This witty masterpiece combines high comedy with social commentary as it deflates romantic misconceptions of love and warfare. First produced on the London stage in 1894, Arms and the Man is one of the most frequently acted and studied of Shaw's plays.

George Bernard Shaw - or Bernard Shaw, as he preferred to be known - was one of Ireland's foremost dramatists and thinkers. His plays range from contemporary satires to historical allegories, and are infused with ideas, insight, wit and wisdom. Included here are some of his best works, adapted for radio and brought together in reverse chronological order in one statement collection.

Regarded by many as the most luminous example of Twain's work, this historical novel chronicles the French heroine's life, as purportedly told by her longtime friend--Sieur Louis de Conte.

One of the most famous victims of the Holy Office of the Inquisition was the brilliant Dominican monk Giordano Bruno, burnt at the stake for heresy in 1600. Morris West recreates a diary of Bruno’s intimate thoughts as he languishes in Rome’s worst prison for seven years. Bruno’s reflections and frank memories of his life reveal him to be both a fine thinker and a flawed priest - and a man willing to pay the highest price to be true to himself.

Man and Superman was the first drama to be broadcast on the BBC's Third Programme on October 1, 1946. To celebrate Radio 3's 50th anniversary, the play was directed by Sir Peter Hall, and preserved for all time in this lush audio dramatization. 'A comedy and a philosophy', Man and Superman is based on the Don Juan theme, and using all the elements from Mozart's Don Giovanni, Shaw reordered them so that Don Juan becomes the quarry instead of the huntsman.

Figures of Earth, subtitled "A Comedy of Appearances", follows the vicissitudes of Dom Manuel the Redeemer from his lowly swineherd origins through his unlikely elevation to the Count of Poictesme, and beyond. Published in 1921, it was the second volume of “The Biography of Manuel”, Cabell’s great work about an imaginary land that also managed to skewer the world of his upbringing as a Southern Gentleman of Virginia, and nearly everything else, besides!

Politics, religion, and international intrigue paint a gripping portrait of England in the months prior to the Peasants’ Revolt of 1381, but in a book where there are no pure ideals, perfect heroes, or irredeemable villains, history becomes personal. Schism splits the Catholic Church, a teenaged king sits on England’s throne, John Wycliffe protests, Piers Plowman complains, Geoffrey Chaucer tells tales.

Edinburgh, 1736. In the town’s grim prison, the Heart of Midlothian, two prisoners await execution. Captain Porteous of the Town Guard has been sentenced to death for ordering his soldiers to open fire on Edinburgh citizens. He hopes for reprieve. The people want revenge. Effie Deans, wrongly accused of killing her newborn baby, will die unless her sister, Jeanie, tells a lie. Jeanie, determined to save her sister, makes a terrifying journey as Effie’s life hangs in the balance.

The year is 1601. Queen Elizabeth I is dying, childless. Her nervous kingdom has no heir. It is a capital crime even to think that Elizabeth will ever die. Potential successors secretly maneuver to be in position when the inevitable occurs. The leading candidate is King James VI of Scotland, but there is a problem. The queen’s spymasters - hardened veterans of a long war on terror and religious extremism - fear that James is not what he appears.

A young, shy, sickly priest is assigned to his first parish, a sleepy village in Northern France. Though his faith is devout, he finds nothing but indifference and mockery. The children laugh at his teachings, his parishioners are consumed by boredom, rumours are spread about him and he is tormented by stomach pains. Even his attempts to clarify his thoughts in a diary fail to deliver him from worldly concerns. Yet somehow, despite his suffering, he tries to find love for his fellow humans and even a state of grace.  

Something between a tale and a polemic, these 'fables of reason' are feats of narrative compression and contain much of Voltaire's best and funniest writing. From ribald tales of adultery to conversations between cosmic travellers, the stories in this collection pose moral, philosophical and social questions. Listener and protagonist alike find their assumptions challenged as Voltaire mingles rationality and fantasy.

England, the 1520s. Henry VIII is on the throne, but has no heir. Cardinal Wolsey is his chief advisor, charged with securing the divorce the pope refuses to grant. Into this atmosphere of distrust and need, comes Thomas Cromwell, first as Wolsey's clerk, and later his successor.

The immortal knight, Sir Richard of Ashbury, hunts his nemesis through centuries of war.... AD 1190, England. A young knight's family is slaughtered. As the lords of Europe seek to retake Jerusalem from the mighty Saladin, Sir Richard swears an oath of vengeance against Earl William de Ferrers, who has returned from the dead with an insatiable thirst for violence. Richard stalks William and his savage knights across Europe to the Holy Land, fights in the crusades' bloodiest battles alongside Richard the Lionheart and unearths a secret of great evil under the hills of Palestine.

It's a miracle that he can see demons, plain as day, and that he can cast them out with the force of his will. It's a miracle that he's friends with Pico della Mirandola, the Count of Concordia. It's a miracle that when Girolamo visits the deathbed of Lorenzo "the Magnificent", the dying Medici is wreathed in celestial light, a surprise to everyone, Lorenzo included. It's a miracle that when Charles VIII of France invades northern Italy, Girolamo meets him in the field, and convinces him to not only spare Florence but also protect it. 

Don Quixote, the old gentleman of La Mancha, takes to the road in search of adventure and remains undaunted in the face of repeated disaster.