James Tiptree, Jr. burst onto the science fiction scene in the 1970s with a series of hard-edged, provocative short stories. Hailed as a brilliant masculine writer with a deep sympathy for his female characters, he penned such classics as Houston, Houston, Do You Read? and The Women Men Don't See. For years he corresponded with Philip K. Dick, Harlan Ellison, Ursula Le Guin. No one knew his true identity. Then the cover was blown on his alter ego: A 61-year-old woman named Alice Sheldon.

A young English biographer is researching a book about the late South African writer John Coetzee, focusing on Coetzee in his 30s, at a time when he was living in a rundown cottage in the Cape Town suburbs with his widowed father - a time, the biographer is convinced, when Coetzee was finding himself as a writer. Never having met the man himself, the biographer interviews five people who knew Coetzee well, including a married woman with whom he had an affair, his cousin Margot, and a Brazilian dancer whose daughter took English lessons with him. 

These three short works show Austen experimenting with a variety of different literary styles, from melodrama to satire, and exploring a range of social classes and settings. The early epistolary novel Lady Susan depicts an unscrupulous coquette toying with the affections of several men. In contrast, The Watsons is a delightful fragment whose spirited heroine, Emma Watson, finds her marriage opportunities limited by poverty and pride....

Anna Karenina is one of the most nuanced characters in world literature, and we return to her and the novel she propels again and again. Remarkably, there has not yet been an examination of Leo Tolstoy specifically through the lens of this novel. Critic and Professor Bob Blaisdell unravels Tolstoy’s family, literary, and day-to-day life during the period that he conceived, drafted, abandoned, and revised Anna Karenina. In the process, we see where Tolstoy’s life and his art intersect in obvious and unobvious ways.

For the 150th anniversary of the publication of Louisa May Alcott's Little Women, Kate Bolick, Jenny Zhang, Carmen Maria Machado, and Jane Smiley explore their strong, lifelong personal engagement with Alcott's novel - what it has meant to them and why it still matters. These four voices come together to form a deep, funny, far-ranging meditation on the power of great literature to shape our lives. 

The biography's new title emphasizes that Rebecca West was a prophet - one not always appreciated in her own day. As early as 1917, she understood where the world was headed and realized that the revolution in Russia held out false hope. Because she took this view as a socialist, those on the left scorned her as an apostate, whereas she understood that Communism would result in a disaster for the British left.

Memoir of Jane Austen is the Austen family's memoir of the beloved 19th-century English novelist. Written and compiled by Austen's nephew, James Edward Austen-Leigh, Memoir of Jane Austen reveals the author as her family knew her while at the same time protecting the author's privacy in keeping with the Victorian conventions of the time.

One of the greatest novels to have come from the 19th century, a realistic, gritty exposure of the lives, loves, intrigue and rivalry that existed in the literary world of London. The art form and culture of writing is becoming a business, expanding rapidly, and profit is more important than integrity of purpose.

Elena Ferrante is the best-selling author of My Brilliant Friend, now an HBO original series. Collected here for the first time are the seeds of future novels, the timely reflections of this internationally beloved storyteller, the abiding preoccupations of a writer who has been called “one of the great novelists of our time” (New York Times).

Edith, Osbert and Sacheverell Sitwell were the children of possibly the most selfish and mismatched couple in the annals of the British aristocracy. They became in the 1920s, in Cyril Connolly's words, 'a dazzling monument to the English scene... had they not been there a whole area of life would have been missing.' John Pearson describes the public and private life of this strangest and most flamboyant of literary families.

A radical look at Jane Austen as you've never seen her - as a lover of farce, comic theatre and juvenilia. The Genius of Jane Austen celebrates Britain's favourite novelist 200 years after her death and explores why her books make such awesome movies time after time.

If Elizabeth Bennet had the washing of her own petticoats, Sarah thought, she would be more careful not to trudge through muddy fields. It is wash-day for the housemaids at Longbourn House, and Sarah's hands are chapped and bleeding. Domestic life below stairs, ruled tenderly and forcefully by Mrs Hill the housekeeper, is about to be disturbed by the arrival of a new footman smelling of the sea, and bearing secrets.

Everybody thinks that Charlotte Lucas has no prospects. She is unmarried, plain and seemingly without ambition. When she stuns the neighbourhood by accepting the proposal of buffoonish clergyman Mr Collins, her best friend, Lizzy Bennet, is angry at her for undervaluing herself. Yet the decision is the only way Charlotte knows to provide for her future, and marriage will propel her into a new world, of duty, marriage, children, grief and ultimately illicit love, and a kind of freedom.

On 21 January 1804, Anne Sharpe arrives at Godmersham Park in Kent to take up the position of governess. At 31 years old, she has no previous experience of either teaching or fine country houses. Her mother has died, and she has nowhere else to go. Anne is left with no choice. For her new charge—12-year-old Fanny Austen—Anne's arrival is all novelty and excitement.

This is an audiobook about a poet, about a poem, about a city, and about a world at a point of change. More than a work of literary criticism or literary biography, it is a record of why and how we create and respond to great poetry. This an audiobook about a poet, W. H. Auden, a wunderkind, a victim-beneficiary of a literary cult of personality who became a scapegoat and a poet-expatriate largely excluded from British literary history because he left.