
Singing in the Shrouds
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Narrated by:
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James Saxon
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By:
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Ngaio Marsh
About this listen
Singing in the Shrouds was first published in 1958.©1958 Original Text of 1958 by Ngaio Marsh (P)2015 Hachette Audio
Critic reviews
"Ngaio Marsh at her intelligent best." (Times Literary Supplement)
"Superlatively good." (Sunday Times)
"Astoundingly good...moments of pure hilarity set among moments of real fear. Masterly." (Daily Express)
There are many excellent narrators recording now who can manage to make the characters crystal clear but are still a joy to hear more than once and I prefer their versions.
This is an unusual Alleyn story and setting. Marsh builds the tension extremely, the story is very unsettling and the unmasking is well done.
Sinister setting
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Excellent narration
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built up an interesting atmosphere on the docks and on the boat where the action takes place. But, the story was a bit thin, so not one of my favourite Marsh novels.
Atmospheric but a bit obvious
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Shipboard thrills
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Very enjoyable murder mystery.
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Rich language, superbly crafted ‘who-dun-it’ Satisfying exposeé
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Where does Singing in the Shrouds rank among all the audiobooks you’ve listened to so far?
This was a different format for a marsh novel set almost entirely on board ship. Unfortunately the narrator over does all of the characters to the extent that it is almost pantomime.What did you like best about this story?
The story is excellent and the end is a good twistWould you be willing to try another one of James Saxon’s performances?
NoDid you have an emotional reaction to this book? Did it make you laugh or cry?
NoSpoilt by the narration
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This story, which, like all of Marsh's books, begins with a superb opening scene (which I imagine in black and white) that creates a wonderfully evocative atmosphere, is unusual in that the motive for murder is an unpredictable one. It is, however, still possible, as with her other works, for the reader to work out who dunnit. Marsh always plays fair with her audience.
The action takes place on board a ship used primarily for freight, but carrying just nine passengers (with the addition of Alleyn) which, as with all Golden Age detective fiction, gives the perfectly restricted environment.
The reader is the late James Saxon, who is so versatile and adept at creating a whole cast of individual character voices, it is easy to forget it is just him. He was obviously an accomplished actor who was, perhaps, handicapped by his extremely boyish looks. It's a really great shame that he died at a relatively young age, and would never know that he would be so admired by a host of audiobook fans.
A perfect combination
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There are some rather fun passages and the crime investigation is pretty good. Overall I'd place this in the bottom third among Marsh's 32 novels, but not at the very bottom.
James Saxon drives me insane with his ridiculous voices and especially the slight half-laugh that he developed more and more throughout the Alleyn books (it's not there in for instance his lovely narration of Death in a White Tie).
Not one of her best
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The story was innovative and intricate in parts but, it was wholly let down by the narrator! To save his life, he cannot do characterisation! Many times you could not tell who was speaking and, as for the voice he adapted for one female character in particular, it was appalling!
I'm just about to buy another book. I hope that he isn't the narrator. But if he is, I'm going to give him one last chance.
Listen to the sample before buying, the book is great so, if you can tolerate his narration, go for it!
Enjoy!
Story Great - Narration Poor
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