Katherine Mansfield accomplishes an incredible drama with detailed characterization in "Miss Brill", a story only four pages long, written in the early 1920's. The main character is a lonely spinster, probably an elderly Englishwoman, living in a resort area of France near the seashore, earning enough to support herself by tutoring English children and reading the newspapers to an old invalid whose ability to hear and comprehend are questionable. She sits on a bench at the park and creates fantasy scenarios involving the people around her, enhanced by her eavesdropping skills.

One December night in 1942, a Nazi parachutist landed in a Cambridgeshire field. His mission: to sabotage the British war effort. His name was Eddie Chapman, but he would shortly become MI5's Agent Zigzag. Dashing and suave, courageous and unpredictable, Chapman was by turns a traitor, a hero, a villain and a man of conscience. But, as his spymasters and many lovers often wondered, who was the real Eddie Chapman?

This is a story from the Classic Women's Short Stories collection.

Innovative, startlingly perceptive and aglow with colour, these 15 stories were written towards the end of Katherine Mansfield's tragically short life. Many are set in the author's native New Zealand, others in England and the French Riviera. All are revelations of the unspoken, half-understood emotions that make up everyday experience - from the blackly comic 'The Daughters of the Late Colonel' and the short, sharp sketch 'Miss Brill', in which a lonely woman's precarious sense of self is brutally destroyed, to the vivid impressionistic evocation of family life in 'At the Bay'.

In the realm of the short story, Katherine Mansfield established a highly original style. Undramatic, poetic and lyrical, her writing is exquisitely subtle in its treatment of human behaviour. When these 14 short stories were published in 1920, she had already effected a transformation in this form of fiction, and her influence has been deeply felt by subsequent writers.

A form-bending and endlessly inventive collection of short stories from the Man Booker Prize-shortlisted and Baileys Prize-winning author of How to Be Both and the critically acclaimed Seasonal quartet. A middle-aged woman conducts a poignant conversation with her gauche 14-year-old self. An innocent supermarket shopper finds in her trolley a foul-mouthed, insulting and beautiful child. Challenging the boundaries between fiction and reality, we see a narrator, 'Ali', as she drinks tea, phones a friend and muses on the relationship between the short story and a nymph.

Late summer near Dublin, 1920, and up at the great house there are still cucumber sandwiches for tea. Slipping away from Aunt Mary and dotty Grandfather, 18-year-old Nancy has escaped down to the shore to dream in the beach hut - longing for her life to begin.

Aster lives in the low-deck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations the Matilda has ferried the last of humanity to a mythical Promised Land. On its way the ship's leaders have imposed harsh moral restrictions on dark-skinned sharecroppers like Aster, whom they consider to be less than human.

Formidable Miss Doggett fills her life by giving tea parties for young academics and acting as watchdog for the morals of North Oxford. Anthea, her great-niece, is in love with a dashing undergraduate with political ambitions. Of this, Miss Doggett thoroughly approves. However, Anthea's father, an Oxford don, is carrying on in the most unseemly fashion with a student—they have been spotted together at the British museum! But the only liaison Miss Doggett isn't aware of is taking place under her very own roof.

A rather mysterious old clergyman is dead, and his daughter, 16-year-old Athene is desolate. A beauty, she is also lonely and living a fantasy life. Athene’s mother dispatches her to spend the holidays with assorted friends and relatives. And for Athene that golden summer after the funeral becomes delicious fodder for her fantasy.

Meet Lady Toad, Mistress Badger, Miss Water Rat and Mrs Mole as they go about their adventures, messing around on the river, gallivanting in Lady Toad’s shiny new toy and fighting valiantly to save Toad Hall from unruly squatters. In this retelling by Dina Gregory, The Wind in the Willows becomes a story about a group of female animals to be admired for their close sisterhood and fierce independence. Featuring original music and songs by Rosabella Gregory and sound effects captured on location, put your headphones on, sit back and lose yourself in the British countryside.

The wellsprings of desire and the impediments to love come brilliantly into focus in Evelyn Waugh's masterpiece - a novel that immerses us in the glittering and seductive world of English aristocracy in the waning days of the empire. Through the story of Charles Ryder's entanglement with the Flytes, a great Catholic family, Evelyn Waugh charts the passing of the privileged world he knew in his own youth and vividly recalls the sensuous pleasures denied him by wartime austerities.

"I write this sitting at the kitchen sink" is the first line of a novel about love, sibling rivalry, and a bohemian existence in a crumbling castle in the middle of nowhere. Cassandra Mortmin's journal records her fadingly glamorous stepmother, her beautiful, wistful older sister, and the man to whom they owe both their isolation and poverty: Father. The author of one experimental novel, and a minor cause celebre, he has since suffered from writer's block and is determined to drag his family down with him.

Robinson Crusoe, published in 1719, was Defoe’s first novel and survives as his best-known work. Loosely based on a true account of a Scottish sailor—Alexander Selkirk—it is a tale of one man’s fall from grace and progress to redemption. The account of Crusoe’s life, scratched out with rationed indigo ink on a dwindling supply of paper salvaged from the hull of a wrecked ship, speaks eloquently of the tenacity and ingenuity of the human spirit.

Andrea Levy's acclaimed Small Island is a delicately wrought and profoundly moving novel of empire, prejudice, war, and love. It was awarded the 2004 Orange Prize for Fiction, the 2004 Whitbread Book of the Year Award, and the 2005 Commonwealth Writers Prize. It is 1948, and England is recovering from a war. But at 21 Nevern Street, London, the conflict has only just begun.