Miss Silver joins a friend from Scotland Yard to investigate a suspicious suicide. Frank Abbott’s vacations never last very long, and his trip to Field End is no exception. He has hardly enjoyed a moment of Jonathan Field’s hospitality before tragedy strikes. A niece ventures into old Jonathan’s study at night to ask him a question, and finds him stone cold with a revolver by his hand. An obvious suicide, it seems, but Inspector Abbott is not so sure.

Scandal hits the staid publishing house of Barnabas when one of the directors is found dead in the strong-room. Suspicion immediately falls on his wife's lover, the junior partner in the firm. But how does an unpublished Restoration comedy come to feature in the tragedy? And what of the odd disappearance of another director twenty years before?

London, 1882. Alec Lonsdale, a young reporter on the Pall Mall Gazette, is working on a story about a fatal house fire. But the postmortem on the victim produces shocking results: Patrick Donovan's death was no accident. But why would someone murder a humble shop assistant and steal part of his brain? When a second body is discovered, its throat cut, and then a third, Lonsdale and his spirited female colleague, Hulda Friederichs, begin to uncover evidence of a conspiracy that reaches to the highest echelons of Victorian society.

For an instant the two trains ran together, side by side. In that frozen moment, Elspeth witnessed a murder. Helplessly, she stared out of her carriage window as a man remorselessly tightened his grip around a woman's throat. The body crumpled. Then the other train drew away. But who, apart from Miss Marple, would take her story seriously? After all, there were no suspects, no other witnesses… and no corpse.

It's March 1934, and Josephine Tey is travelling from Scotland to London to celebrate what should be the triumphant final week of her celebrated play, Richard of Bordeaux. However, a seemingly senseless murder puts her reputation, and even her life, under threat.

Twelve-year-old Peter Waring is an orphan with an assortment of relatives who don't quite know what to do with him. But Peter's concern is for Rose Ellen, the little girl his mother took in before she died, and for whom none of his relations feel any responsibility. They are however intrigued by Peter's legacy. His father had hidden The Annam Jewel, a mysterious and priceless object that Peter will inherit on his 25th birthday. But Peter's first task is to rescue Rose Ellen from the wretched institution where she has been sent.

It is a black Chinese cabinet decorated with figures that once ignited little Chloe Dane's imagination. It was in the drawing-room of her family home, Danesborough. Later, it held secrets that shamed and sickened her. Poor but honest Chloe hasn't been to Danesborough for years and believed she was the last of her family. So when a distant cousin introduces himself and declares that she will be his heir, she finds herself in the huge house again. And she wants none of it.

Sally Meredith's young life has been full of adventure. As a suffragist, she fought for women's right to vote. She drove an ambulance in France during the war. And she's already had a proposal and a broken engagement. But the past few years have been deadly dull, taking care of a cranky relative and now living alone in a quiet village. So when her eccentric uncle Fritzi arrives with the tale of his most recent invention - a deadly gas that nations are striving to get hold of - she's intrigued.

An exquisite silver coffee-pot in the shape of a locomotive is on its way to Cardiff in the care of silversmith, Hugh Kellow. When the coffee-pot is stolen and a murder is committed, Inspector Colbeck and Sergeant Leeming are called in to investigate.

When Meredith Mitchell agreed to stay with her actress cousin, Eve, in the run up to Eve's daughter's wedding, she anticipated a degree of drama. But she can hardly have expected it to include murder, blackmail, and unrequited love. Or to involve a certain Chief Inspector Markby, a middle aged divorcee.

New York, 1908. Private detectives George Dillman and Genevieve Masefield plan to take a break from work upon the Cunard Line’s fleet with the offer of employment upon the Minnesota, a freighter and passenger vessel, which is bound for the Far East. Although the pair are investigating the possibility of a smuggling operation on the route, at first all appears to be smooth sailing, but the voyage takes a dire turn when a fiery Catholic missionary is murdered and it proves to be the first in a series of crimes that plague the crossing.

Marion Sharpe and her mother seem an unlikely duo to be found on the wrong side of the law. Quiet and ordinary, they have led a peaceful and unremarkable life at their country home, The Franchise. Unremarkable that is, until the police turn up with a demure young woman on their doorstep.Not only does Betty Kane accuse them of kidnap and abuse, she can back up her claim with a detailed description of the attic room in which she was kept, right down to the crack in its round window.

This adventure begins with a body on a train, the word 'Alex' scrawled on the compartment window, and the discovery of a visiting card bearing the name 'Mrs Trevelyan'. More bodies follow, and the two names recur on each occasion.

An English bobbie returning from night patrol finds a corpse in evening dress locked in the stocks on the village green. He identifies the body immediately. Andrew Vereker was not a well-loved man, and narrowing down the suspects is not going to be an easy job. The Vereker family are corrupt and eccentric - and hardly cooperative. It's another case for the resourceful Superintendent Hannasyde, who sets off on the trail of a killer so cunning that even his consummate powers of detection are tested to their limits.

The Surrays and their five children form a prolific writing machine, with scores of treatises, reviews and crime thrillers published under their family name. Following a convergence of the whole household at their Oxfordshire home, Ruth—the middle sister—decides to spend some weeks there recovering from the pressures of the writing life. Their next return is heralded by the tragic news that Ruth has taken her life after an evening at the Surrays' hosting a set of publishers and writers, one of whom is named as Ruth's literary executor in the will she left behind.