 1959, with a family holiday to a cabin by a lake.

Everyone tells Martha Friel she is clever and beautiful, a brilliant writer who has been loved every day of her adult life by one man, her husband Patrick. So why is everything broken? Why is Martha - on the edge of 40 - friendless, practically jobless and so often sad? And why did Patrick decide to leave? Maybe she is just too sensitive, someone who finds it harder to be alive than most people. Or maybe - as she has long believed - there is something wrong with her. 

Ella Rubinstein has a husband, three teenage children, and a pleasant home. Everything that should make her confident and fulfilled. Yet there is an emptiness at the heart of Ella's life - an emptiness once filled by love. So when Ella reads a manuscript about the 13th-century Sufi poet Rumi and Shams of Tabriz, and his 40 rules of life and love, she is shocked out of herself. Turning her back on her family, she embarks on a journey to meet the mysterious author of this work.  

The Lamberts—Enid and Alfred and their three grown-up children—are a troubled family living in a troubled age. Alfred is ill, and as his condition worsens, the whole family must face the failures, secrets and long-buried hurts that haunt them if they are to make the corrections that each desperately needs.  

Nine lives. Four generations. One family. The MacEntees are no ordinary family. Determined to be different to other people, they have carved out a place for themselves in Irish life by the sheer force of their own personalities. But when a horrifying act of violence befalls television star Alma, a chain of events is set in motion that will leave even the MacEntees struggling to make sense of who they are.

A heartwarming story about secrets between four generations of women and the healing power of books, love and friendship. The Garden Café, in the town of Lissbeg on Ireland's Finfarran Peninsula, is a place where plans are formed and secrets shared.... But Jazz - still reeling from her father's disclosures about the truth of his marriage to her mother, Hanna - has more on her mind than the comings and goings at the café.

If it hadn't been for the child then none of this might have happened. She saw me kissing her father. She saw her father kissing me. The fact that a child got mixed up in it all made us feel that it mattered, that there was no going back.

The death of a 90-year-old woman with a heart condition should absolutely not be suspicious. DS Harbinder Kaur certainly sees nothing to concern her in carer Natalka's account of Peggy Smith's death. But then Natalka reveals that Peggy lied about her heart condition and that she had been sure someone was following her.... 

Having dropped out of university, Harmony returns to the site of the urban commune where she lived as a child, now divided into flats. She rents a room in the hope of uncovering the source of her nightmares about a redheaded woman who haunts the house and her obsession with lost objects from her childhood. As the London riots explode in the streets, the two hot summers converge, blurred by the drugs and sex and cheap wine, and Harmony begins to discover what really happened at Longhope 20 years ago. Can she grow up at last and build her own future?

Laura has left Paris to return to her childhood home, to act as carer to her ageing, but still brilliantly sharp, mother. Ben has moved away from his beautiful and loyal wife to support his brother, alone since their own mother's death. A chance encounter will remind Ben and Laura both of the relationship they once shared, many years ago. On one day, they will come face-to-face with the feelings they had, the chemistry that still lies between them and the choices they must make: to be true to themselves or true only to what they believe to be right.

Thomas Bradshaw and Tonie Swann are experiencing the classic symptoms of marriage in its middle years: comfortable house, happy-enough daughter and an eerie sense that life might be happening elsewhere. Then Tonie accepts a big promotion at work and Thomas agrees to become a stay-at-home dad. While Thomas is suddenly faced with the daily silence of an empty house, Tonie finds herself alive to previously unimagined possibilities. And at the head of the family, the ageing Bradshaw parents continue their marital dynamic of bickering and petty undermining.