Tim Winton's characters are ordinary people who battle to maintain loyalty against all odds; women, children, men whose relationships strain under pressure and leave them bewildered, hoping, sometimes fleeing, but often finding strength in forgotten parts of themselves.

Georgie Jutland is a mess. At 40, with her career in ruins, she finds herself stranded in White Point with a fisherman she doesn't love and two kids whose dead mother she can never replace. Leached of all confidence, she spends her days in isolated tedium and her nights in a blur of vodka self-recrimination. One morning, in the boozy pre-dawn gloom, she sees a shadow drifting up the beach below - a loner called Luther Fox, with danger in his wake.

Here are turnings of all kinds - changes of heart, nasty surprises, slow awakenings, sudden detours - where people struggle against the terrible weight of the past and challenge the lives they have made for themselves. Beautifully crafted, and as tender as they are confronting, these elegiac stories examine the darkness and frailty of ordinary people and celebrate the moments when the light shines through.

Ellis is obsessed with the spiders that inhabit the crumbling house where he lives with his dad, his older sister and Great-Aunt Mafi - and by a need to find out more about his mother, whose death overshadows the family's otherwise happy existence. He is a sensitive soul - awkward and out of place most of the time but funny, too, and with an embarrassing habit of speaking his thoughts aloud, whatever the company.

Most of us have plans. Somewhere to go if something awful happens. Pilgrim Jones doesn't. She looks up at a departures board and takes the first flight. She alights on the edge of Africa. Over confessions and strong gin, she's lured into a world of mercenaries and philanthropists, delusional heroes and witchdoctors in polyester suits. But what about the beating absence, the thing she's done?

After an acclaimed career in ceramics making things and breaking things, it is now Jay herself who has cracked. Recovering from a breakdown, she and her husband, Simon, move to the desolate edges of the Yorkshire moors, where they find and fall in love with the Two Houses: a crumbling Victorian property whose central rooms were supposedly so haunted that a previous owner had them cut out from the building entirely.

Two rural families flee to the city and find themselves sharing a great, breathing, shuddering joint called Cloudstreet, where they begin their lives from scratch. For 20 years they roister and rankle, laugh and curse until the roof over their heads becomes a home for their hearts.

Ellis Hock runs a menswear store in Massachusetts but still dreams of the four years he spent in Malawi. When his wife leaves him, he realises that there is only one place for him to go: back to Malawi, where he can be happy again.

Italy in the early 1960s: A dying painter considers the sacrifices and losses that have made him an enigma, both to strangers and those closest to him. He begins his last life painting, using the same objects he has painted obsessively for his entire career - a small group of bottles. In Cumbria thirty years later, a landscape artist - and admirer of the Italian recluse - finds himself trapped in the extreme terrain that has made him famous.

It is the winter of 1985. Hope Farm sticks out of the ragged landscape like a decaying tooth, its weatherboard walls sagging into the undergrowth. Silver's mother, Ishtar, has fallen for the charismatic Miller, and the three of them have moved to the rural hippie commune to make a new start. But here, at just 13, she is thrust into an unrelenting adult world, and the walls begin to come tumbling down, with deadly consequences.

Every year on Leila's birthday Shalini kneels by the wall with a little yellow spade and scoops dry earth to make a pit for two candles. One each for herself and for Riz, the husband at her side. But as Shalini walks from the patch of grass where she held her vigil the man beside her melts away. It is 16 years since they took her, her daughter's third birthday party, the last time she saw the three people she loves most dearly: her mother, her husband, her child

Taking us from Afghanistan in the final days of its monarchy to the present, The Kite Runner is the unforgettable story of the friendship between two boys growing up in Kabul. Their intertwined lives, and their fates, reflect the eventual tragedy of the world around them. When Amir and his father flee the country for a new life in California, Amir thinks that he has escaped his past. And yet he cannot leave the memory of Hassan behind him.

Born a generation apart and with very different ideas about love and family, Mariam and Laila are two women brought jarringly together by war, by loss, and by fate. As they endure the ever escalating dangers around them, in their home as well as in the streets of Kabul, they come to form a bond that makes them both sisters and mother-daughter to each other, and that will ultimately alter the course not just of their own lives but of the next generation.

On a promontory jutting out into the Atlantic wind stands the Home run by Brother Benedict, where boys are taught a little of God and a lot of fear. To Michael Lamb, one of the youngest brothers, the regime is without hope, and when he inherits a small legacy he defies his elders and runs away, taking with him a twelve-year-old boy, Owen Kane. Radio Eireann call it a kidnapping. For Michael the act is the beginning of Owen's salvation.

Topanga Canyon is home to two couples on a collision course. Los Angeles liberals Delaney and Kyra Mossbacker lead an ordered, sushi-and-recycling existence in a newly gated hilltop community: He is a sensitive nature writer, she an obsessive realtor. Mexican illegals Candido and America Rincon desperately cling to their vision of the American Dream as they fight off starvation in a makeshift camp deep in the ravine.