There's no doubt that Tori is winning the game of life. She's inspired millions of women to stick two fingers up at convention with her best-selling memoir, and she has the perfect relationship to boot. But Tori Bailey has been living a lie. Everyone around her is getting married and having babies, but her long-term boyfriend won't even talk about getting engaged. And when her best friend Dee - her plus one, the only person who understands the madness - falls in love, suddenly Tori's in terrifying danger of being left behind.

Friends. You can't live with them - and you can't live without them. Or so Matt is discovering. His best mate is getting married, leaving him high and dry. No flat-mate - and no girlfriend. Then he remembers Helen (H to her friends). H has no life outside her brilliant career - and all her best friend Amy wants to talk about is her wedding. Which suits Stringer, because catering the wedding is his first real chance to prove himself. The last thing he needs is to fall for one of the bride's friends, Susie, particularly because she's sworn off men while she sorts out her life.... 

It's Valentine's Day, and Ellie Knight finds herself eating Nutella in the bar stock after a no-show date. But single doesn't have to be the loneliest number, does it? She goes back home to her flatshare and weird flatmates. It's okay there's black mould everywhere, right? With a hangover from hell, she goes to the office job she thought she would have quit by now. Doesn't everyone hate their job? Maybe Ellie isn't following the official life plan, but perfect is overrated.

Olive is many things. Independent. Adrift. Anxious. Loyal. Kind. Knows her own mind. It’s okay that she’s still figuring it all out, navigating her world without a compass. But life comes with expectations, there are choices to be made, boxes to tick and - sometimes - stereotypes to fulfil. And when her best friends’ lives start to branch away towards marriage and motherhood, leaving the path they’ve always followed together, Olive starts to question her choices - because life according to Olive looks a little bit different.

All Evie wants is to be normal. And now that she's almost off her meds and at a new college where no one knows her as 'the girl who went nuts', there's only one thing left to tick off her list...a boyfriend. But relationships can mess with anyone's head - something Evie's new friends, Amber and Lottie, know only too well. The trouble is, if Evie won't tell them her secrets, how can they stop her making a huge mistake?

Ever feel like you're losing a race you never signed up for? Everyone in Amy's life seems to be getting married, having children and settling down (or so Instagram tells her), and she feels like she's falling behind. So, when her long-term boyfriend surprises her with a dream holiday, she thinks he's going to finally pop the big question. But the dream turns into a nightmare when, instead, she finds herself on the set of a Big Brother-style reality television show, The Shelf.

Violet Archer has her dream job at one of London’s top advertising agencies, and the fact she gets to work with Ethan Fraser every day makes it even better. He’s the best friend a girl could have. And she’s never even noticed how hot he is. Nope. Definitely not. When a big night out deteriorates into a great big mess, Violet’s world starts to wobble like a drunk giraffe on stilts. She’s caught in a web of secrets, none of which are hers. And maybe she is starting to notice how hot Ethan is, after all. And sweet and kind and...oh dear.

The first novel from the award-winning, best-selling author of Everything I Know About Love. Thirty-two-year-old Nina Dean is a successful food writer with a loyal online following but a life that is falling apart. When she uses dating apps for the first time, she becomes a victim of ghosting and by the most beguiling of men. Her beloved dad is vanishing in slow motion into dementia, and she's starting to think about ageing and the gendered double-standard of the biological clock.

Charlie's career as a filmmaker is on standby, she hasn't had a girlfriend in forever, her best friend is sickeningly successful (and being awkward since that night) and her dad is dying of cancer. So the invitation from Cork Film Festival comes like a sign - a chance to explore the Irish homeland she's never seen. But this isn't just any search for long-lost ancestry: Charlie's father is the sole survivor of a tragic accident that killed every other child on the small island where he grew up, and Charlie's one achievement is the film she made that tells his story. 

Jenny is unloved, unemployable and emotionally unfiltered. Her long-suffering friends seem sick of her, and whilst her social media portrays her life as a bed of roses, it is more of a dying succulent. Adults is what you want it to be. A misadventure of maturity, a satire on our age of self-promotion, a tender look at the impossibility of womanhood, a love story, a riot. And Emma Jane Unsworth is the only voice to hear it from. Adults is excruciating, a gut punch of hilarity and an audiobook laden with truth that you will listen to again and again.

The panic years can hit at any time but they are most commonly triggered somewhere between the ages of twenty-five and forty. During this time, every decision a woman makes - from postcode to partner, friends to family, work to weekends - will be impacted by the urgency of the one decision with a deadline, the one decision that is impossible to take back: whether or not to have a baby. But how to stay sane in such a maddening time? How to understand who you are and what you might want from life? How to know if you're making the right decisions?

Penny Bridge has always been unlucky in love. So she can’t believe it when she meets a remarkable new man. Followed by another. And then another. And all of them want to date her.

Meet Grace Bernard. Daughter, sister, colleague, friend, serial killer. Grace has lost everything. And now she wants revenge.

In Jake, Marisa has found everything she’s ever wanted. Then their new lodger, Kate, arrives. Something about Kate isn’t right. Is it the way she looks at Marisa’s boyfriend? Sits too close on the sofa? Constantly asks about the baby they are trying for? Or is it all just in Marisa’s head? After all, that’s what her Jake keeps telling her, and she trusts him - doesn’t she? But Marisa knows something is wrong. That the woman sleeping in their house will stop at nothing to get what she wants. Marisa just doesn’t know why.

When Emira is apprehended at a supermarket for ‘kidnapping’ the white child she’s actually babysitting, it sets off an explosive chain of events. Her employer Alix, a feminist blogger with the best of intentions, resolves to make things right. But Emira herself is aimless, broke and wary of Alix’s desire to help. When a surprising connection emerges between the two women, it sends them on a crash course that will upend everything they think they know – about themselves, each other and the messy dynamics of privilege.