Their Eyes Were Watching God, an American classic, is the luminous and haunting novel about Janie Crawford, a Southern Black woman in the 1930s, whose journey from a free-spirited girl to a woman of independence and substance has inspired writers and readers for close to 70 years.

In Mules and Men, some of the rich cultural heritage of black America is revealed and preserved. In the 1930s, Zora Neale Hurston returned to her home town of Eatonville, Florida, to collect and record the oral histories, songs, and sermons, many dating back to slavery times, that she remembered hearing as a child. These highly metaphorical folktales, "big old lies", and powerful songs helped her to recover her history, and preserve an important part of American culture.

Jean Toomer's Cane is one of the most significant works to come out of the Harlem Renaissance, and is considered to be a masterpiece in American modernist literature because of its distinct structure and style. First published in 1923 and told through a series of vignettes, Cane uses poetry, prose, and play-like dialogue to create a window into the varied lives of African Americans living in the rural South and urban North during a time when Jim Crow laws pervaded and racism reigned. 

In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview 86-year-old Cudjo Lewis, who was abducted from Africa on the last 'Black Cargo' ship to arrive in the United States. Of the millions of men, women and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage 50 years after the Atlantic slave trade was outlawed in the United States.

Drawing from the magical world of her iconic Sundance award-winning film, Julie Dash’s stand-alone novel tells another rich, historical tale of the Gullah-Geechee people: a multigenerational story about a Brooklyn College anthropology student who finds an unexpected homecoming when she heads to the South Carolina Sea Islands to study her ancestors. 

In 1760, Deborah Samson is born to Puritan parents in Plympton, Massachusetts. When her father abandons the family and her mother is unable to support them, Deborah is bound out as an indentured servant. From that moment on, she yearns for a life of liberation and adventure. Twenty years later, as the American colonies begin to buckle in their battle for independence, Deborah, impassioned by the cause, disguises herself as a soldier and enlists in the Continental Army.

Three Black women building new lives in Stockholm become linked in unexpected ways to the same influential white man. Successful marketing executive Kemi Adeyemi is lured from the US to Sweden by Jonny von Lundin, CEO of the nation's largest marketing firm, to help fix a PR fiasco involving a racially tone-deaf campaign. A killer at work but a failure in love, Kemi's move is a last-ditch effort to reclaim her social life.

The revolutionary writings of Audre Lorde gave voice to those 'outside the circle of this society's definition of acceptable women'. Uncompromising, angry and yet full of hope, this collection of her essential prose - essays, speeches, letters, interviews - explores race, sexuality, poetry, friendship, the erotic and the need for female solidarity and includes her landmark piece 'The Master's Tools Will Never Dismantle the Master's House'.

What does it mean to be out walking in the world, whether in a landscape or a metropolis, on a pilgrimage or a protest march? In this first general history of walking, Rebecca Solnit draws together many histories to create a range of possibilities for this most basic act. Arguing that walking as history means walking for pleasure and for political, aesthetic, and social meaning, Solnit homes in on the walkers whose everyday and extreme acts have shaped our culture.

The Stantons and the Nortons were families in the truest, oldest sense: extended networks of kin stretching across the mountains, everyone within hiking distance. They’d come from the British Isles and settled in the Appalachians of North Carolina during the 1700s, bringing with them their dearly loved songs and their clannish ways, their ties to the land ultimately becoming as strong as their ties to one another.

The Poisonwood Bible is a story told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it - from garden seeds to Scripture - is calamitously transformed on African soil. What follows is a suspenseful epic of one family’s tragic undoing and remarkable reconstruction over the course of three decades in postcolonial Africa.

Harry Rogers and Jess Cook stumbled into the technological remnants of an alien presence on Earth. Now everyone wants to take it from them. With both the government and a ruthless criminal family hot on their trail, they can’t afford even one mistake. If they win, they get a ticket to the stars. If they fail, they get an unmarked grave.

This beautifully constructed family saga spans three generations set all within the macabre world of the civil war era American funeral industry where weepers, warners, death photographers and the new practice of embalming the dead dwelled. For generations, the women of the Fenn family have been traditional “weepers”; paid mourners who attend wakes and weep for the dead. Their counterparts, the men of the True family, are undertakers, or “warners.” 

A gifted, idolized singer returns to his poor hometown and a life and family he is so far removed from he now holds them in contempt. The Gospel Singer reveals the absurdity of blind religious faith and idol worship and the hypocrisy that results with the offering of money or sex. Crews grapples with race, gender, religion, and place and steps back to divulge the secrets of his characters - including a dead girl awaiting the gospel singer’s melodious eulogy, his dysfunctional family, a murderer, the zealous town residents, and a traveling freak show.  

Scant years after the Civil War, a mysterious family confronts the legacy that has pursued them across centuries, out of slavery, and finally to the idyllic peace of the town of Rosetree. The shattering consequences of this confrontation echo backwards and forwards in time, even to the present day.